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Lambert, FGL lead charts

Thursday, June 19, 2014 – Miranda Lambert stayed first on the Billboard Hot Country Albums chart for the week ending June 28 with "Platinum." Not much changed on the Hot Country Songs chart, meaning that Florida Georgia Line still is first for the week ending June 28 with "This is How We Roll," the song featuring Luke Bryan.

On the albums chart, Brantley Gilbert held second with "Just As I Am." "NOW That's What I Call Country: Volume 7" was third, one ahead of Bryan's Crash My Party." Florida Georgia Line were fifth with "Here's to the Good Times."

Kacey Musgraves was up 3 to 13 with "Same Trailer Different Park." Keith Urban moved up 4 to 19 with "Fuse." Lady Antebellum was 24th with "Golden," up 4.Youg was 25th with "A.M.," up four.

Bryan was second again on the songs chart with "Play It Again." Jake Owen held third with "Beachin'," with Blake Shelton's "My Eyes" featuring Gwen Sebastian fourth, up five. Dierks Bentley rounded out the top five with "Drunk on a Plane," which was up one.

Lee Brice's "I Don't Dance' moved four spots to sixth with Justin Moore's "Lettin' The Night Roll" also up four to seventh. Chris Young jumped five to ninth with "Who I Am With You." Eric Paslay broke into the top 25 with "Song About a Girl" at 24, up 2. Gilbert rounded out the top 25 with "Small Town Throwdown" with Thomas Rhett and Moore, up 2.

Yet again, Nickel Creek led the Bluegrass Albums chart with "A Dotted Line." Alan Jackson's "The Bluegrass Album" held second. Steve Martin and the Steep Caynon Rangers featuring Edie Brickell were third with "Live." Jonthan Widger, Sarah Moore and Randy Nichols held fifth with "Timeless Treasures: Bluegrass Gospel." Martin and Brickell were fifth with "Love Has Come For You."

On the overall top 200, Lambert was second, Gilbert fourth, "NOW" 10th, Bryan 11th and Florida Georgia Line 17th.

More news for Miranda Lambert

CD reviews for Miranda Lambert

Platinum CD review - Platinum
Cynics might think that Miranda Lambert is presumptuous in entitling her fifth disc "Platinum" and, in effect, assuming she'll get her plaque for selling 1 million units. But Lambert says that isn't the case, but more a matter of style, looks and feel. Lambert also wrote and discovered a lot of excellent songs that fit her quite well in an album in which she exposes her inner self as she matures. That may never more apparent than in the country rocker Lambert wrote »»»
Revolution CD review - Revolution
Every once in a while an album comes along that restores your faith in mainstream country music. Miranda Lambert's "Revolution" is just such a recording. It's not revolutionary, as the title might suggest. Instead, this CD is chock full of topnotch songs that are both memorable and sincere and never sound slick or overproduced. (Come to think of it, such old school values as these may in fact be revolutionary around Nashville). Lambert vocalizes a bit like a little girl at »»»
Crazy Ex-Girlfriend CD review - Crazy Ex-Girlfriend
Even though it sounds like a cliche from the big book of country songwriting, the truth is that, when the timing's right, a loser can end up being the biggest winner of all. Today's object lesson comes from Miranda Lambert and her sophomore album, the follow-up to her 2005 near-platinum debut, "Kerosene." Imagine for a moment if the then-19-year-old had actually taken the crown in 2003's Nashville Star and then been forced into the studio within weeks to be primped and »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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