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Joe Ely receives Americana Music Association honor

Thursday, July 19, 2007 – Joe Ely will receive the 2007 Lifetime Achievement Award for Performing from the Americana Music Association, the group announced Thursday.

"Ely's live shows have become legendary, and throughout his genre -crossing career, he has performed with Bruce Springsteen, Los Super Seven, and James McMurtry, The Clash and more recent acoustic tours with Lyle Lovett, John Hiatt, and Guy Clark," said AMA Executive Director Jed Hilly in announcing the award from the stage of the Ryman Auditorium where the group was recognizing Levon Helm of The Band.

"Four years ago Levon received the Americana Lifetime Achievement Award for Performing, but due to personal health reasons was unable to come to Nashville, said Hilly. "How honored are we that the man many people call the godfather of the Americana Roots Music movement is honoring us with his performance here tonight."

The presentation to Ely, who released two albums already this year, will be made Nov. 1 at the Ryman Auditorium during the 6th Annual Americana Music Association's Honors and Awards Show as part of the AMA's annual conference in Nashville.

The AMA also will present the Lifetime Achievement Awards for Songwriter, Instrumentalist, Producer/Engineer, Spirit of Americana Free Speech Award, The Presidents Award and the Jack Emerson Executive Award. Recipients in these categories will be announced between now and October.

More news for Joe Ely

CD reviews for Joe Ely

Panhandle Rambler CD review - Panhandle Rambler
Joe Ely shows no signs of slowing down on his ninth release. Writing all but two of the dozen songs over the past three or four years, Ely is at his best here, painting pictures with words of the Texas that he calls home. The title belies the scope of this album, with its contents illustrating a panorama of Texas landscape and citizenry (legal and otherwise), including those from just south of the border as well. Standouts abound: "Four Ol' Brokes," a tale of poker, train yards, »»»
Satisfied At Last CD review - Satisfied At Last
Often, it seems that a veteran singer getting into his or her 60s or 70s will start writing more frequently about life and death. While the results can often be compelling (the best parts of Johnny Cash's "American Recordings" sessions, for example), they can also be plain depressing (the worst parts of "American Recordings"). Then, there's the Joe Ely approach. On his new album, "Satisfied At Last," Ely, 64, says he wants his ashes loaded into some shotgun »»»
Live Cactus CD review - Live Cactus
As a country music "outlaw," Joe Ely has always stood out from the pack. On his latest, Ely has decided to forge an alliance with premier accordionist Joel Guzman, and the combination works. This is not the typical Ely album with a lot of edginess. The live disc is a confluence of two excellent and distinct talents whose music covers a wide spectrum. With more than an hour of material available, there is a lot to choose from with the wispy balladry of "Up On the Ridge" »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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