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LoS goes digital with '04 disc

Friday, February 7, 2014 – Leftover Salmon announced Friday that its 2004 self-titled disc will be available digitally for the first time on all major digital outlets on Tuesday.

Little Feat member Bill Payne produced the disc.

The band will play songs from the album at shows mixed in with other old Leftover tunes, songs from their 2012 release "Aquatic Hitchhiker" and new songs released last year through Breckenridge Brewery. Payne meets up with LoS halfway through their Powder Daze Winter Tour at the WinterWonderGrass Festival in Avon, Col. this month and then travels on with LoS for shows in Jackson, Wyo. and Victor, Idaho, then two nights in Big Sky, Mont. with the tour ending in Missoula, Mont. Leftover Salmon will pick back up for their early spring tour starting in late March.

Songs on the disc are:
1. Down In The Hollow
2. Mountain Top
3. Delta Queen
4. Lincoln At Nevada
5. Woody Guthrie
6. Fayetteville Line
7. Everything Is Round
8. Whispering Waters*
9. Last Days Of Autumn
10. Just Keep Walkin'
11. Weary Traveler

Today, Leftover Salmon is: Vince Herman (vocals, acoustic and electric guitar, mandolin); Drew Emmitt (vocals, mandolin, acoustic and electric guitar, mandola, fiddle); Andy Thorn (vocals, acoustic and electric banjo, National guitar); Greg Garrison (vocals, acoustic and electric bass, acoustic guitar); Alwyn Robinson (drums, percussion).

More news for Leftover Salmon

CD reviews for Leftover Salmon

High Country CD review - High Country
Not much can be done with leftover salmon unless extra ingredients and spice turn it into something new. Similarly, Boulder, Col., jam band Leftover Salmon doesn't deliver anything listeners haven't tasted before in "High Country," but they do it in a way much fresher than their name would suggest. That's quite an achievement for a band started more than 20 years ago. The group's 11th album begins with a call to action - or a call to wonder, rather - that carries »»»
Leftover Salmon
For their eighth album - the first since the death of co-founder Mark Vann - the eclectic Colorado based "polyethnic Cajun slamgrass" outfit has enlisted former Little Feat keyboardist Bill Payne as their producer. The result is an album that could best be described as the Grateful Dead meets the Nitty Gritty Dirt Band - not a bad thing at all. Consisting of fiddler/mandolinist Drew Emmitt, guitarist Vincent Herman, bassist Greg Garrison, pianist Bill McKay, drummer Jose Martinez and banjo-master »»»
The Nashville Sessions
Acoustic music cuts a wide, border-crossing swath that encompasses jazz, rock, blues and country - among other genres. Leave it to producer Randy Scruggs to assemble such a gathering to accompany jam band Leftover Salmon on its fine fourth album. In keeping with acoustic's applicability, the baker's dozen selections range from Del and Ronnie McCoury's bluegrass on "Midnight Blues" to Taj Mahal's and Sally Van Meter's blues with "Lovin' In My Baby's Eyes." And it's not that much of a stretch really. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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