Sign up for newsletter
 

Rogers charts for seven decades

Friday, December 20, 2013 – Kenny Rogers’ latest single, “You Can’t Make Old Friends,” recently charted on the Billboard country chart at 57, giving Rogers a charted single in each of the past seven decades beginning in the 1950’s.

Rogers has also charted an album in each of the past six decades since the 1960’s. The track, which is off his Top 10 Country album "You Can’t Make Old Friends" (Warner), reunites the Rogers with long-time friend, Dolly Parton. They received their third joint Grammy nomination for “You Can't Make Old Friends” for Best Country Duo/Group Performance.

Rogers has sold more than 120 million albums worldwide during his 56 years in show business. Rogers has recorded 12 number one albums and 24 number one hits “including The Gambler,” “Lady,” “Lucille,” “Coward Of The County” and “Islands in the Stream” with Parton.

More news for Kenny Rogers

CD reviews for Kenny Rogers

You Can't Make Old Friends CD review - You Can't Make Old Friends
Kenny Rogers has aged well, perhaps because he was already prematurely grey back when he first entered the country music realm more years ago than he'd probably care to mention. He sings, with the help of old friend Dolly Parton, on this album's title track about how you can't make old friends. And disarmingly honest lines like, "Who's going to tell me the truth?" raise this song above being just another music buddy number. The only trouble with having Parton sing a »»»
The Love of God CD review - The Love of God
There seems to be a theme among country superstars. They work their way onto the scene, burn bright, hopefully keeping the flame alive for some time. Then as their career ebbs and flows and the hits stop coming as steadily as they used to, they find themselves sitting in a studio recording a gospel record. Granted, country and gospel have always been fine bedfellows, but it just seems to be a trend that signifies that one is nearing the end of their career. "The Gambler" himself, Kenny »»»
Water and Bridges CD review - Water and Bridges
Kenny Rogers' first studio album in three years finds his gifts undiminished, with his voice resounding distinctively atop Dann Huff's country-tinged adult contemporary productions. The material sticks to the sort of contemplative mid-tempo numbers on which Rogers excels, and though the opening single (the power ballad "I Can't Unlove You") is lyrically pedestrian, there are songwriting riches to be found throughout. Walt Wilkins and Davis Raines' "Someone Somewhere Tonight" hits a high point »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
When Was the Last Time CD review - When Was the Last Time
Darius Rucker is so darn likeable, he likely gets away with creating subpar music more than most. However, "When Was the Last Time" is a consistently good album, which is as respectable as it is likeable. »»»
Losing Sleep CD review - Losing Sleep
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country.  »»»
A Long Way From Your Heart CD review - A Long Way From Your Heart
The name Turnpike Troubadours suggests traveling music. Strap yourself in and get ready for an exhilarating ride. This Oklahoma-based roots-rock unit soars on its fourth release. Not to diminish the strong songwriting from leader Evan Felker, it's the band's pulsating musicianship with an array of electric instruments combined with fiddle and pedal steel that makes the sound so arresting. »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»