Sign up for newsletter
 

Buck autobiography drops Tuesday

Monday, November 4, 2013 – Buck Owens' autobiography, "Buck 'Em!," comes out Tuesday, seven years after his death.

In the latter half of the 1990s, Owens began working on the book. Over several years, he spoke into a cassette tape recorder, totaling nearly 100 hours of memories and recording the story of his life. He recalled everything from his early days wearing hand-me-down clothes in Texas to his glory years as the biggest country star of the 1960s.

Grammy-nominated producer and author Randy Poe assembled all of Owens' stories and transcribed them so that they are in Owens' own words. In the preface of the book, Dwight Yoakam says, "The stream of stories throughout this book captures, with an uncanny accuracy, the way I heard Buck speak whenever he told a story to someone."

Born in Texas and raised in Arizona, Owens eventually found his way to Bakersfield, Cal., where he created his own brand of country music some 2,000 miles away from Music City. Inspiring everyone from ordinary music fans to The Beatles, he changed the way country records were mixed, produced, written and perceived. In 1969, he began hosting the country comedy TV show "Hee Haw," becoming a household name.

Poe is the president of Leiber & Stoller Music Publishing in Los Angeles. He is a Grammy-nominated record producer and an award-winning author whose books include the bestseller "Skydog: The Duane Allman Story" and "Stalking the Red Headed Stranger."

"Buck 'Em!: The Autobiography of Buck Owens and Buck 'Em!: The Music of Buck Owens (1955-1967)," a two-CD set being released as a companion to the book from Omnivore Recordings on Nov. 5.

More news for Buck Owens

CD reviews for Buck Owens

Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection CD review - Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me. Other impressive Owens compositions are the George Jones »»»
The Warner Bros. Recordings
It's a bit surprising to read the liner notes to a reissue - especially a pricey, deluxe package like those offered by Rhino Handmade - and find not only their author (in this case, veteran country music journalist Rich Keinzle), but the artist as well, more or less suggesting that the music contained therein is second-rate, but that's certainly the impression a reader is left with here. Buck Owens' move in from Capitol - the label with which he'd spent almost all of his »»»
Buck Owens in London CD review - Buck Owens in London
Buck Owens was not averse to putting out live albums. "In London," released in March 1969, was his third in three years. "Big in Vegas" followed close on its heels the same year, with another double shot of albums in 1972; and those are only domestic live releases. In his fine liner notes to the reissue, Deke Dickerson suggests that this one might be the best of the lot, and he may well be right. But what's remarkable is that none of them are throwaways, and each brought something distinctive to the table. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Elephant Revival becomes a headscratcher – Elephant Revival is not the easiest band to sonically pinpoint. Typically grouped in the bluegrass/jam band arena, in the live setting, the Colorado band stretched its musical boundaries. Folk and jazz overtones were part of the mix as well for the veterans. No matter the style, Elephant Revival easily absorbed and mastered the music.... »»»
Concert Review: Mellencamp flexes his creative muscles – For his "Sad Clowns & Hillbillies" tour, John Mellencamp brought along Carlene Carter - the night's self-described hostess who appears on the recent album, as well as Emmylou Harris. Each iconic woman performed her own set, as well as joining in with the headliner's set. With Mellencamp dressed rather formally, this man introduced... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Lane assumes mantle of "Highway Queen" For most artists, eight years is a fair amount of time in their careers. For Nikki Lane, eight years represents the entirety of her recorded history, and she's filled that relatively short time span with a highlight reel of impressive accomplishments, not the least of which would be actually... »»»
The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves... »»»
Mayhayley's House CD review - Mayhayley's House
For years, Lonesome River Band was proud to be "Carrying The Tradition" of bluegrass music. Then, with last year's release they began the process of "Bridging The Tradition" of bluegrass to something a little more progressive, a little more modern. Now, "Mayhayley's House" proves that LRB is continuing across that bridge. »»»
Positively Bob Willie Nile Sings Bob Dylan CD review - Positively Bob Willie Nile Sings Bob Dylan
The reasons musicians elect to record full-album tributes are as varied as the results. Willie Nile's previous album "World War Willie" was a fiery collection of roots rock that didn't delve far from the approach that served him across 35 years as a recording artist. Inspired by his invitation to perform at a Dylan tribute show, Nile has taken it upon himself to refocus attention on the influence the Dylan songbook had on his development. The results are appreciated... »»»
So You Wanna Be An Outlaw CD review - So You Wanna Be An Outlaw
If Steve Earle had never done another album after "Guitar Town" and "Copperhead Road," he'd still have cemented his place in the musical firmament for skillfully creating a ragged and beautiful tapestry from the stray threads of rootsy rock and authentic country. And that may well be why his catalog over the past three decades has been so compelling and satisfying; »»»
Heart Break CD review - Heart Break
Lady Antebellum may cause you to throw out many of your country music principles. They don't sing and play traditional country music, for starters. They're not cool like more rocking Americana artists. In fact, they're huge mainstream country stars. So, why are some of us still suckers for their sound? And why does the new "Heart Break" sound so good on the ears? Well, it's simple, but complicated. »»»
You Don't Own Me Anymore CD review - You Don't Own Me Anymore
Three albums into their career, the evolution of The Secret Sisters provide a thoroughly enjoyable experience for the listener. The beauty of their harmonies was evident from the first note, but their songwriting has progressed to the point that it deserves equal attention. "You Don't Own Me Anymore" is a high point for both their singing and writing abilities »»»