Sign up for newsletter
 

Ritter slates winter acoustic gigs

Monday, October 7, 2013 – Josh Ritter will embark on an acoustic tour in January with special guest opener Gregory Alan Isakov.

The shows will feature Ritter performing stripped-down alongside band-mates Zack Hickman and Josh Kaufman.

Ritter recently release a video of A Certain Light with the trio from "The Beast In Its Tracks," his latest disc.

"In the year after my marriage ended, I realized that I had more new songs than I'd ever had at one time," he said. "Far from the grand, sweeping feel of the songs on 'So Runs the World Away,' these new songs felt like rocks in the shoe, hard little nuggets of whatever they were, be it spite, remorse, or happiness."

Recorded during 2011-2012 at the Great North Sound Society in Parsonsfield, Maine, the album continues Ritter's longtime collaboration with producer and keyboard player Sam Kassirer.

"I hadn't composed this stuff, I'd scrawled it down, just trying to keep ahead of the heartbreak," he said. "They needed to be recorded like that. We needed to work fast, make decisions quickly, keep the songs as spare as they could be kept, and above all never allow ourselves to blunt the sharp edges. Some of the songs were mean or evil. So be it."

Tour dates are:
Jan. 16 Lafayette, LA Acadiana Center For The Arts
Jan. 17 Dallas, TX The Kessler Theater
Jan. 18 Austin, TX Moody Theater at ACL Live
Jan. 20 Phoenix, AZ Musical Instrument Museum
Jan. 21 Los Angeles, CA Wilshire Ebell
Jan. 23 San Francisco, CA The Fillmore
Jan. 25 Portland, OR Aladdin Theater
Jan. 26 Seattle, WA Neptune
Jan. 28 Nelson, BC Capitol Theatre
Jan. 29 Calgary, BC Knox United Church
Jan. 30 Banff, AB Banff Centre
Jan. 31 St. Albert, AB Arden Theatre
Feb. 1 St. Albert, AB Arden Theatre
Feb. 3 Saint Paul, MN Fitzgerald Theater
Feb. 4 Iowa City, IA The Englert Theatre
Feb. 5 Stoughton, WI Stoughton Opera House
Feb. 21 Chicago, IL Fourth Presbyterian Church
Feb. 22 Bloomington, IN Buskirk-Chumley Theater
Feb. 23 Saint Louis, MO Sheldon Concert Hall
Feb. 24 Louisville, KY Headliners Music Hall
Feb. 25 Cincinnati, OH Taft Theatre
Feb. 27 Glenside, PA Keswick Theatre
Feb. 28 Washington, DC Lincoln Theatre
March 4 Lebanon, NH Lebanon Opera House
March 5 Somerville, MA Somerville Theater
March 7 New York, NY Town Hall

More news for Josh Ritter

CD reviews for Josh Ritter

Gathering CD review - Gathering
Over the course of two decades, Josh Ritter has carved himself a place of some comfort within the crowded troubadour environs. "Gathering" is his 9th studio release to go along with numerous live sets and EPs, and follows the vibrant career-set that was 2015's "Sermon on the Rocks." Ritter's approach to modern folk, the variety of which is firmly rooted in rock 'n' roll traditions, has never been more clearly defined as on "Gathering. »»»
So Runs The World Away CD review - So Runs The World Away
Perhaps because he caught his childhood love of music at least in part from "Nashville Skyline," Josh Ritter has been subjected to Bob Dylan comparisons for most of his career. Not that those comparisons have been unwarranted; Ritter's folk constructions on his first 5 albums over the past 10 years, whether electric or acoustic, and his lyrical cadence have been more than a little reminiscent of Hibbing's favorite son. On his sixth album, Ritter expands his palate in every »»»
Golden Age of Radio
In an era when "artists" like Britney Spears and Andrew W.K. capture all the hoopla and the "Saturday Night Live" appearances, Josh Ritter offers a smidgen of hope. His new album finds the 24-year-old Idaho native coming on soft and subtle, much like Leonard Cohen, during his first song, "Come And Find Me," then delve quickly into fleeting childhood memory and edgy vocals in the next, "Me & Jiggs." From there, Ritter delivers a series of acoustic-based ruminations that deliver more and more punch »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well – The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better – Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Cry Pretty CD review - Cry Pretty
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
My Way CD review - My Way
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards.  »»»
Let It Pass CD review - Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
Pretty Bird CD review - Pretty Bird
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether.  »»»
The Keep CD review - The Keep
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Cactus CD review - Cactus
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus,"  »»»