Oklahoma twister relief benefit sells out, again
Tuesday, July 2, 2013
– The Oklahoma Twister Relief Concert now has sold out twice.
Additional tickets released last Friday for the July 6 concert in Norman, Okla. being spearheaded by Toby Keith sold out within minutes. The original batch of tickets sold out similarly fast when first on sale June 21.
Keith, Garth Brooks, Trisha Yearwood, Willie Nelson, Sammy Hagar, Ronnie Dunn, Mel Tillis and John Anderson as well as Carrie Underwood (via satellite from the Grand Ole Opry House in Nashville) will perform.
Just added to the bill are Krystal Keith and Kellie Coffey. Brooks will be going on stage at 4 p.m. with Keith scheduled in the closing time spot. The concert will end with a 10-minute fireworks display. A grand finale performance of various performers appears likely, according to Keith's publicist.
Ford Trucks, Verizon Wireless, Academy of Country Music Lifting Lives, and Walmart are sponsoring the concert. Walmart and the Walmart Foundation committed $1 million to Oklahoma tornado relief. Sponsorship donations and underwriting of the concert, and donated services from suppliers and vendors from all over the country, will allow the net proceeds of tickets (after tax and credit card fees) to benefit the United Way of Central Oklahoma May Tornadoes Relief Fund to aid recovery efforts.
The show will be at the University of Oklahoma's Gaylord Family - Oklahoma Memorial Stadium in Norman, Okla. Doors open at 1:30 p.m. with the show starting at 3 p.m.
More news for Toby Keith
CD reviews for Toby Keith
The Bus Songs
People of a certain age can recall a time in America when a polyester-clad party host would reward late-night diehards with a "blue" record. These vinyl gems (or bootleg tapes) would be funny and frank, both in their language and adult subject matter. They paired well with alcohol, and just owning them could make someone a little cooler by association. Such a concept might mystify millennials who can punch up any song they imagine. But Toby Keith remembers.
This collection of »»»
35 mph Town
Way back in the '90's, before millions of dollars, high profile political feuds and moguldom, Toby Keith could really sing and write a pretty good song! News flash! He still can on his nostalgic, 18th album.
You can hear an unexpected Merle Haggard influence all over this record. The title cut, "35 MPH" evokes a Haggard vibe. Think "Roots Of My Raising - 2015" as Keith laments the loss of the commonplace, now gone forever. What could've easily been an appeal »»»
Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak.
Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Womack planned a good night
Lee Ann Womack pretty much summed up where she's at these days in concluding her show with Don Williams "Lord I Hope This Day Is Good." The ever-strong voiced country traditionalist sang, "I don't need fortune and I don't need fame" with the concluding line of the stanza asking the Man upstairs to "plan a good day for me.... »»»
Concert Review: Cantrell continues to satisfy
Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country.
That would mean going towards a more traditional side, not rushing the songs... »»»
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