CMA hit makers return to New York
Thursday, June 13, 2013
– The CMA Songwriters Series returns to Joe's Pub in New York City for a two-night event in July.
Celebrating nine years, the CMA Songwriters Series features special guests Brett Eldredge, Steve Wariner and songwriter Bob DiPiero, who will also serve as the evening's host on July 23-24.
Tickets are on sale for shows for both nights will be 6:30 and 9 p.m.
Wariner was discovered by Dottie West at age 17 while playing in a club in Indianapolis. She hired him on the spot as her bass player, and he toured with her for three years. Wariner went on to play bass in Bob Luman's band. Through guitarist Paul Yandell, he met his idol, Chet Atkins, who hired Wariner to play bass in his band. Atkins eventually signed Wariner to his first recording contract at RCA in 1977. Wariner has had over a dozen number one hits as an artist including All Roads Lead To You, Where Did I Go Wrong and Small Town Girl. As a songwriter he has had seven chart topping hits including Longneck Bottle recorded by Garth Brooks and Nothin' But The Taillights recorded by Clint Black.
Eldredge (Watch The World End With You, recorded by Trace Adkins and featuring Colbie Caillat, I Think I've Had Enough, recorded by Gary Allan) has his first CD ("Bring You Back") coming out in August on Atlantic. "I always gravitated towards big voices, because as a kid I had this big voice coming out of me," said Eldredge. "I was hooked on the story that somebody would be telling through their voice."
DiPiero (Southern Voice, recorded by Tim McGraw, Blue Clear Sky, recorded by George Strait, and Lovin' You Is Fun, recorded by Easton Corbin) will join Wariner and Eldredge, sharing the entertaining stories behind some of his most popular hit songs as well. DiPiero has had more than 1,200 songs recorded by other artists and 15 number 1 hits.
More news for Country Music Association
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: There's a lot to be said about The Felice Brothers
The Felice Brothers have soldiered on, occupying the fringes of the musical world with ups and downs. After not knowing whether the group would even continue following the departure of half of the band a few years ago, The Felice Brothers continued with a new rhythm section and a new album, "Undressed," that is heavily political.... »»»
Concert Review: Turner bring it on (to his second) home
Frank Turner opined during the first of four sold-out nights of the Lost Evenings Festival that Boston was his home away from his British home. The likable, accessible singer hit the sweet spot not only with his perspective, but his performance as well demonstrated why.
Turner made a major change in this year's festival. For the first time, he... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Dale (The Real Deal) Watson has been releasing hard country albums since 1995 and shows no signs of slowing down on his most recent release, "Call Me Lucky." This record marks his third effort recorded in Memphis, at Sam Phillips Recording Studio, with Watson's regular touring band, The Lone Stars.... »»»
Joy Williams' "Front Porch" album is a beautiful collection of acoustic, country-folk music. The title cut, for instance, includes sweet fiddling, while the rest of the album takes an appreciated low-key approach to its instrumentation. »»»
Randy Rogers makes a big, bold statement with his title track, but it's the smaller insightful moment expressed through "Wine In A Coffee Cup" that stands out most. Rogers sings it empathetically over a swaying groove... »»»