Sign up for newsletter
 

Swift kicks off tour in Omaha

Thursday, March 14, 2013 – Taylor Swift kicked off The RED Tour last night with a sold-out show in Omaha, Neb.

Swift, along with special guests Ed Sheeran and Brett Eldredge, played to a capacity crowd of more than 13,800 fans at the CenturyLink Center for nearly 2 hours. Swift relied heavily on "Red," as 13 of the 17 songs came from that disc.

The show featured two multi-level stages, costumes, dancers, aerialists and changing sets. Swift plays electric guitar, banjo, piano and acoustic guitar and changed costumes 10 times over the course of the evening.

Swift and Sheeran did a duet on Everything Has Changed.

The Omaha World-Herald lauded the show's "super spectacle" that "turned the arena into a massive dance party," while also praising Swift's connection to her fans. "The audience told her how much they related to the songs: They started singing along immediately. For Swift, now is the time to celebrate her ability to sing in the center ring of her own circus. If she keeps writing so skillfully about her feelings, she'll still be around when the red fires of youth fade to quieter shades."

Swift is back in Omaha tonight for her second show.

The North American portion of The RED Tour will play 66 shows (including 13 stadium stops) in 47 cities in 29 states and 3 provinces spanning 6 months in 2013.

The set ilst was:

State of Grace

Holy Ground

Red

You Belong With Me

The Lucky One

Mean

Stay Stay Stay/Ho Hey (The Lumineers cover)

22 (moved to B-Stage)

I Almost Do

Everything Has Changed (with Ed Sheeran)

Begin Again

Sparks Fly

I Knew You Were Trouble

All Too Well (on piano)

Love Story

Treacherous

Encore:

We Are Never Ever Getting Back Together

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: For Simpson, different isn't necessarily better – Sturgill Simpson is doing things a lot differently on this end of touring since his left of center "A Sailor's Guide to Earth" dropped last year. With a stripped down tour, gone are one key band member and the three-piece New Orleans horns section. The eventful year also saw Simpson displaying his musical abilities on Saturday Night... »»»
Concert Review: Seger ages really well – As aging heartland rock and roller Bob Seger was ready to scorch the closing song of the night, "Rock and Roll Never Forgets." Seger changed the lyrics. Instead of "sweet 16 turns 31," Seger sang "sweet 16, turns 72." Seger put both hands on his knees as he sang the lines, looked down, shook his hand and may have smiled,... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
May shifts gears, directions Headed into 2015, Imelda May was on a hit streak. Her rockabilly career was in full swing, nurtured by the likes of former Squeeze keyboardist Jools Holland and guitar icon Jeff Beck. Her albums routinely topped the charts in her native Ireland.... »»»
Contraband Love CD review - Contraband Love
Larry Campbell and Teresa Campbell could have been content to retain their status as musicians on call, given the fact that they've loaned their services to any number of high profile employers -- Bob Dylan, Rosanne Cash, Mavis Staples, Levon Helm, Little Feat, Shawn Colvin and Phil Lesh among them. »»»
Before Breakfast CD review - Before Breakfast
The Grascals woke up early, well "Before Breakfast" to serve up a generous 12-course meal of hearty bluegrass with a little bit of gospel mixed in for spice. The result is tasty, another recipe that shows why the band has been nominated for multiple Grammy awards. »»»
Happy Endings CD review - Happy Endings
Right off the bat, the title of Old Dominion's album "Happy Endings" is far better than "Meat and Candy," its prior effort. ("Meat" in an album title? Really?) But also on an artistic level, OD's follow-up shows signs of growth. With that said, though, there's nothing on this new release as immediately catchy as "Snapback." »»»
Legacy CD review - Legacy
The Cadillac Three's bio is stacked with amazing bullet points that partially explains their mutant rockabilly-heavy-on-the-rock cocktail. The born-and-raised Nashville trio - drummer/vocalist Neil Mason, bassist/dobroist/vocalist Kelby... »»»
Until My Voice Goes Out CD review - Until My Voice Goes Out
Josh Abbott Band opens its album "Until My Voice Goes Out" with the title track, which features the unique combination of stately strings along with plucked banjo. In one respect, it's a love song about the desire for a specific woman. »»»
Work CD review - Work
Four albums on, Ron Pope seems well positioned to garner the commercial acclaim that's somehow eluded him up until now. Although critics have begun taking notice, Pope's still in search of that big breakout that's decidedly his due. Given the upbeat entries that initially establish this latest outing, the definitively titled "Work," Pope appears to have taken a decided stance that leans towards those very ends. »»»