Sign up for newsletter
 

Swift kicks off tour in Omaha

Thursday, March 14, 2013 – Taylor Swift kicked off The RED Tour last night with a sold-out show in Omaha, Neb.

Swift, along with special guests Ed Sheeran and Brett Eldredge, played to a capacity crowd of more than 13,800 fans at the CenturyLink Center for nearly 2 hours. Swift relied heavily on "Red," as 13 of the 17 songs came from that disc.

The show featured two multi-level stages, costumes, dancers, aerialists and changing sets. Swift plays electric guitar, banjo, piano and acoustic guitar and changed costumes 10 times over the course of the evening.

Swift and Sheeran did a duet on Everything Has Changed.

The Omaha World-Herald lauded the show's "super spectacle" that "turned the arena into a massive dance party," while also praising Swift's connection to her fans. "The audience told her how much they related to the songs: They started singing along immediately. For Swift, now is the time to celebrate her ability to sing in the center ring of her own circus. If she keeps writing so skillfully about her feelings, she'll still be around when the red fires of youth fade to quieter shades."

Swift is back in Omaha tonight for her second show.

The North American portion of The RED Tour will play 66 shows (including 13 stadium stops) in 47 cities in 29 states and 3 provinces spanning 6 months in 2013.

The set ilst was:

State of Grace

Holy Ground

Red

You Belong With Me

The Lucky One

Mean

Stay Stay Stay/Ho Hey (The Lumineers cover)

22 (moved to B-Stage)

I Almost Do

Everything Has Changed (with Ed Sheeran)

Begin Again

Sparks Fly

I Knew You Were Trouble

All Too Well (on piano)

Love Story

Treacherous

Encore:

We Are Never Ever Getting Back Together

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Cadillac Three, Sellers do it their own way – The way The Cadillac Three lead singer Jaren Johnston told it, the band could have had their choice of opening tours this year for the likes of Kenny Chesney, Dierks Bentley and Jake Owen. No go though because the long-haired singer fronting the rough-and-most-definitely ready trio said the band wanted to do it their own way. Based on this most... »»»
Concert Review: Folk Alliance binds past, present and future – Glance back 50 years and the idea of a folk music festival would bring to mind a gathering dominated by tie-dye, Birkenstocks and people who might otherwise find work as stunt doubles for Peter, Paul and Mary. In a sense, that's still the perception for those unawares, but at the 29th Folk Alliance International conference there was far more of a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»
Freedom Highay CD review - Freedom Highay
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»
Notes of Blue CD review - Notes of Blue
Son Volt's "Notes of Blue" is said to be influenced by the blues (among other musical styles), and the blues is most at the fore during "Cherokee St.," a stomping, electric guitar-driven blues rocker. The song has the stripped-down sound of a Blind Willie Johnson sermon, although lead vocalist Jay Farrar is by no means the gravelly singer Johnson was. »»»
In the Ground CD review - In the Ground
The family band is a longstanding conceit of bluegrass and mountain music, including the Carters, the Osbornes, the McReynolds, the Whites, The Stanleys and even the progenitors of bluegrass Bill and Charlie Monroe. The trope continues to the present with The Gibson Brothers carrying on this tradition admirably. »»»