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Robison, Willis team up for new CD

Tuesday, February 12, 2013 – Bruce Robison and Kelly Willis are husband-and-wife in real life, and they put their musical forces together for "Cheater's Game" (Spunk).

Roger Knox is a rootsy/countryish artist from Australia. He combines with the Pine Valley Cosmonauts for "Roger Knox & the Pine Valley Cosmonauts" (Bloodshot). Jon Langford produced the disc.

More news for Kelly Willis

CD reviews for Kelly Willis

Translated From Love CD review - Translated From Love
Absence really must make even a musical heart grow fonder. This is Kelly Willis' first release in 5 years, and there are 12 reasons presented here as to why that was too long to wait. Some female vocalists search for songs that will adequately show off their pipes. Willis displays that she now only has one of the top voices in the genre, but the versatility to take on all stylings with equal aplomb. Six songs were co-written by Willis and producer Chuck Prophet. "Sweet Little One" »»»
Easy
Kelly Willis' second disc for Rykodisc, the first recorded expressly for the label, expands on the wealth of musical expression divulged on her previous release, "What I Deserve." This follow-up, however, trades the urgency of 1999's outpouring for a more relaxed expression. It's as if Willis realized that Rykodisc signed her for who she is, not, as her previous label (MCA) supposed, who she could be fashioned into. Ironically, the pressure of capitalizing on the success of "What I Deserve" has »»»
What I Deserve
Six years after her last studio release; almost three since an EP that was supposed to be a taste of things to come on a different label; and over a year since its actual recording was completed, Kelly Willis has a new album out. This release continues in the direction presaged on the *Fading Fast* EP, and the results - more varied than the country-based sound of her first three albums - presumably reflect Willis' expressed determination to exercise more control over her sound and recording experience. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile brings thoughtfulness – Brandi Carlile returned to the GRAMMY Museum for the third time, and it's easy to see why she's always invited back. The evening began with GRAMMY Executive Scott Goldman interviewing Carlile on a pair of stuffed chairs, which was followed directly by a brief set of live songs. The interview portion was informative, while Carlile's... »»»
Concert Review: LSD tour provides a lot of highs – This was not your grandkids' country, that's for sure. Even the name of the tour - the LSD Tour - was a throwback (albeit far before the principals were making music). But make no mistake about it. With the ever cool country traditionalist Dwight Yoakam, the country with some rock and blues and rabble rousing of Steve Earle thrown in and the... »»»
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Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
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Circus of Life CD review - Circus of Life
"Circus of Life," the title of Kinky Friedman's album, is a little misleading. It conjures up images of carnival barkers and circus freaks and songs as odd as its cigar-manufacturing, politically-astute novelist author/songwriter. The album is far more sensitive than that title suggests, though. In fact, it's a welcome respite from modern day circus-like life. »»»
Outlaws 'Til The End: Vol. 1 CD review - Outlaws 'Til The End: Vol. 1
Many mainstream country artists will point to their Southern roots as proof of their country music credentials. These roots seemingly give them liberty to stray just as far from typical country music instrumentation as they like. However, how does this rule apply to Santa Barbara, Cal.'s DevilDriver, which applies its hard-rocking groove metal chops to a set of outlaw country music? »»»