Pistol Annies member readies disc
Monday, November 26, 2012
– Ashley Monroe, a member of the trio Pistol Annies, will release her first Warner Nashville solo album, "Like A Rose," to digital outlets on Dec. 18.
The physical CD drops at retail Jan. 22, 2013.
Monroe, 26, spent her childhood in Knoxville, Tenn., where she immersed herself in all varieties of music ranging from country - she's not-too-distantly related to members of the legendary Carter Family - to rock, pop, rap and even opera. When she was 11, Monroe won a talent contest singing I Want To Be a Cowboy's Sweetheart, and 2 years later, her father gave Monroe her first guitar.
Shortly thereafter Monroe's father was diagnosed with cancer and died when she was 13. The young girl immersed herself in music. Monroe and her mother moved to Nashville so that Monroe could pursue her dream.
Within a year Monroe had signed a song publishing deal, secured a recording contract and released a single, Satisfied. But her record label merged with a larger company and declined to release her already-recorded album.
In 2008, Monroe cut an EP with singer-songwriter Trent Dabbs and a few years later, at the invitation of Jack White, she sang background vocals on an album he was producing by country-rockabilly singer Wanda Jackson. Monroe also contributed vocals to Bruises on the album "California 37" by the rock band Train.
Monroe also had time to form Pistol Annies in 2011with her friend Miranda Lambert, whose chart-topping hit Heart Like Mine Monroe co-penned, and newcomer Angaleena Presley.
Vince Gill produced the new Monroe disc. "We just got the band in a circle and started playing the songs," Monroe said, "and once we felt like we had a feel for it, I'd do my vocal live - I never went back in to do a second vocal. Everyone put everything we had into the songs. There was a buzz in the room. We all had fun - it felt like a big old family, the way records used to be made."
Some of the songs were newly written for the album; others date back several years. The semi-autobiographical title track was co-written about six years ago with Guy Clark.
Monroe co-wrote You Got Me with Little Big Town's Karen Fairchild. It's about an addiction to something - one thing or another, whether you're stuck in a bad relationship or alcohol or whatever it is - and you try to hide it and fight it but you're kind of saying, 'Alright, you got me'," she said.
On a more light-hearted note is You Ain't Dolly (And You Ain't Porter), a duet featuring Blake Shelton
"Used is an update of a song that appeared on Monroe's "Satisfie"d album. "It came to me when I was about 17, and my manager at the time had just bought me this old 1950s Gibson guitar," she said. "It came into my mind that things are worth more used, and I thought about my mom, who had lost my dad when she was 38. I was thinking, she had two kids, she's been through a lot, and, bless her heart, it's all gonna be worth it. Vince and I worked up this new version, which made it fresh for me."
More news for Pistol Annies
CD reviews for Pistol Annies
For those who thought "Hell on Heels" was a one-off side project for Miranda Lambert (along with sidekicks Angaleena Presley and Ashley Monroe), think again. The Annies, aka "Lonestar Annie" (Lambert), "Hippie Annie" (Monroe), and "Holler Annie" (Presley), are no novelty act. Instead, they tackle material that you just are unlikely to hear on mainstream country radio both in subject matter and sonics.
Like the debut, this one also makes it quite clear that »»»
One might think that given the presence of Miranda Lambert, Pistol Annies are some sort of unworthy side, vanity project for Lambert in between discs. They also would be most wrong because this is not just Lambert and a few sidekicks.
Nope. This is a full-fledged, hardcore country trio album (Ashley Monroe and Angeleena Presley are Lambert's partners in crime) and an excellent one at that. The disc takes no prisoners to say the least, making that clear from the get go »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: LSD tour provides a lot of highs
This was not your grandkids' country, that's for sure. Even the name of the tour - the LSD Tour - was a throwback (albeit far before the principals were making music). But make no mistake about it. With the ever cool country traditionalist Dwight Yoakam, the country with some rock and blues and rabble rousing of Steve Earle thrown in and the... »»»
Concert Review: Alvin, Gilmore fortunately get together
Dave Alvin and Jimmie Dale Gilmore had known each other for decades, but it wasn't until last year that they toured together in a guitar pull setting. What started as a small Texas tour mushroomed into points east and west and eventually the release earlier this month of their blues-based disc, "Downey to Lubbock."
And now we have the... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Sugarland is back with "Bigger," its first studio album in nearly a decade. And its arrival says more about branding, than anything else. Although his voice is heard often enough on this album to make his presence felt, it's still difficult to get away from seeing Kristian Bush in the Oates to Hall or Ridgeley to Michael role in this duo. »»»
This One's For You Too
Luke Combs has gotten a lot of life out of his album "This One's for You," which includes his breakthrough hit "Hurricane," as well as the popular single "When It Rains It Pours." This deluxe edition includes five new tracks, many of which are just as strong as the original 12.
There may be no other CD title this year quite as apropos as this one. Things have indeed changed for American Aquarium since their previous studio album (2015's underrated "Wolves"). For one thing 80 per cent of the band quit, leaving only lead vocalist and songwriter BJ Barham. »»»
Dancing With The Beast
Informed by the renewed strength of today's woman's movement, particularly in light of recent cultural social and political upheavals, Gretchen Peters' "Dancing With the Beast" finds her sharing stories about loss, struggle, upheaval, tragedy and turmoil in ways that resonate with a common bond, though told from a woman's perspective. »»»
Hard Times Are Relative
Jason Boland and The Stragglers serve up the ninth helping of their unapologetic, get it or not, country, in the past 20 years. This appears to almost be two EP's with the first mostly being a hard country dance cd and the second being a little more "out there" mix of fun and contemplative tunes, much less easy to categorize. »»»
Life is Good on the Open Road
After a four-year-break from recording, Duluth, Minn. sextet Trampled By Turtles return with its eighth studio release of edgy bluegrass and Indie folk/rock. Lead singer Dave Simonett wrote all of the mostly dark themed lyrics with the lone instrumental that showcases the band's topflight musicianship, "Good Land," credited to bandmate Erik Berry. »»»