Sign up for newsletter
 

BMI hands out honors

Tuesday, October 30, 2012 – Broadcast Music, Inc. (BMI), the global leader in music rights management, honored Dallas Davison and Luke Laird as songwriters of the year.

BMI gave out honors as well for Song (Take a Back Road) and Publisher of the Year (Sony/ATV) at the 60th annual BMI Country Awards held at the company's Nashville building. Also saluted were the writers and publishers of the past year's 50 most-performed songs on radio and TV from BMI's country repertoire along with Tom T. Hall, who was named a BMI Icon.

Hall joins other BMI Icons who have had "a unique and indelible influence on generations of music makers," including Billy Sherrill, John Fogerty, Kris Kristofferson, Willie Nelson, Isaac Hayes, Merle Haggard, Brian Wilson, Dolly Parton, Loretta Lynn, the Bee Gees, Bobby Braddock, Bill Anderson, Ray Davies and James Brown.

Davidson and Laird shared the Songwriter of the Year crown contributing five songs each to the year's most-performed list. Davidson is the writer behind hits Country Girl (Shake It for Me) and I Don't Want This Night to End recorded by Luke Bryan; If Heaven Wasn't So Far Away by Justin Moore; and Just a Kiss and We Owned the Night recorded by Lady Antebellum. Laird penned A Little Bit Stronger by Sara Evans; Baggage Claim by Miranda Lambert; Drink in My Hand by Eric Church; You by Chris Young; and Take a Back Road, recorded by Rodney Atkins.

Take a Back Road, which Laird wrote with fellow BMI songwriter Rhett Akins, was named Song of the Year. The song earned more than 1 million performances in 2011.

Publisher of the Year award was given to Sony/ATV Music Publishing Nashville. The powerhouse published 24 songs on the year's most-performed list, including Take a Back Road"; Taylor Swift's Mean; Kenny Chesney's Live a Little; Eli Young Band's Crazy Girl; Keith Urban's You Gonna Fly; The Band Perry's All Your Life and Blake Shelton's Honey Bee.

The night's musical tribute to Hall featured recent chart-toppers The Avett Brothers, who took the stage to deliver That's How I Got To Memphis; bluegrass power duo Dailey & Vincent, who performed Can You Hear Me Now; Justin Townes Earle, who sang Homecoming and Toby Keith who sang Faster Horses (The Cowboy And The Poet) accompanied by Scotty Emerick.

"Tom T. Hall's outstanding contributions of expertly crafted songs earned him the nickname The Storyteller, and as his songs have transitioned through traditional broadcasts and digital mediums, BMI has been proud to make that journey with him every step of the way, said BMI President & CEO Del Bryant. "Tom T. is the perfect example of why BMI's determination and commitment to safeguard the value of music is so important."

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Cadillac Three, Sellers do it their own way – The way The Cadillac Three lead singer Jaren Johnston told it, the band could have had their choice of opening tours this year for the likes of Kenny Chesney, Dierks Bentley and Jake Owen. No go though because the long-haired singer fronting the rough-and-most-definitely ready trio said the band wanted to do it their own way. Based on this most... »»»
Concert Review: Folk Alliance binds past, present and future – Glance back 50 years and the idea of a folk music festival would bring to mind a gathering dominated by tie-dye, Birkenstocks and people who might otherwise find work as stunt doubles for Peter, Paul and Mary. In a sense, that's still the perception for those unawares, but at the 29th Folk Alliance International conference there was far more of a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»