Sign up for newsletter
 

Strait gives it all he's got on new single

Friday, October 26, 2012 – George Strait will be out with a new single on Monday from his next disc.

Give It All We Got Tonight will be sent at 3 p.m. eastern time Monday to country radio. The single was recorded in Nashville and penned by Tim James, Phil O'Donnell and Mark Bright. Strait once again collaborated with longtime producer, Tony Brown, on the music.

"The song has a very unusual melody and very cool phrasing, which I've always been drawn to," said Strait.

Lyrics to the song are:
July moonlight shines
Your pretty little head on my shoulder
Pull over on the side of the road
Oh my God, you're something
Like nothing I've ever seen
If I'm asleep girl, let me dream

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
'Cause that's all we have in this life
Drink up this love, baby, give it all we got tonight

Summer honeysuckle
Leaking through a rolled down window
We both know when that seat lays back
Anything can happen
So imagine it'll never end
Just close your eyes and you can see that we are where we're meant to be

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
'Cause that's all we have in this life
Baby, drink up this love, give it all we got tonight
Give it all we got tonight

Baby fall into my kiss
It should just happen like this
Trust it so much that there's no one else but us and
This moment that says it's so right
That's all we have in this life
Drink up this love, c'mon, give it all we got tonight
Give it all we got tonight

Strait recently announced the two-year The Cowboy Rides Away Tour starting on Jan. 18, 2013 in Lubbock, Texas with special guest Martina McBride.

More news for George Strait

CD reviews for George Strait

Cold Beer Conversation CD review - Cold Beer Conversation
recording front. This surprise release shows an artist now in his early 60s completely capable of being the leading voice for his brand of country music, which is increasingly rare these days. Strait always has enjoyed a voice that resonates and is dexterous depending on the style. And the Texan sticks with the types of styles that brought him to the top - traditional country ("Let It Go," "Goin' Goin' Gone"), Texas swing ("It Takes All Kinds") and Zydeco »»»
The Cowboy Rides Away: Live From AT&T Stadium CD review - The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top. Strait tackles 20 songs on »»»
Love Is Everything CD review - Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status. First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. He is comfortable on everything including hard core country (pedal steel, fiddle and mandolin are not tacked on afterthoughts with »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Walker takes no prisoners – Country music has enjoyed its share of funny performers over the years from Minnie Pearl to the vibe of Hee Haw. In more recent years, Cledus T. Judd has filled the song as a parodist. And then there's current musician/comedian Wheeler Walker Jr., who in his real life is a comedian by the name of Ben Hoffman. Wheeler would not exactly be... »»»
Concert Review: Eagles finish well – The Eagles headlined the first night of The Classic West, which - with Fleetwood Mac topping the second night's bill - could have also accurately have been retitled The Dysfunctional Southern California Band Festival. Whereas Fleetwood Mac documented the fragile internal relational disintegration of personal relationships on a micro level with... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

May shifts gears, directions Headed into 2015, Imelda May was on a hit streak. Her rockabilly career was in full swing, nurtured by the likes of former Squeeze keyboardist Jools Holland and guitar icon Jeff Beck. Her albums routinely topped the charts in her native Ireland.... »»»
Lane assumes mantle of "Highway Queen" For most artists, eight years is a fair amount of time in their careers. For Nikki Lane, eight years represents the entirety of her recorded history, and she's filled that relatively short time span with a highlight reel of impressive accomplishments, not the least of which would be actually... »»»
The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone...... »»»
Mayhayley's House CD review - Mayhayley's House
For years, Lonesome River Band was proud to be "Carrying The Tradition" of bluegrass music. Then, with last year's release they began the process of "Bridging The Tradition" of bluegrass to something a little more progressive, a little more modern. Now, "Mayhayley's House" proves that LRB is continuing across that bridge. »»»
Positively Bob Willie Nile Sings Bob Dylan CD review - Positively Bob Willie Nile Sings Bob Dylan
The reasons musicians elect to record full-album tributes are as varied as the results. Willie Nile's previous album "World War Willie" was a fiery collection of roots rock that didn't delve far from the approach that served him across 35 years as a recording artist.  »»»
The Nashville Sound CD review - The Nashville Sound
Jason Isbell's "The Nashville Sound" doesn't cause the immediate buzz of the singer/songwriter's previous efforts, so you may need to give it a little time to grow on you. But because Isbell simply doesn't make bad records, this one's just good in different ways, with a longer release cycle. »»»
So You Wanna Be An Outlaw CD review - So You Wanna Be An Outlaw
If Steve Earle had never done another album after "Guitar Town" and "Copperhead Road," he'd still have cemented his place in the musical firmament for skillfully creating a ragged and beautiful tapestry from the stray threads of rootsy rock and authentic country.  »»»
Heart Break CD review - Heart Break
Lady Antebellum may cause you to throw out many of your country music principles. They don't sing and play traditional country music, for starters. They're not cool like more rocking Americana artists. In fact, they're huge mainstream »»»
You Don't Own Me Anymore CD review - You Don't Own Me Anymore
Three albums into their career, the evolution of The Secret Sisters provide a thoroughly enjoyable experience for the listener. The beauty of their harmonies was evident from the first note, but their songwriting has progressed to the point that it deserves equal attention. "You Don't Own Me Anymore" is a high point for both their singing and writing abilities »»»