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Tracy Lawrence finds out he's number one

Tuesday, June 12, 2007 – Tracy Lawrence notched his 17th number 1 song, "Find Out Who Your Friends Are." And he set a record in the process because Lawrence became the first country artist who owns his own record label, RCR (Rocky Comfort), to reach top with the debut single release on that label. Lawrence took over the top spot from Emerson Drive's "Moments."

The song Lawrence's first number 1 since 1997 when he topped the R&R chart with "Is That A Tear." His last Billboard number 1 was with "Time Marches On" in 1996.

"I am so grateful to country radio for supporting us as an independent and helping us reach the public with my music," says Lawrence. "It's been a dream of mine for a long, long time to own my own record label, but to have a number one hit with my first single release is an even bigger dream come true for me. This is an accomplishment that I don't take lightly. My brother and business partner, Laney, and I cherry-picked a team that had the vision, the enthusiasm, the guts and the persistence to make this happen. From promotion to public relations, from sales and marketing to distribution, I truly have an all-star team. "

The single was released to radio Aug. 21, 2006 on the RCR/CO5 Nashville imprint.

The full CD, "For the Love," was released Jan. 30. It marked Lawrence's first studio collection in nearly three years. The title cut is a duet with Brad Arnold, lead singer of the multi-platinum group Three Doors Down.

More news for Tracy Lawrence

CD reviews for Tracy Lawrence

Headlights, Taillights and Radios CD review - Headlights, Taillights and Radios
After a successful Kickstarter campaign, Tracy Lawrence has resurfaced with his 13th studio album. Released on his own label, "Headlights, Taillights and Radios" is an 11-track radio friendly album that is polished with a contemporary gloss. As always, the melodies are simple, the hooks infectious and the voice unmistakable. The single Footprints On The Moon is country's answer to Train's Drops Of Jupiter. Let's catch a ride on a shooting star We'll wave goodbye »»»
The Rock CD review - The Rock
On the heels of his successful Tim McGraw-Kenny Chesney collaboration, Find Out Who Your Friends Are, Tracy Lawrence's latest is an uplifting set filled with Christian songs in the vein of Randy Travis' "Rise and Shine." The songs here don't quite have the same lyrical punch as some of Travis' work, but it is a solid album nonetheless. Lawrence's warm baritone and effortless, emotional delivery make each track sound genuine and heartfelt. I'm Done is a »»»
All Wrapped Up In Christmas CD review - All Wrapped Up In Christmas
Although there's no lack of country Christmas CDs, it's hard to find many strictly country Christmas songs. That makes "Cold Beer" on Tracy Lawrence's first ever Christmas CD something a little special. It says, in part: "I'll sit at this bar with my good friends/And we'll all toast Christmas cheer...with cold beer." It is doubtful many country folk roast chestnuts December 25, let alone do so on an open fire, but they no doubt pop tops like a Budweiser »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Mandell counts for a lot – Eleni Mandell doesn't hit you over the head - for the most part - with her songs. The LA-based singer/songwriter is on the low-key side when it comes to the music as well as her vocal delivery. But her seemingly laidback style creeps up on you, making you want to listen. And in a nearly 75-minute mainly solo effort with an acoustic guitar... »»»
Concert Review: Rucker brings true southern style – Not all that long ago, contemporary country music concerts were evaluated on the amount (or lack thereof) of authentic country music elements in the performers' content. And make no mistake about it, this is still a relevant issue since so much of what passes as 'country' these days is hardly that at all. But perhaps a more pressing... »»»
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