Sign up for newsletter
 

Hill, McGraw go to Vegas

Tuesday, August 7, 2012 – Faith Hill once sang Let's Go to Vegas, and now her dreams will come true as she and husband Tim McGraw are bringing their "Soul2Soul" show to Las Vegas starting in December.

This limited engagement opens on Dec. 7 and covers 10 weekends through April 2013 at the 1,815-seat Venetian Theater. A ticket pre-sale will begin tomorrow, and tickets for the general public will go on sale Monday, Aug. 13.

This will mark the first time in six years that McGraw and Hill have performed together in the U.S. "Soul2Soul" will feature an all-new production. The show will combine their hits as solo artists and together.

"We are creating a show that will be completely different from what we've done before - and might ever do again," the couple said in a joint statement. "In arenas and stadiums, you're always faced with the challenge of finding ways to make people feel closer to the action, no matter where they might be sitting. Now everyone will be close, so it opens up all kinds of creative possibilities and we're looking forward to exploring those so that we can really give our fans something truly special."

McGraw and Hill began performing together in 2000 in their record-breaking "Soul2Soul" tour, becoming that year's top grossing and most successful U.S. tour. Their success continued in 2006 when "Soul2Soul II" returned to the road. It became the highest grossing country music tour of all time, the most attended of the year in any musical genre and remains the highest grossing multi-year North American tour in country music history.

Members of The Venetian's loyalty program, Grazie, as well as Tim McGraw and Faith Hill's official fan communities and Clear Channel subscribers will be able to purchase advance tickets through the pre-sale starting tomorrow, Wednesday, Aug. 8 at 10 a.m. Tickets go on sale to the general public on Monday, Aug. 13 at 10 a.m. Performances are scheduled for 8 and 10:30 p.m. on Dec. 7, 8; 14, 15; Jan. 18, 19, 25, 26, 2013; Feb. 1, 2, 15, 16, 22, 23, March 1,2; April 12, 13, 26 and 27.

Ticket prices are $95.50, $175.50 and $255.50 and $295.50 including of tax. A limited number of VIP Packages - including preferred seating in the first two rows, a complimentary pre-fixe dinner at a select resort restaurant, two complimentary drinks at the show, a merchandise credit and more - will be available for $1,000 including tax.

More news for Tim McGraw

CD reviews for Tim McGraw

Damn Country Music CD review - Damn Country Music
Tim McGraw said of his 14th studio album, "Damn Country Music," "It's is all about passion, (taking him back to 1989) "when I came to Nashville to chase my dreams." Country music has richly rewarded him over the past two decades, and he honors the genre's tradition here. The album gets off to a very traditional start with Celtic folk. The flute and skillful acoustic picking on the opener "Here Tonight" bring a Mark Knopfler tune immediately to mind. »»»
Sundown Heaven Town CD review - Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom CD review - Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well – The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better – Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Cry Pretty CD review - Cry Pretty
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
My Way CD review - My Way
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards.  »»»
Let It Pass CD review - Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
Pretty Bird CD review - Pretty Bird
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether.  »»»
The Keep CD review - The Keep
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Cactus CD review - Cactus
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus,"  »»»