Sign up for newsletter

Jason Aldean debuts at number one

Tuesday, June 5, 2007 – More than tripling first week sales of his debut album, Jason Aldean's second Broken Bow Records album, "Relentless," debuts at number 1 on Billboard's Country Albums Chart and fourth on the all-genre Top 200 chart this week with scans totaling more than 90,000. Aldean enjoyed the third best country album debut of the year, following only behind Tim McGraw and Martina McBride.

"We've been out on the road trying to win audiences over one at a time with our live show, but you never know if that energy is going to translate into album sales" said Aldean. "This is definitely a career highlight so far, and I am really looking forward to being at CMA Music Fest this week, so I can thank all the fans personally!"

Bob Morelli, President, RED distribution, said, "It's unprecedented in the current music industry climate to see an indy artist come out of the box with such impressive numbers on a second album."

Aldean will jet to New York for a performance of his hit single "Johnny Cash" on Good Morning America tomorrow, before returning to Nashville for a full schedule of CMA Music Fesival activities including a Platinum Party to celebrate his debut album on Thursday, a stadium performance at LP field on Friday, followed by his 3rd Annual Concert For the Cure charity event to benefit Susan G. Komen Breast Cancer Foundation later that night at the Wildhorse Saloon. Other national media appearances in the coming weeks include Fox & Friends (June 9), Tonight Show with Jay Leno (June 27) and a July stop at Jimmy Kimmel Live.

Aldean will hit the road again with superstar group Rascal Flatts this summer and through the fall.

More news for Jason Aldean

CD reviews for Jason Aldean

Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little time »»»
Night Train CD review - Night Train
Jason Aldean is getting used to the view from the top. His last album "My Kinda Party" spawned 5 Top 10 singles and has charted for almost 2 years. Driven by rocking country coupled with rap and a power ballad, that album seemed to rise to the top of the charts organically. With his fifth release, "Night Train," he seems to be taking dead aim at the summit. Aldean is at his best as a studly outlaw, but the majority of the material on "Night Train" is clichéd »»»
My Kinda Party CD review - My Kinda Party
Jason Aldean covers plenty of familiar ground in his latest offering, moving with ease from tanned-leg Georgia dreams to square cornfields to a fairly even mix of church pews and bar stools. If anything, the album is a bit too seamless, one song melding into the next, the words on many evaporating into thin air. But it all adds up to a very good time - exactly what you'd hope for with an album with "party" in its title. Don't Wanna Stay , a duet with Kelly Clarkson (of all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Seasons Change CD review - Seasons Change
"Boys from Back Home" is Scotty McCreery's amalgamation of Kenny Chesney's "I Go Back" and "Boys of Fall," which even borrows words from each hit song to create something attempting to be new. It's not new. »»»
17th Avenue Revival CD review - 17th Avenue Revival
With a group history that spans over 50 years, gospel and country music mainstays The Oak Ridge Boys are at a place when they could conceivably rest on their laurels, release a few greatest hits records and coast the rest of the way through their careers, and fans would still be pleased. »»»
Right or Wrong CD review - Right or Wrong
Dave Adkins stepped to the plate and swung for the fences. His monster swing found the sweet spot and delivered a game-winning home run. "Right or Wrong" is filled with hot picking, great vocal presentations and a risk or two that absolutely pay off. If Adkins was trying to outshine previous releases, he may have done so.  »»»
Staggered CD review - Staggered
East Nashville may be known as "the" Americana hotbed these days, but some of the talent there is very much verging on rock 'n roll. This is the case with Lynn Taylor & the BarFlies on their third release, a collection of personal tunes by the front man. »»»
Live at Club 47 CD review - Live at Club 47
When Doc Watson passed away in 2012 at the age of 89, his legacy as one of the most treasured and iconic figures of American country and folk music was embodied in nearly five decades worth of highly regarded recordings, both live and in the studio, and for many up and coming musicians... »»»
Here's to You CD review - Here's to You
It's impossible to listen to Montgomery Gentry's "Here's to You," without also feeling sad that it's the last studio album featuring Troy Gentry, who died in a helicopter crash. When they sing, "Here's to the on... »»»