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Moore notches first number one

Thursday, May 24, 2012 – Kip Moore scored the first number one single of his career with Somethin' 'Bout a Truck on the Billboard Country Songs chart for the week ending June 2. The Georgia native took over the top of the chart from Jason Aldean's Fly Over States, which slipped to second. On the CD chart, Carrie Underwood led the way with "Blown Away."

Elsewhere on the song chart, Zac Brown Band moved up one to third with No Hurry. Eric Church moved up two to fourth with Springsteen, while Underwood's hit, Good Girl was up one to fifth. Luke Bryan has another big hit on his hands with Drunk On You, up three to sixth.

Toby Keith was at 11 with Beers Ago, up 3. Dierks Bentley also moved up 3 - to 16 - with 5-1-5-0. Kenny Chesney debuted at 24 with Come Over.

On the album chart, Lionel Richie and Luke Bryan stayed two-three with "Tuskegee" and "tailgates & tanlines" respectively. Willie Nelson debuted in fourth with "Heroes." Church was fifth with "Chief."

Hunter Hayes' self-titled debut was at 19, up 3. Eli Young Band was up 4 to 21 with "Life At Best." Pistol Annies also climbed 4 - to 22 - with "Hell on Heels." Chris Young's "Neon" jumped 5 to 23. Justin Moore was at 26 with "Outlaws Like Me," up 5. "Number One Hits" from Tim McGraw was at 27, up 3. "Icon: George Strait" was 28th, up 4. "Icon: Billy Currington" jumped 6 places to 29. Florida George Line debuted at 35 with "It'z Just What We Do." "NOW That's What I Call Country Ballads" moved up 4 to 38.

On the bluegrass album chart, Trampled by Turtles remained first with "Stars and Satellites." "The Gospel Side of Dailey & Vincent" remained second. Punch Brothers were third with "Who's Feeling Young Now? Alison Krauss & Union Station were fourth with "Paper Airplane," while Carolina Chocolate Drops stood in fifth with "Leaving Eden."

On the overall top 200, Underwood was 3rd, Richie 9th, Bryan 14th, Nelson 18th and Church 22nd.

More news for Kip Moore

CD reviews for Kip Moore

Wild Ones CD review - Wild Ones
Kip Moore's sophomore release has been a long time in coming - 3 1/2 years - a surprise considering how well he did with his debut, "Up All Night," and its big hits ("Somethin' 'Bout a Truck," "Beer Money"). Moore has said he spent time expanding his sound - and he surely has done that - although two failed singles doubtlessly didn't help. While "Up All Night" veered towards the rootsier side and would not have been confused with »»»
Up All Night CD review - Up All Night
Kip Moore's debut, "Up All Night" may be out now, but he is no newbie. He wrote two songs on Thompson Square's debut before surfacing with his singleMary Was the Marrying Kind. Kiefer Thompson returned the favor by co-writing the opener Drive Me Crazy, a teenage romance number with infectious melody. Moore said he thinks fans still have a lot to learn about him and the depth of "Up All Night." "They'll be surprised from the single. It's a very emotional record. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lauderdale states his case – For the uninitiated, Jim Lauderdale may have seemed like a huge name dropper. When you casually mention how you have worked with Ralph Stanley, Solomon Burke, Buddy Miller, Nick Lowe, Robert Hunter, the North Mississippi All Stars and Elvis Costello and have a radio show on Sirius/XM satellite radio during a concert, one may liken it to Lauderdale... »»»
Concert Review: Queen Taylor wears her crown well – When Taylor Swift brought Natalie Maines of Dixie Chicks on stage to sing "Goodbye Earl," it meant more than just another star guest, on an already celebrity-packed, five-night attendance record-breaking Los Angeles concert run. This duet also brought into clear focus the truth that Swift's huge success unintentionally fulfilled the... »»»
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