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McGraw signs with Big Machine

Monday, May 21, 2012 – Tim McGraw, a free agent after winning a court battle against his former label, signed with Big Machine Records to a worldwide recording deal, it was announced Monday.

"Many people know that I came to Nashville 23 years ago on a Greyhound bus with nothing but a guitar," said McGraw. "And 23 years to the day, on May 9, I went back to the bus station and officially signed this deal. It was a significant way for me to mark this new beginning. Scott Borchetta has developed a powerhouse at Big Machine, and I'm happy to be a part of what he has built and to call Big Machine Records my new label home. Excited doesn't even begin to describe how I'm feeling about working on a new album for this next chapter in my career. Here's to the next 20 years."

"I've always felt a kinship to Tim as my dad (Mike) originally signed Tim to Curb Records. We have wanted to work together for years and I can't believe this day has finally come. His level of artistry, vision, passion and energy comes along only so many times in any given era and I can tell you with the utmost confidence that there are many, many important chapters left to write," said Scott Borchetta, President and CEO of the Big Machine Label Group.

There was no word on when new music would be released. McGraw spent his entire career on Curb, but relations grew frosty in recent years. McGraw complained about the label releasing to many greatest hits packages. The two then battled in court over his release "Emotional Traffic." The label released the music in January after losing a court suit, which enabled McGraw to sign with any label. McGraw has a duet with Kenny Chesney, Feel Like a Rock Star, now on the charts. The two are touring together this summer.

Big Machine's roster includes Taylor Swift, Rascal Flatts, Reba McEntire, The Band Perry and Martina McBride.

More news for Tim McGraw

CD reviews for Tim McGraw

Sundown Heaven Town CD review - Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom CD review - Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Emotional Traffic CD review - Emotional Traffic
Tim McGraw is the ultimate country music Zelig. Match him with a great lyric, and he's like the voice of a prophet. But put him with fluff, and he's no better than a news reader anchorman on a slow news day. McGraw is at his best on Better Than I Used To Be, a song as spiritual as you want it to be. It could easily be applied to the New Testament exhortation to "work out your own salvation with fear and trembling." It can also be taken as a self-help summation. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Queen Taylor wears her crown well – When Taylor Swift brought Natalie Maines of Dixie Chicks on stage to sing "Goodbye Earl," it meant more than just another star guest, on an already celebrity-packed, five-night attendance record-breaking Los Angeles concert run. This duet also brought into clear focus the truth that Swift's huge success unintentionally fulfilled the... »»»
Concert Review: Mandolin Orange commands the room – Mandolin Orange presents a simple picture: two members, sharing fiddle, mandolin and guitar and two powerful voices. As Mandolin Orange, Emily Franz and Andrew Marlin command the room. The duo formed in Carrboro, N.C. a few years back, and have released an impressive series of CDs over the last few years, most recent "Such Jubilee" on Yep Roc Records.... »»»
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