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McGraw signs with Big Machine

Monday, May 21, 2012 – Tim McGraw, a free agent after winning a court battle against his former label, signed with Big Machine Records to a worldwide recording deal, it was announced Monday.

"Many people know that I came to Nashville 23 years ago on a Greyhound bus with nothing but a guitar," said McGraw. "And 23 years to the day, on May 9, I went back to the bus station and officially signed this deal. It was a significant way for me to mark this new beginning. Scott Borchetta has developed a powerhouse at Big Machine, and I'm happy to be a part of what he has built and to call Big Machine Records my new label home. Excited doesn't even begin to describe how I'm feeling about working on a new album for this next chapter in my career. Here's to the next 20 years."

"I've always felt a kinship to Tim as my dad (Mike) originally signed Tim to Curb Records. We have wanted to work together for years and I can't believe this day has finally come. His level of artistry, vision, passion and energy comes along only so many times in any given era and I can tell you with the utmost confidence that there are many, many important chapters left to write," said Scott Borchetta, President and CEO of the Big Machine Label Group.

There was no word on when new music would be released. McGraw spent his entire career on Curb, but relations grew frosty in recent years. McGraw complained about the label releasing to many greatest hits packages. The two then battled in court over his release "Emotional Traffic." The label released the music in January after losing a court suit, which enabled McGraw to sign with any label. McGraw has a duet with Kenny Chesney, Feel Like a Rock Star, now on the charts. The two are touring together this summer.

Big Machine's roster includes Taylor Swift, Rascal Flatts, Reba McEntire, The Band Perry and Martina McBride.

More news for Tim McGraw

CD reviews for Tim McGraw

Sundown Heaven Town CD review - Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom CD review - Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Emotional Traffic CD review - Emotional Traffic
Tim McGraw is the ultimate country music Zelig. Match him with a great lyric, and he's like the voice of a prophet. But put him with fluff, and he's no better than a news reader anchorman on a slow news day. McGraw is at his best on Better Than I Used To Be, a song as spiritual as you want it to be. It could easily be applied to the New Testament exhortation to "work out your own salvation with fear and trembling." It can also be taken as a self-help summation. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Mavericks scorch the night – With temperatures plunging outside to single digits and the streets of downtown wallowing in piles of the omnipotent white stuff, it's a good thing that The Mavericks decided to play inside. Only it wasn't so much the thermostat that warmed up the night. More like the opening night of The Mavericks' Mono Mundo Tour, which worked on a... »»»
Concert Review: Wy rocks the house – Although Wynonna arrived on stage 25 minutes late with no explanation, her nearly two hour set of songs and stories more than atoned for her tardiness. Billed as "Wynonna and Friends: Stories & Song," there was no shortage of stories, as Wynonna is a really talker. But there was also no shortage of fine songs either. Wynonna opened with a... »»»
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