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McGraw signs with Big Machine

Monday, May 21, 2012 – Tim McGraw, a free agent after winning a court battle against his former label, signed with Big Machine Records to a worldwide recording deal, it was announced Monday.

"Many people know that I came to Nashville 23 years ago on a Greyhound bus with nothing but a guitar," said McGraw. "And 23 years to the day, on May 9, I went back to the bus station and officially signed this deal. It was a significant way for me to mark this new beginning. Scott Borchetta has developed a powerhouse at Big Machine, and I'm happy to be a part of what he has built and to call Big Machine Records my new label home. Excited doesn't even begin to describe how I'm feeling about working on a new album for this next chapter in my career. Here's to the next 20 years."

"I've always felt a kinship to Tim as my dad (Mike) originally signed Tim to Curb Records. We have wanted to work together for years and I can't believe this day has finally come. His level of artistry, vision, passion and energy comes along only so many times in any given era and I can tell you with the utmost confidence that there are many, many important chapters left to write," said Scott Borchetta, President and CEO of the Big Machine Label Group.

There was no word on when new music would be released. McGraw spent his entire career on Curb, but relations grew frosty in recent years. McGraw complained about the label releasing to many greatest hits packages. The two then battled in court over his release "Emotional Traffic." The label released the music in January after losing a court suit, which enabled McGraw to sign with any label. McGraw has a duet with Kenny Chesney, Feel Like a Rock Star, now on the charts. The two are touring together this summer.

Big Machine's roster includes Taylor Swift, Rascal Flatts, Reba McEntire, The Band Perry and Martina McBride.

More news for Tim McGraw

CD reviews for Tim McGraw

Damn Country Music CD review - Damn Country Music
Tim McGraw said of his 14th studio album, "Damn Country Music," "It's is all about passion, (taking him back to 1989) "when I came to Nashville to chase my dreams." Country music has richly rewarded him over the past two decades, and he honors the genre's tradition here. The album gets off to a very traditional start with Celtic folk. The flute and skillful acoustic picking on the opener "Here Tonight" bring a Mark Knopfler tune immediately to mind. »»»
Sundown Heaven Town CD review - Sundown Heaven Town
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. »»»
Two Lanes of Freedom CD review - Two Lanes of Freedom
Tim McGraw's debut on Big Machine, "Two Lanes Of Freedom" is his first record since the announcement that he gave up alcohol five years ago and the first since his acrimonious, litigious split from the only label he had ever known, Curb. The new CD literally and symbolically represents a fresh start. If only the material better reflected his new take on life. What is presented here is about as boiler plate as contemporary country gets. The album is a safe play and takes almost no chances. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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