Sign up for newsletter
 

Shelton, Lambert, Bentley headline Watershed Fest at the Gorge

Friday, April 27, 2012 – The inaugural Watershed Music Festival will be headlined by Dierks Bentley, Miranda Lambert and Blake Shelton from Aug. 3-5 at the Gorge Amphitheatre in George, Wash.

The three-day event will include camping, late night sets, impromptu jam sessions and collaborations. Three-day festival passes start at $90 and go on sale Sat., May 5 at Ticketmaster.com and LiveNation.com. Live Nation Entertainment and ACM Promoter of the Year Brian O'Connell are behind the festival.

"The Gorge provides a feeling that is impossible to recreate anywhere else," said O'Connell. "It is truly a magical place and provides the perfect setting for a cool, eclectic country event. We wanted to create something that didn't exist, from the caliber of artists to the camping and the atmosphere. I'm excited to be a part of it and see it all come together."

"In the storied 25 year history of The Gorge, we've been fortunate to host many of the nation's top country artists, but all have been single day concerts," said Jeff Trisler, President of Live Nation Seattle. "For years, we've wanted to host a multiple day country festival that builds on the tremendous success for our annual Sasquatch Music Festival and Dave Matthews Band residency. We believe this event will bring that same sort of excitement and energy to The Gorge for an entirely new group of music fans."

Artists confirmed for the festival are Kix Brooks, Sara Evans, Brantley Gilbert, Thompson Square, Uncle Kracker, Dwight Yoakam, Tracy Lawrence, Reckless Kelly, The Lost Trailers, Steve Holy, Johnny Reid, Jon Pardi, Thomas Rhett, Morgan Frazier, DeeJay Silver and a local stage will feature regional acts each night. More artists will be announced.

The Watershed Music Festival will feature a capacity of 25,000 and will offer lawn terrace seating and premiere camping options.

More news for Miranda Lambert

CD reviews for Miranda Lambert

Platinum CD review - Platinum
Cynics might think that Miranda Lambert is presumptuous in entitling her fifth disc "Platinum" and, in effect, assuming she'll get her plaque for selling 1 million units. But Lambert says that isn't the case, but more a matter of style, looks and feel. Lambert also wrote and discovered a lot of excellent songs that fit her quite well in an album in which she exposes her inner self as she matures. That may never more apparent than in the country rocker Lambert wrote »»»
Revolution CD review - Revolution
Every once in a while an album comes along that restores your faith in mainstream country music. Miranda Lambert's "Revolution" is just such a recording. It's not revolutionary, as the title might suggest. Instead, this CD is chock full of topnotch songs that are both memorable and sincere and never sound slick or overproduced. (Come to think of it, such old school values as these may in fact be revolutionary around Nashville). Lambert vocalizes a bit like a little girl at »»»
Crazy Ex-Girlfriend CD review - Crazy Ex-Girlfriend
Even though it sounds like a cliche from the big book of country songwriting, the truth is that, when the timing's right, a loser can end up being the biggest winner of all. Today's object lesson comes from Miranda Lambert and her sophomore album, the follow-up to her 2005 near-platinum debut, "Kerosene." Imagine for a moment if the then-19-year-old had actually taken the crown in 2003's Nashville Star and then been forced into the studio within weeks to be primped and »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: In crazy times, a little Williams joy endures – Nearly a week before the inauguration President-elect Donald Trump, Lucinda Williams served notice she's set on counting her blessings (opening her concert with "Blessed"), and determined not to let her joy be stolen by troubled times (closing with "Joy"). With a nearly two-hour set, Williams drew from all points her recording... »»»
Concert Review: Things change for McKenna, but not everything – The more things change - and in the case of Lori McKenna, that's a really good thing - the more they remain the same. Not only is that also a really good thing for McKenna, but also her fans. This was the annual rite of December for McKenna in coming to her home area of Massachusetts and playing a run of shows at the venerable club where she has... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
The Earls of Leicester rattle and roar Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
Laws of Gravity
The Infamous Stringdusters have always been difficult to categorize. That's part of their charm. Part traditional bluegrass (leaning on sound bluegrass instrumentation, namely guitar, Dobro, banjo, fiddle and standup bass), part jam band (extended sets of songs in their live shows in which one song triggers another), and wholly original with a signature sound and energy that goes on without cease. »»»
Rented Room on Broadway CD review - Rented Room on Broadway
Emerging from a latter version of The New South, over the past 16 years, Wildfire has quietly established itself as a consistent bluegrass outfit. With original members Robert Hale (guitar) and Curtis Chapman (bass) leading the way, Wildfire returns with "Rented Room on Broadway," their fifth album. John Lewis remains on banjo while bluegrass vagabonds Greg Luck (fiddle and guitar, and another J. D. Crowe alumnus) and Chris Davis (mandolin) make their recording debut. »»»
Gunslinger CD review - Gunslinger
If naming your release "Gunslinger," you'd better let it rip and go for a harder country sound, especially if donning a black cowboy hat on the cover. The reality does not exactly match that sentiment for Garth Brooks, but at times he comes mighty close. »»»
Dear Life CD review - Dear Life
There's a scene in the movie "Bull Durham" where Kevin Costner tells Tim Robbins how holding the record for most home runs in the minor leagues is kind of a dubious honor - it shows a lot of years that you didn't make it to the majors. Is that what being the biggest country band in Canada is like? High Valley, who've scored an impressive run of Great White North charting singles and awards, would disagree. »»»
Live Dinner Reunion CD review - Live Dinner Reunion
Talk about déja vu all over again, Robert Earl Keen's 'new' live album is a two-disc re-living, if you will, of the Texas singer-songwriter's "No. 2 Live Dinner," which was originally recorded in 1990. Performed again in front of an audience at John T. Floore Country Store in Helotes, Texas, "Live Dinner Reunion" includes many of Keen's best songs.  »»»
Christmas Together CD review - Christmas Together
Listening to Garth Brooks' and Trisha Yearwood's new holiday album of (mostly) duets, one is once again reminded how Yearwood is one of the most underrated country artists, whereas - if we're being honest - Brooks is a little on the overrated side. »»»