For Underwood, kids will have to wait
Wednesday, April 25, 2012
– Don't expect Carrie Underwood to take a break from her career to raise a family, just yet. At least that's what she says on Nightline tonight.
"To be honest, one day I'm absolutely fine and happy and, you know, start legitimately thinking about the idea of having kids, and another day, I'm like 'oh gosh, no, no, what?' I can barely keep my own schedule straight. I see moms who are wives, who work and juggle all these things, and how they must be better time managers than I am," said Underwood.
The singer, whose new disc, "Blown Away," comes out next Tuesday, married pro hockey player Mike Fisher in 2010.
"Right now in my life, I'm smart enough to know that I'm a selfish person right now, and I can be, and that's okay," Underwood says. "There's nothing wrong with that. At least I recognize it."
"That's a big step," she said. "It's like moving away from home. It's really scary until you do it, and then you figure it out," the singer added.
Fischer plays for the local Nashville Predators. But the two go stretches without seeing each other. The idea of straying doesn't worry Underwood. "I know he loves me, and I know he loves God. And he wouldn't do that to either one of us," she said. "Every guy I've ever dated before Mike, somewhere in the back of my head, I would always, not have trust issues, I've never been the kind of the person to check text messages...bust into his email account. With Mike, it never crosses my mind."
Underwood talked about the new disc in the interview including the song Forever Changed. Underwood described the song as being about a woman, who is married with children, coming to the end of her life. One of the writers wrote the song about his mother who had Alzheimer's, but Underwood said she thinks of her grandmother's death.
"I get emotional even talking about this song to be honest. It's just beautiful," Underwood said. "It just becomes very real...and I remember my grandmother at the end of her life, looking at my dad and thinking that that was my grandfather."
"I can never sing this song, like on stage in front of people. I could barely get through it in the studio," she said.
More news for Carrie Underwood
CD reviews for Carrie Underwood
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two.
The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Through three releases, the one constant about Carrie Underwood is her big voice. It's an instrument in and of itself no matter whether going for somewhat of a country sound, a pure pop bent or a tougher, rocking edge. She can add the right touch to sad songs such as Temporary Home in part about a young boy who has to shuffle from home to home or the tough sounding Quitter.
Underwood would not be accused of being heavy-duty country. She actually displayed more signs of that on her last CD, »»»
Carrie Underwood's "Some Hearts" debut sold 6 million, yielded 5 smash singles and was the fastest-selling debut by any country artist ever. If that weren't enough, she even passed Kelly Clarkson to be the lead-selling engine on the American Idol gravy train. So, who in their right mind would tamper with the soup?
Underwood's handlers, not about to let their franchise suffer a sophomore jinx, have assembled an airtight collection of pure country-pop from elite »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Rhett parties on, but leaves you wondering
About half-way through his set as the opening act, tall Jon Pardi commented to the crowd, "We're going to do...a traditional country song. It's a thing of the past, but not for me."
With that the California launched into the mid-tempo "Happens All the Time" from his debut disc "Write You a Song.... »»»
Concert Review: The Avett Brothers make the leap
The Avett Brothers have been on an upward trajectory, from going the indie route and building a following through heavy touring clubs of their blend of country, bluegrass, rock and more to a major label and hitting arenas.
While hard to envision this kind of popularity of the band not too many years ago - that reflected the listening tastes of... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
To take a page from Judy Collins' notebook, Lydia Loveless has seen life from both sides now. After a childhood in tiny Coshocton, Ohio, a move to Columbus and a gig playing bass in her family's new wave/rock band as a teenager, Loveless set out on her own musical path at the age of 17. In 2010, the 20-year-old Loveless released her debut album, "The Only Man," which was critically acclaimed but just barely heard by the general public.... »»»
Mary Chapin Carpenter's songs have always transcended the mundane, whether through the introspective songs about life and death on albums like "The Age of Miracles" or "The Calling" or in the humorous ways she laughs at fate in songs such as I Feel Lucky
or The Bug
in order to show the chinks in our mortal facades. Her music has often helped us get beyond ourselves to see the places where real meaning lies, whether we decide to embrace such meaning or not.... »»»
It's the Voice. Rhonda Vincent has been wrapping her soaring, golden-throated vocals around bluegrass tunes for a couple of decades now. The International Bluegrass Association named her Female Vocalist of the Year seven years running (2000-2006), and named her IBMA Entertained of the Year in 2001. From 2002-2006, Vincent carried home the Entertainer of the Year award from The Society for the Preservation of Bluegrass (SPBGMA). Early in her career, Vincent also recorded a couple of country albums, before returning to bluegrass. Yet, it was always her voice that gave every project its power, beauty, and character.... »»»
Listening to Don Williams is like putting on that old flannel shirt you've had since your college days; it's a comfortable fit, soft and reassuring without looking too much like something your dad might own. Williams' style of country music isn't much in fashion these days, but it carries a bit of a timeless quality with it - like George Strait, this new album could have come out any time in Williams' career. »»»
It would be easy perhaps even tempting - to label Alabama's Drive By Truckers as simply a rowdy and rambunctious country rock outfit that goes all out to make their insurgent sound heard. Not surprisingly, it was their landmark opus, "Southern Rock Opera," an album detailing the exploits of a fictional '70s Dixie-bred outfit called "Betamax Guillotine," that helped solidify both their sound and reputation. »»»
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman. »»»
Will Kimbrough's been around a long time, with his early band Will & the Bushmen signed to a short-lived major label contract and his tenure in the Bis-Quits with Tommy Womack a notable footnote, but despite extensive credits as an artist he's still mostly lauded for his production, songwriting and sideman roles for others including Todd Snider and Jimmy Buffett. »»»
It's almost as if Cole Swindell's producer told him to concentrate hard and picture himself performing before a sold out stadium crowd when he wrote these songs because nearly everything on the artist's self-titled album is an anthem - little is subtle or left to the imagination. Whether he's giving a great, big shout out to the crowd with "Hey Y'all" or giving his girl a quiet squeeze from the cheap seats on "Swayin'," »»»