Mattea inks with Sugar Hill
Thursday, April 5, 2012
– Kathy Mattea signed with Sugar Hill Records. The label has plans to release "Calling Me Home," what Mattea describes as a love letter to her home state of West Virginia, in September.
"Signing at Sugar Hill is like coming home. It's a wonderful fit for the music I am making these days, and I'm so excited to be there," said Mattea, whose latest release, "Coal," was a tribute to the mining traditions of Appalachia.
Mattea spent the bulk of her career on Mercury with such hits as Eighteen Wheels and a Dozen Roses and Where've You Been.
More news for Kathy Mattea
CD reviews for Kathy Mattea
Calling Me Home
As a commercially successful country artist during the '80s and '90s, Kathy Mattea hit the top 20 with no fewer than 21 singles, and although she last reached the top 10 almost 2 decades ago with Walking Away a Winner, she has continually produced high quality music that has become more engaging with each release.
"Calling Me Home" picks up fairly close to where 2008's outstanding "Coal" left off. The Cross Lanes, West Va. native continues to mine the »»»
This could have been just one more example of a contemporary country artist tapping into the traditional country vein, a career tactic that has been explored nearly to the point of revulsion in the post-"O Brother, Where Art Thou" world. But Kathy Mattea would have none of that.
Mattea, who calls herself a "child of coal" in the album's liner notes, really has a feel for these mining songs, having grown up in West Virginia where the mines were a way of life - and death »»»
Right Out Of Nowhere
Kathy Mattea still gets lumped in with other female country singers, even though an 'eclectic song interpreter' is probably a more apt descriptor. Although she strays just about as far away from traditional country as folks like Faith Hill do, at least she chooses a much more rewarding travel route. On this new collection, for instance, she covers both The Rolling Stones and Creedence Clearwater Revival, with "Gimme Shelter" and "Down On The Corner," respectively. These two tracks unabashedly rock the jukebox. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers
When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience
Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Country News Digest
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