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Lynch makes Opry debut Friday

Wednesday, February 29, 2012 – Dustin Lynch will make his debut at the Grand Ole Opry on Friday.

Hailing from nearby Tullahoma, Tenn., Lynch grew up listening to and visiting the Grand Ole Opry and dreaming of one day playing there. "The Opry is one of the most hallowed stages in the world of music because of its history and tradition," said Lynch. "Growing up I watched my idols grace the stage and I dreamed of playing that stage and dreamed of becoming a member of the Opry one day. One of these dreams is coming true this Friday, and I'm honored, humbled, and grateful I've received this invitation to make my Opry debut."

Lynch will be on a bill with Opry members Mel Tillis and Montgomery Gentry as well as Gloriana and Rhonda Vincent at 7 p.m.

Lynch released his debut single, Cowboys and Angels in January.

Influenced in his youth by such stalwart country singers as Alan Jackson, Garth Brooks and Clint Black, Lynch went to David Lipscomb University in part because it was less than two miles from the Bluebird Café, the Nashville music club. Renting an apartment behind the venue's back parking lot, Lynch literally walked to the Bluebird several times a week.

Lynch eventually signed with Broken Bow Record. He is currently in the studio working with producer Brett Beavers (Dierks Bentley) and engineer Luke Wooten (Brad Paisley, Sunny Sweeney) on his debut album due later this year with a backlog of his own songs.

More news for Dustin Lynch

CD reviews for Dustin Lynch

Current Mood CD review - Current Mood
Like a lot of 'country' releases these days, Dustin Lynch's "Current Mood" includes a few songs that - if their quality had been duplicated throughout - would have made for one fine album. The ballad, "Love Me or Leave Me Alone," which also features Karen Fairchild (of Little Big Town), is a powerfully memorable song. It's followed by "Back on It" which, with its love/addiction analogy (although already done many times before) is nevertheless »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. Lynch is yet another in the seemingly endless line these days, »»»
Dustin Lynch CD review - Dustin Lynch
Dustin Lynch certainly put in the man-hours in preparing for his first record. The Tennessee native moved the 90 minutes north to Nashville and set to work learning from as many performers as possible. That was back in 2003. He's now 27 and ready for his close-up. Lynch makes a memorable arrival announcement with the leadoff tune, She Cranks My Tractor. This turn-it-up burner, scorches with a barrage of sly lyrics about a wild woman. It doesn't just knock on the door of the »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Sara Evans comes around again with Barker Family Band, and that's just fine – What goes around comes around for Sara Evans. Back about four decades ago, she was singing weekends with her family band in Missouri. Now, she's back on the road on a very short tour including two of her children and three siblings. For now, Evans, at 49, has lost absolutely none of her vocal super powers, and her offspring can handle their own at... »»»
Concert Review: White makes hurting sound real good – John Paul White entitled his new disc, "The Hurting Kind." But there is no hurting of any sort on White's performance - well maybe only when considering the subject matter - showcasing his vocals and a bevy of quality songs. The CD moves White closer to his Southern roots mixing country and roots sounds. The concert followed suit.... »»»
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