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As sure as it's spring, new Luke Bryan EP coming

Wednesday, February 16, 2011 – As sure as it's spring break, Luke Bryan will have another digital EP out. The singer will put out "Spring Break 4...Suntan City" on March 6 with four songs.

Bryan helped write all four songs, which include Suntan City, with Dallas Davidson, Rhett Atkins and Ben Hayslip; Spring Breakup with Ashley Gorley; Little Bit Later On written by Ashley Gorley and Luke Laird and Shake The Sand by Michael Carter and Cole Swindell.

Bryan will once again perform concerts at Spinnaker's Beach Club in Panama City, Fla. on March 13 and 14 where in previous years more than 4,000 fans filled the beach to watch him perform.

Fans can now enter CMT's Luke Bryan Spring Break Sweepstakes, which offers the opportunity for the grand prize winner to win a week-long hotel accommodation in Panama City Beach, tickets to one of the shows with meet and greet, an autographed Bryan prize pack and the chance to join him on stage. Enter online at http://www.cmt.com/community/sweepstakes/2012/luke-bryan-condo/. All entries must be received by 11:59:59 p.m. central on Feb. 23.

Bryan's previous EP releases were 2009's "Spring Break...with All My Friends" followed in 2010 with "Spring Break 2...Hangover Edition" and last year's "Spring Break 3...It's A Shore Thing."

More news for Luke Bryan

CD reviews for Luke Bryan

Kill the Lights CD review - Kill the Lights
When Luke Bryan announces, "I've got that music for your ear" during the single "Kick the Dust Up," listeners should know right off this is not a collection of sounds for every ear. It's targeted toward the young and reckless set instead, where consequences don't seem to matter. There's no better example of this loose approach than the revenge sex expressed through a duet with Little Big Town's Karen Fairchild on "Home Alone Tonight," where »»»
Spring Break...Checkin Out CD review - Spring Break...Checkin Out
The funky keyboard line that introduces the song "Checkin' Out," with its Ray Charles soulful feel, fills the listener with false promise that "Spring Break...Checkin' Out," the latest and last in Luke Bryan's spring break EP series, might mark a more innovative direction in the bro country star's music. The song even includes a wonderful acoustic guitar solo that gives it a loose, freewheeling feel. Unfortunately, this singer is far too aware of which side »»»
Spring Break 6 - Like We Ain't Ever CD review - Spring Break 6 - Like We Ain't Ever
Luke Bryan mock introduces "The Sand I Brought to the Beach" as a "real sad story y'all." It's a breakup song and one where the character in it is forced to admit, "I guess she didn't like the spring break side of me." The same can be said of country audiences that may well have outgrown chasing girls on the beach between college semesters. Bryan claims EPs like this one are meant to give his fans new music between full, official releases, but we know better. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
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