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Nelson goes home

Wednesday, February 1, 2012 – Willie Nelson is going home. Sony Legacy announced today that Nelson is rejoining the label for at least five new albums starting this spring and the release of archival material.

From 1975-1993, Nelson cut top-selling singles and albums for Columbia Records, beginning with 1975's smash "Red Headed Stranger."

Forthcoming Nelson titles under the Legacy imprint will include newly recorded songs and performances as well as archival releases, personally curated by Nelson, drawn from all phases of his career including his recordings for RCA Records and others.

Nelson will work with label archivists to select recordings, including previously released and previously unreleased tracks, for release in newly compiled collections and as bonus material on new editions of existing titles. The newly curated Nelson titles "will provide fresh perspective and context to the artist's profoundly influential and successful career," according to a press release.

"I'm really happy to be back home with Sony Music. We have been partners for many years; all the way back to Pamper Music and Tree Music. We share a great history, and I'm looking forward to many more years together," said Nelson.

"We couldn't be more excited to have the opportunity to work with Willie on this landmark partnership," said Adam Block, Executive Vice President and General Manager, Legacy Recordings. "There's a natural and organic relationship between new recording projects and catalog activity that promises to ensure the lasting importance of Willie and his music."

More news for Willie Nelson

CD reviews for Willie Nelson

God's Problem Child CD review - God's Problem Child
One thing is for certain, Willie Nelson is still not dead. In fact, he may be more alive than ever considering the amount of work he is churning out these days. "God's Problem Child" is Nelson's 12th release in the last 5 years, and thankfully, it does not appear that he will be slowing down any time soon. At 84 years old, Nelson has certainly put in his time for a much-deserved retirement, but to the benefit of country music and its fans, he continues to write, record and »»»
Summertime Willie Nelson Sings Gershwin CD review - Summertime Willie Nelson Sings Gershwin
Willie Nelson is arguably the greatest living interpreter of American standards. His 1978 album "Stardust," which may very well be his greatest studio recording, came out of nowhere and wowed fans and critics alike with its unique and respectful take on classic American tunes. Nelson proved the formula still worked with the 2009 album "American Classic," and his live performances for decades have been peppered with songs from the great American songbook. »»»
Band of Brothers CD review - Band of Brothers
Willie Nelson has been routinely busy since 1996 with touring, recording, writing books and more touring. Yet his latest offering is a rarity of sorts in that it's his first true studio album of primarily new material since 1996. And like so much of his material beforehand, Nelson mines very little new ground with this record. That doesn't mean it's not stellar however! The first song "Bring It On" contains all the hallmarks of a classic Nelson tune, from the »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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