Sign up for newsletter
 

DBT's Hood protests Wal-Mart in song

Wednesday, February 1, 2012 – Drove-By Truckers lead singer Patterson Hood is protesting a possible Wal-Mart in downtown Athens, Ga. with a song.

After it's Gone is the new single just released by Patterson Hood and the Downtown 13. The song was inspired by the threat of a Wal-Mart in the heart of the downtown that nurtured the band's career. Hood assembled The Downtown 13, a musical collective made up of Athens musicians to celebrate the city's musical heritage and to protest a developer's proposed building of a mixed use development in downtown Athens, anchored by a 94,000-square-foot Wal-Mart.

"This Atlanta developer wants to clog our cultural heart and build a bunker the size of three city blocks next to the vibrant downtown scene," says Hood. "They hit The Easy Button: a big box store in our downtown district is clearly misguided and a somewhat ridiculous notion. Downtown Athens is a dynamic network of local businesses--Athens already has a meaningful brand and we are extremely protective of it."

"We have a vibrant downtown with plans for the future that involve planned development along the river and hopefully a high speed rail to Atlanta," said Hood. "We don't need a big box retailer, the very definition of the past, to once again bring us back through that dark episode of closed down storefronts and empty parking lots. Protect Downtown Athens-- that's what this is all about."

The song can be downloaded. A video also is available.

The songs features members of Drive-By Truckers, Widespread Panic, R.E.M., Futurebirds, Hope For Agoldensummer, Lera Lynn, Justified True Belief and The Quick Hooks. Musicians were Patterson Hood - Lead Vocals, Guitar, Mike Mills - Harmonies and Piano, John Bell - Lead Vocals, John Neff - Pedal Steel, David Barbe - Bass, Jay Gonzalez - Wurlitzer Electric Piano, Brad Morgan - Drums, Todd Nance - Percussion, Claire Campbell - Banjo and Harmonies, Lera Lynn - Harmonies, Brannen Miles, Carter King and Payton Bradford - Backing Vocals and Henry Barbe - Electric Guitar.

More news for Patterson Hood

CD reviews for Patterson Hood

Heat Lightning Rumbles In The Distance CD review - Heat Lightning Rumbles In The Distance
For his third solo album, "Heat Lightning Rumbles In The Distance," singer, songwriter and Drive By Trucker Patterson Hood continues to create his own brand of American mythology, writing four minute elegies to a generation that's lost its way, one that's slowly slicing away at itself with a hard-edged blade of insecurity, confusion and loneliness. Taken on the surface, it's not a pretty picture at all. 12:01 is a creeping, crawling dirge about a clandestine trip across »»»
Murdering Oscar (and other love songs) CD review - Murdering Oscar (and other love songs)
When is a new album not a new album? 15 years ago, Patterson Hood moved to Athens, Ga. without knowing a soul and began writing songs and recording them in his roommate's more acoustically friendly bedroom. Hood collected the resulting tunes on cassettes then compiled a handful onto a single tape entitled "Murdering Oscar (and other love songs)" that he gave away by the hundreds at the time. After reconnecting with Mike Cooley and forming the first iteration of Drive-By Truckers, »»»
Patterson Hood
What strikes you initially about Patterson Hood's solo album is just how stripped down it is - especially compared to the high-powered Southern rock-isms of his band Drive-By Truckers. It's this subdued, because Hood wrote and recorded it at a particularly low point of his life. "I had just gotten divorced, was fighting with the band and a good number of friends," Hood explains in the liner notes. It sounds exactly like a home demo, which is actually what it is. And while it's not exactly pretty, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Daniels wears out bows, but music endures – After each of the first few songs Charlie Daniels played, his 'fiddle tech (?)' exchanged his bow. Is this because he was playing particularly hard? Perhaps. Whatever the case, Daniels and his five-piece band clearly appeared to be giving it their all during the act's hour-and-a-half set. As it is the Christmas month, Daniels sang a... »»»
Concert Review: Rawlings easily moves out of the shadow – Every once in awhile David Rawlings moves out of the shadow of musical mate Gillian Welch to launch his own tour. While Welch, for whom Rawlings plays guitar, has the more prominent career, nights like this ably confirm that there is a reason does his own thing as well. Rawlings, who released the very fine "Poor David's Almanack" in... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
Boom CD review - Boom
Walker Hayes has a lot of Sam Hunt in his music, in that he mixes a lot of hip-hop in with his country. Traditionalists will have trouble with his unorthodox approach. Kids, though, raised on just as much Drake as Paisley, will likely eat it up. »»»
From A Room: Volume 2 CD review - From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards.  »»»
Down Home Sessions EP CD review - Down Home Sessions EP

Upon first glance at the track list of Cole Swindell's fourth installment of the "Down Home Sessions" series, one may get the impression that it is a covers EP. It features several chart toppers from other artists, including Luke Bryan's "Roller Coaster" and Thomas Rhett's "Get Me Some Of That." »»»

The Rest of Our Lives CD review - The Rest of Our Lives
The first full album from Tim McGraw and Faith Hill is an inspired effort, even though some of its songwriters may surprise you. The title cut, for instance, features pop ginger Ed Sheeran on its credits, while Meghan Trainor contributed to "Roll the Dice." »»»
Bloodshot Records' 13 Days of Xmas CD review - Bloodshot Records' 13 Days of Xmas
Label holiday albums can sometimes be like office white elephant gift exchanges because there's a little bit of everything on the table. Some stuff you like, while other things may have been better left unwrapped. »»»
Texoma Shore CD review - Texoma Shore
Blake Shelton's 11th studio album finds The Voice advisor in a contented, one might even say homey, frame of mind. The opening track and first single "I'll Name the Dogs" sets the tone. It's a rollicking ode to domesticity that manages to make household chore distribution ("You find the spot and I'll find the money / You be the pretty and I'll be the funny") both romantic and amusing.  »»»