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Bryan gets the Gold

Tuesday, January 10, 2012 – Luke Bryan's current single, I Don't Want This Night To End, was certified Gold by the RIAA for more than 500,000 downloads.

The single has sold more than 128,000 downloads in the past week and was Bryan's highest digital track sales week of his career. It follows his Platinum hit, Country Girl (Shake It For Me), both from his current disc "tailgates & tanlines."

In 2011, Bryan was one of three artists (along with Lady Antebellum and Taylor Swift) to have multiple singles sell more than 100,000 tracks within a week's time - Country Girl (Shake It For Me) and I Don't Want This Night To End. His song Do I from his sophomore album, "Doin' My Thing," was also just certified Platinum by the RIAA.

Bryan is currently gearing up to hit the road with Jason Aldean on the 2012 leg of his My Kinda Party Tour, which kicks of Jan. 20 in Greenville, S.C.

More news for Luke Bryan

CD reviews for Luke Bryan

Spring Break 6 - Like We Ain't Ever CD review - Spring Break 6 - Like We Ain't Ever
Luke Bryan mock introduces "The Sand I Brought to the Beach" as a "real sad story y'all." It's a breakup song and one where the character in it is forced to admit, "I guess she didn't like the spring break side of me." The same can be said of country audiences that may well have outgrown chasing girls on the beach between college semesters. Bryan claims EPs like this one are meant to give his fans new music between full, official releases, but we know better. »»»
Crash My Party CD review - Crash My Party
They say if you steal from one person, it's plagiarism. But the great ones steal from everybody. And so it goes with Luke Bryan - a voice lifted from Ronnie Milsap, with the polite Georgia manners of Josh Kelly, the earnestness of Lee Brice and the drinking habits of Eric Church. You'd have to go to a polka party in October to hear more songs devoted to drinking beer. But, here's the crazy part: it all works. It was only in 2010 that Bryan won the ACM for Best New Artist. »»»
Spring Break 4: Suntan City - EP CD review - Spring Break 4: Suntan City - EP
Luke Bryan's annual spring break EPs are innocuous distractions in a fairly decent discography. The Leesburg, Ga. Native's fourth and latest, is no exception. The songwriting is an exercise in vapidity with clichéd themes like partying and teenage breakups. The timing couldn't be more ironic. This four-song bubble gum pop tribute to the young and overserved was put out shortly after his latest full length release, "tailgates & tanlines," garnered some critical »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Fogerty lives up to his past – Once upon a time, John Fogerty eschewed any association with the band that made him famous, Creedence Clearwater Revival. But time, which changed a long time ago, heals everything apparently. Not only is Fogerty playing CCR songs, he makes those overwhelmingly the cornerstone of his very fine, invigorating night of music that were the soundtracks of... »»»
Concert Review: With Turnpike Troubadors, there's lots of good reason – The appearance of Turnpike Troubadours was a bit curious. The Oklahoma Red Dirt music troupe has not released an album since 2012's "Goodbye Normal Street." So, it's not as if they're pushing new product. They also had never even played Boston before. In fact, lead singer Evan Felker said he had never set foot in Beantown period.... »»»
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Kickstart Country Standard Time to Nashville
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Do You Know Me: A Tribute to George Jones CD review - Do You Know Me: A Tribute to George Jones
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Wild Animals CD review - Wild Animals
Trampled By Turtles, the five-piece band from Duluth, Minn., combines bluegrass, folk and country into an enjoyable mixture. This act, which has been known to cover such unexpected artists as the extremely somber Radiohead in concert, is gradually moving away from its speedy bluegrass leanings and incorporating much more moody instrumental blends into its music. "Wild Animals'" title track, for instance, opens up this 11-song album with a slow, dirge-y piece. »»»