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Drive-By Truckers' Shonna Tucker exits

Monday, December 5, 2011 – Drive-By Truckers bassist Shonna Tucker announced today she is leaving the band, although she gave no reason for her departure. She also did not indicate any future plans.

Tucker has been on tour with DBT promoting their new disc, "Go Go Boots." She started playing with the band in 2004 on "The Dirty South" CD. She had been married to Jason Isbell, who had been guitarist in the band before leaving for a solo career.

In a statement on the band' web site, Tucker said, "Unfortunately, I come to you all with some sad news. It's time for me to move on to the next great thing, whatever that may be."

"I want to thank each and everyone of you, with my whole heart for your overwhelming kindness and support over the years. You are the greatest fans in the world! You really do amaze and inspire me. I can't express how much you all mean to me. Your rock solid encouragement has carried me through, many nights. I have been so lucky to have had the chance to meet and talk with so many of you. Your stories and passion are so incredibly inspirational to me."

"I am, without a doubt, not done. I will have a website up and running very soon so that we can keep in touch. I have a whole lot left to say and do, and I can't wait to hear what all of you are up to. This is very difficult, so I'll leave you with this... for now...Thank you all so much!"

"Safe travels and Happy Holidays to you all! See you soon somewhere..."

The band's next date is Dec. 29 in Washington, D.C.

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It's Great to Be Alive CD review - It's Great to Be Alive
It's been roughly two decades when musicians Patterson Hood and Mike Cooley decided to tie their wagon together and form Drive-By Truckers. And through the countless tours, hundreds (oops, thousands) of shows, the band decided now was the right time for a live album. Three nights at San Francisco's Fillmore is the backdrop for this massively generous 35-song compendium. Yet while there are a few expected lulls in the marathon of music offered, Hood and Cooley's dual engine of »»»
English Oceans CD review - English Oceans
It would be easy perhaps even tempting - to label Alabama's Drive By Truckers as simply a rowdy and rambunctious country rock outfit that goes all out to make their insurgent sound heard. Not surprisingly, it was their landmark opus, "Southern Rock Opera," an album detailing the exploits of a fictional '70s Dixie-bred outfit called "Betamax Guillotine," that helped solidify both their sound and reputation. They've more or less continued to reinforce that stoic »»»
Ugly Buildings, Whores, and Politicians CD review - Ugly Buildings, Whores, and Politicians
Greatest hits albums are a tricky business. If the band is thoughtful enough to have created cohesive, thematic records, a greatest hits collection only disrupts this order. As such, the release of a compilation is usually not motivated by the band's artistic desires, but instead the record company's monetary ones. "Ugly Buildings" does not feature any new or unreleased material, which makes it irrelevant to any fans who already own the band's complete discography. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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