Sign up for newsletter
 

Sugarland's Bush goes solo (for one night anyway)

Monday, October 24, 2011 – Sugarland's Kristian Bush returns to Eddie's Attic in Decatur, Ga. for his annual Thanksgiving solo show on Sunday, Nov. 27.

The night will feature special guests to be announced. Tickets go on sale this Wednesday, Oct. 26 at eddiesattic.com.

"After the food, the football, the first fire of the season; after the dishes are done and after you sneak one more plate of leftovers and your brain really commits to the reality of the Christmas season, there will be Sunday," Bush said. "It has been my joy for many years to invite some friends, make a poster to spread the word, pull out my books of old songs and new ones, and string up my favorite guitar to play a show at Eddie's Attic the Sunday after Thanksgiving. This year the tradition continues."

Bush plays two shows with tickets $25. The late show is an exclusive performance for Sugarland fan club members.

More news for Sugarland

CD reviews for Sugarland

The Incredible Machine CD review - The Incredible Machine
"The Incredible Machine" is a rather unfortunate title for Sugarland's latest full-length. Listening to Find The Beat Again, for example, makes it sound as though vocalist Jennifer Nettles wants to be Deborah Harry-fronting-Katrina & the Waves rather than, say, a latter-day Loretta Lynn. With its handclap rhythm and shouted "Hey, Hey" on the chorus, this track - along with many others - finds Sugarland firmly entrenched in a predictable pop music device. »»»
Gold and Green CD review - Gold and Green
Jennifer Nettles has one of the most distinctive voices in today's country music, which makes every thing she sings oh so easy on the ears. And with this 10-song holiday CD, Nettles never fails to please, vocally. So when one of these recordings is little more than Nettles singing, and sparse banjos backing (along with Kristian Bush's complimentary vocal), as happens with O Come, O Come, Emmanuel, it's a thing of simple musical beauty. Bush also takes a few lead vocals, but Nettles »»»
Live on the Inside CD review - Live on the Inside
Often it isn't the material chosen or the sound quality that makes a live album good or poor, but the act being captured. To that end Sugarland isn't a good band at all to capture on an audio CD. The group's live shows are renowned, and anyone who has been to one and wants a reminder of that experience will love CD/DVD. Yet those who just want to hear good music performed by Sugarland will be disappointed. On nearly every song, Jennifer Nettles asks for audience participation and readily gets it. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Not playing the hit proves no problem for Bingham – Ryan Bingham may always end up being best known for collaborating with T Bone Burnett on the soundtrack for the 2009 film starring Jeff Bridges, particularly "The Weary Kind." That would not be a surprise given that he won a Grammy and Oscar for the song. One would, therefore, think that "The Weary Kind" would be one of those... »»»
Concert Review: Abbott brings the joy - even with "Front Row Seat" – To say that the Josh Abbott Band's "Front Row Seat" is an easy listen, especially in concert, would be a tremendous understatement. The Texas country singer released a five-act recording about the development, joy and ultimate dissolution of his marriage last fall. Not exactly easy subject matter, but Abbott managed to bring more than a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hull lifts a weight off her mind Reaching her early twenties, Sierra Hull found herself beset by the same kinds of emotional angst and vulnerability that most of experience coming face-to-face with the challenges of life stretching out ahead. In her case, though, introduction to adulthood came at the age of 16 when she recorded her first... »»»
The Grascals embrace the change The Grascals are a well-established collection of players, featuring a six-piece mix of some of the most talented musicians in bluegrass. What happens when there's some turnover in the lineup of an established band? It either gets better or goes home. With... »»»
Blitzen Trapper explores "Mystery and Wonder" The song "Mystery and Wonder" is the centerpiece of Blitzen Trapper's latest album, "All Across This Land." It finds the band's vocalist and primary songwriter Eric Earley reflecting upon various songs and experiences over the years and vainly attempting to figure out what it all means.... »»»
The Ghosts of Highway 20 CD review - The Ghosts of Highway 20
As impressive as her last album "Down Where The Spirit Meets The Bone" was, this much is true about Lucinda Williams: the next album will be as stellar or even more. That's not to say any of her releases are subpar, but the quality (and now consistency) of her output makes her a precious gem. »»»
The Driver CD review - The Driver
Many artists find inspiration from pain or life changing events. Lady Antebellum's Charles Kelley got his out of sheer boredom, and it resulted in a Grammy nomination. The title track off of his first solo album, "The Driver," is up for Best Country Duo/Group Performance. With Lady A on hiatus, Kelley thought, "It's winter." "I'm bored and I want to make some music." He contacted producer Paul Worley to »»»
Scheherazade CD review - Scheherazade
The 10-year span since the last Freakwater album, 2005's "Thinking of You," combined with the busy schedules of Janet Bean and Catherine Irwin, the band's core duo, might have intimated to some that they were headed down permanently divergent paths. Between Bean's outside band activities (Eleventh Dream Day, Horse's Ha), Irwin's visual art career and both women's solo work, it seemed that Freakwater's well might have run tragically dry.  »»»