Scud Mountain Boys reform 14 years later
Monday, October 17, 2011
– The Scud Mountain Boys, who disbanded in 1997, will play several east coast shows in January and February 2012.
Stephen Desaulniers, Joe Pernice, Tom Shea and Bruce Tull, who comprised the band throughout most of its short recording and touring career from 1991-97, will play together for the first time in 14 years.
Friday, Jan. 13, 2012 - Bowery Ballroom, New York, NY
Saturday Jan. 14 - Brighton Music Hall, Boston, MA
Sunday, Jan. 15 - Pearl Street Clubroom, Northampton, MA
Saturday, Feb. 18, 2012 - Johnny Brenda's, Philadelphia, PA
Sunday, Feb. 19, 2012- The Black Cat, Washington, DC
James Walbourne, who plays in The Pernice Brothers with Joe Pernice, and also plays with The Pretenders, Edwyn Collins and Peter Bruntnell, will open the shows in January.
In August, after being out-of-contact for many years, Pernice, Desaulniers and Shea had an almost-impromptu reunion in Cambridge, Mass., after which they announced the full Scud Mountain Boys line-up would do these shows. Ashmont Records will re-release "The Early Year "in January 2012. "There are plans afoot for other re-releases and recordings, but nothing solid to report at this writing," the Scuds' publicist said Monday.
The Scud Mountain Boys began as the Scuds in western Massachusetts in 1991. Back then the group played loud rock 'n' roll in local clubs. But after those shows ended, the band would retreat to Bruce's kitchen to unwind. There, late at night, they would break out their old country favorites, playing the songs they thought too quiet and too slow for live performances.
The band found that these were the songs they really lived to play, so they decided to make a change. Adding "mountain boys" to their name, the re-christened Scud Mountain Boys played their first show in 1993. In keeping with their simplified approach, the Scud Mountain Boys preferred to record in the same kitchen that spawned their new direction. They had tried recording in a small studio but found it alienating. A 4-track recorder captured the sounds for 12 original songs and 3 covers of songs originally performed by such diverse sources as Jimmy Webb (Wichita Lineman), Olivia Newton-John (Please, Mister Please), and Cher (Gypsies, Tramps and Thieves). Originally sold as the Pine Box cassette, the tracks were later released on vinyl by the indie-rock label Chunk Records in 1995.
Later in 1995 the Scud Mountain Boys recorded another set of tracks which became "Dance the Night Away" on Chunk. Including more 4-track kitchen recordings, as well as others made a 24-track studio, the CD-only release featured drums on a few songs, another Jimmy Webb cover (Where's the Playground Susie).
The band signed with Seattle's Sub Pop Records and recorded "Massachusetts," a14-song album with a number of more upbeat songs with drums and electric guitar. Released in 1996, the CD received much praise. Sub Pop released the first 2 CDs as "The Early Year," a double CD, in 1997. The group disbanded shortly after that release, and has not performed since.
Tickets for these shows go on sale Oct. 21.
More news for Scud Mountain Boys
CD reviews for Scud Mountain Boys
The Early Year
The Scud Mountain Boys rose out of late night gatherings in guitarist/vocalist Bruce Tull's kitchen, playing quiet, acoustic, country-flavored tunes more than the regular rock bands they were used to playing in. The Scuds became a full-time project and, almost immediately, released two records in one year. This is a double-CD reissue of these first two releases: "Pine Box" and "Dance The Night Away" (both released in 1995 on Chunk Records). The former was recorded with just one microphone. »»»
On the Scuds' latest, they reveal where there true musical direction lies. Although definitely having some country influences, the sound is similar to that of Better than Ezra or R.E.M. in their mellower moments. They also display their country influences, evoking memories of Gram Parsons, the Jayhawks et al on tracks prominently featuring traditional country instruments such as the mandolin, lap steel, and pedal steel guitar ("Big Hole" and "Van Drunk"). The tempo is rather slow and laid-back throughout. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well
The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better
Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards. »»»
Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether. »»»
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus," »»»