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Adams announces tour

Wednesday, September 28, 2011 – With his forthcoming "Ashes & Fire" coming Oct. 11 on PAX-AM/Capitol), Ryan Adams has confirmed a new leg of North American dates. The new dates run from Dec. 2 at Philadelphia's Academy of Music through Dec. 13 at the State Theater in Minneapolis and include a Dec. 6 stop of New York's Carnegie Hall.

Preceded by the single Lucky Now, an NPR Music First Listen album preview and an Oct. 10 appearance on TBS Conan, the CD has 11 songs. The record was produced by Glyn Johns, renowned for his work with the likes of The Beatles, Bob Dylan, The Clash and The Rolling Stones, and whose son Ethan produced previous Adams landmarks including "Heartbreaker" and "Gold." The record also features guest turns from Tom Petty and the Heartbreakers keyboardist Benmont Tench and Norah Jones, who contributes piano and backing vocals to several tracks.

Tour dates are:

Oct. 11 San Diego, CA - Balboa Theater

Oct. 13 Big Sur, CA - Henry Miller Library

Oct. 14 San Francisco, CA - Herbst Theater

Oct. 15 Napa, CA - Uptown Theater

Oct. 17 Santa Cruz, CA - The Rio

Oct. 18 Sacramento, CA - Crest Theatre

Oct. 20 Eugene, OR - The Shedd

Oct. 21 Seattle, WA - Benaroya

Dec. 2 Philadelphia, PA - Academy of Music

Dec. 4 Baltimore, MD - Lyric Opera House

Dec. 6 New York, NY - Carnegie Hall

Dec. 8 Boston, MA - Orpheum Theatre

Dec. 10 Toronto, ON - Winter Garden Theatre

Dec. 11 Chicago, IL - Cadillac Place

Dec. 13 Minneapolis, MN - State Theatre

More news for Ryan Adams

CD reviews for Ryan Adams

Easy Tiger CD review - Easy Tiger
Ryan Adams is a freak. Every other week - it seems - there's a new Adams release, and each is different from the one before. This shows he is also getting good at making stylistic wardrobe changes, too. "Tears Of Gold" is pedal steel country, while "Pearls On A String" rolls bluegrass-y with its prominent banjo. He can be vocally gravelly and world weary one moment, then suddenly switch to a Rufus Wainwright-like falsetto as he does on "Two Hearts. »»»
29 CD review - 29
Madness, sadness, love, crime, death, hope, drugs, booze and religion. Ryan Adams wrote the songs throughout his tumultuous and confusing twenties. It's a compelling confusion - full of complex stories and recurring themes that fit a cohesive concept. A track that would have fit Adams' 2005 albums recorded with the Cardinals, "Carolina Rain" is all pedal steel and Southern Gothic storytelling. But "29" is a solo effort, with producer Ethan Johns providing most of the »»»
Jacksonville City Nights CD review - Jacksonville City Nights
You'd think an artist as prolific as Ryan Adams has been in the last few years would find it difficult to stick to a certain kind of genre over the course of an album. And indeed, his sprawling major-label debut, "Gold," included everything from a Stones-y rave up to soulful ballads tinged with Van Morrison. After spelunking into 1990s style rock on "Rock n Roll" and dirgeful melodrama on "Love Is Hell," however, Adams is making some of the most focused - and best - music of his career. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Womack planned a good night – Lee Ann Womack pretty much summed up where she's at these days in concluding her show with Don Williams "Lord I Hope This Day Is Good." The ever-strong voiced country traditionalist sang, "I don't need fortune and I don't need fame" with the concluding line of the stanza asking the Man upstairs to "plan a good day for me.... »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
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