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Opry goes pink

Thursday, September 8, 2011 – The Grand Ole Opry is joining Women Rock For The Cure in the fight against breast cancer on Sat., Oct. 22 with its third annual "Opry Goes Pink" show.

Opry member Martina McBride, whose current single, I'm Gonna Love You Through It, offers hope to those affected by cancer, will flip the switch on the Opry's barn backdrop, turning it pink for the night. The special show will also include performances by Lauren Alania, Edens Edge, Kellie Pickler, Ronnie Milsap and others as well as activities recognizing breast cancer survivors and the continuing fight against the disease.

Beginning today, when fans order tickets to the night's 7 p.m. show, $5 from every ticket sold will be donated to Women Rock For The Cure. Tickets are available at (615) 871-OPRY and

"Opry Goes Pink" will extend this year to, which will go pink for the day on Oct. 22 and will host an online pink auction beginning Tues., Oct. 18 with all proceeds benefitting Women Rock For The Cure. Among the items to be available include one-of-a-kind Opry experiences and items autographed by artists participating in the "Opry Goes Pink" show.

More news for Martina McBride

CD reviews for Martina McBride

Everlasting CD review - Everlasting
When an established artist is somewhat "in between" albums, a greatest hits package can often bridge that gap. Or a live album. Or perhaps a cringe-worthy Christmas album. If you're Rod Stewart you can create a cottage industry from old standards. But few decide to try to enhance or pay tribute to old soul songs that can almost never be duplicated. However Martina McBride decided to go down that road on her latest offering with acclaimed producer Don Was helping out. »»»
Hits and More CD review - Hits and More
If you've ever heard Martina McBride sing O Holy Night or Over the Rainbow, maybe you've felt the goosebumps with her unmistakable, soaring soprano. In a genre full of splendid singers, McBride's voice stands atop them all. But, as anybody's who's spent more than five minutes around show business can tell you, having the most talent is only a good start. McBride has had trouble filling albums with songs equal to her instrument, and she's locked horns with her record company. »»»
Eleven CD review - Eleven
Martina McBride changes labels for her 11th disc and a bit of a change in approach as well as she goes outside of her comfort zone. McBride still possesses one of the greatest voices out there in country, but she tones it down a lot, generally avoiding the big sweeping vocal songs where she belts it out. Marry Me, with help from Train's Pat Monahan, is a low-key, mid-tempo effort with a bit of pedal steel and softness in vocals that make the song work. That tender quality comes through »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Corb Lund finally returns – To say that a Corb Lund show was a rarity in these parts would be an understatement, but with a new disc, "Things That Can't Be Undone," dropping in two days, the Canadian roots/country artist is on the road - south of the border. Lund lives on a farm in southern Alberta, Canada, near the Montana border, and has achieved popularity in his homeland.... »»»
Concert Review: Time makes a difference for Striking Matches – What a difference four months makes. When the duo Striking Matches debuted in Boston in late May, Sarah Zimmerman and Justin Davis capably showed off their skills, but somehow it felt like a lot of songs fell just a bit short. Davis and Zimmerman tended to cut a lot of songs abruptly, never letting them breath enough or fleshing them out.... »»»
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Elsewhere in the news

Currently at the CST blogs

No matter what you say, it's The Deslondes In the spirit of hard-hitting journalism, it seemed logical to ask Deslondes vocalist/guitarist Riley Downing the Mike-Wallace-from-60-Minutes question that has to be on everyone's mind: How the hell do you say the New Orleans-based band's name? "It's pronounced 'dez lawn,'" says Downing. "I know there's different ways that people have pronounced it over the course of history...... »»»
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Things That Can't Be Undone CD review - Things That Can't Be Undone
While it is perhaps unfair to put too much focus on the producer of an album, the current weight of having a production credit from Dave Cobb (Jason Isbell, Jamey Johnson) is certain to garner notice from fans of high quality songwriters. Canadian artist Corb Lund decided to work with Cobb on his latest release, and the results are eye opening. »»»
Runaway Train CD review - Runaway Train
To those with even only a passing familiarity with the history of bluegrass, the name of this young band from Florida is an obvious tribute to the pioneers of the music as exemplified in the person of the late, great Lester Flatt. Perhaps more than any other genre of American music, though, bluegrass has lent itself to acts for whom the music is the "family business." »»»
South Broadway Athletic Club CD review - South Broadway Athletic Club
It's been over two decades since The Bottle Rockets vaulted into the wider consciousness with 1994's "The Brooklyn Side," typified by the heartbreaking Appalachian roots folk swing of "Welfare Music" and the scorching Crazy Horse pop of "Gravity Fails." Since then, frontman/primary songwriter Brian Henneman hasn't been afraid to mix things up or to take a break when necessary. »»»
Lost Time CD review - Lost Time
As a follow up to their Grammy nominated reunion set, "Lost Time" treads the same turf, spotlighting the Alvin brothers' take on some familiar - and a few not so familiar - blues standards of a revered heritage. While the blues comes in many hues, it's not always easy to replicate them with the same tone and tenacity that the signature artists conveyed.  »»»