Sign up for newsletter
 

Early Buck Owens recordings coming out

Tuesday, August 23, 2011 – 1.

Buck Owens' early recordings for southern California independent labels will be available this fall.

"Buck Owens - Bound for Bakersfield 1953-1956: The Complete Pre-Capitol Collection" will be out on Rockbeat Records on Sept. 27. The disc includes songs he recorded for Pep, Chesterfield and La Brea Records.

The 24-song reissue opens with selections from his first known session in 1953 in Hollywood, which produced two singles (Down on the Corner of Love b/w It Don't Show on Me and The House Down the Block b/w Right After the Dance) on Claude Caviness' Pico Rivera-based Pep Records. It closes with a 1956 Bakersfield session that produced singles on Chesterfield Records and an album on La Brea Records. Included are previously unreleased alternate takes including an overdubbed version of Hot Dog.

Liner notes were written by Rich Kienzle, a music historian with special expertise in West Coast country. RockBeat VP or A&R James Austin and Jim Shaw of Buck Owens' Buckaroos compiled the collection.

According to Kienzle's notes, "Buck Owens was 21 when he rolled into Bakersfield from Phoenix in May, 1951, a part-time musician and laborer who had his eye on a musical career. It would take some time. There were lessons to be learned and dues to be paid. But in the final analysis, the Buck of legend, of the raw honky-tonk vocals, catchy commercial tunes, twangy Fender Telecasters and churning, aggressive 'freight train' rhythms was forged in Bakersfield's honky tonks and recording studios there and in L.A. from 1951 to 1957."

Owens is best known for his later Capitol Records hits like Tiger by the Tail, Foolin' Around and Act Naturally. But his '50s pre-Capitol recordings find him working in a honky tonk milieu (except for the rockabilly tracks such as the 1957 single Hot Dog).

Kienzle notes, "Buck Owens was always known for his spot-on instincts. Clearly, his expectation that he'd have no recording career beyond Pep and the odd demo or two was a rare miscalculation. These raw, primal performances, blended with hundreds of hours onstage at the Blackboard (club in Bakersfield), were essentially part of a long rehearsal for the fame that came soon enough."

Songs are:

1. Blue Love (with Studio Chatter) (1953)

2. Down on the Corner of Love (Alternate Take) (1953)

3. Down on the Corner of Love (1953)

4. It Don't Show On Me (Alternate Take) (1953)

5. It Don't Show on Me (1953)

6. The House Down the Block (Alternate take) (1953)

7. The House Down the Block (1953)

8. Right After the Dance (Alternate Take) (1953)

9. Right After the Dance (1953)

10. Hot Dog (1955)

11. Hot Dog (Overdubbed Single) (1955)

12. Rhythm & Booze

13. There Goes My Love (Alternate Take) (1956)

14. There Goes My Love (1956)

15. Sweethearts in Heaven (Alternate Take) (1956)

16. Sweethearts in Heaven (1956)

17. Honeysuckle (1956)

18. Country Girl (Leavin' Dirty Tracks) (1956)

19. You're Fer Me (1956)

20. Blue Love (1956)

21. Please Don't Take Her From Me (1956)

22. Three Dimension Love (1956)

23. Why Don't My Mommy Wanna Stay with Daddy & Me? (1956)

24. I'm Gonna Blow (1956)

More news for Buck Owens

CD reviews for Buck Owens

Country Singer's Prayer CD review - Country Singer's Prayer
When the hits stop coming, country labels move on; loyalty is fleeting, never mind 19 number 1 hits (14 consecutive), more than 40 Top 10 songs, and 15 years with a label. Buck Owens found that out in the mid-'70s as his contract with Capitol was coming to an end, and the label shelved his final album of new material. Unheard since that time except through the expansive Bear Family box-set "Tall Dark Stranger," these recordings hold interest for those who appreciate encountering »»»
Live from Austin, TX
It was hard to find a more significant country artist through the 1960s than Buck Owens. With 21 number ones from 1963 ("Act Naturally," included here) and 1972, including a stretch of 14 in a row, Buck Owens was one of country music's biggest stars, bringing his slant on the Bakersfield Sound to stages, radio and television around the world. In this 1988 Austin City Limits program and nearing 60 years old, Owens appears comfortable with his stature as a torchbearer. »»»
Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection CD review - Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me. Other impressive Owens compositions are the George Jones »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Sweeney maintains her musical integrity – Sunny Sweeney has gone the big label route and even earned a hit with "From a Table Away," but truth be told, she's better off without the baggage of the bigs, especially given the consistent quality and musical vision that was so clearly and admirably on display on this evening. When the East Texas native started her career, she was... »»»
Concert Review: Live, Shelley proves she's the real deal – After the concert, Joan Shelley was greeted by a fan at the near sold-out club who had never seen her before. The first timer told the Louisville, Ky.-based folk-oriented singer that she wanted to see for herself if Shelley's vocals were the real deal live. The fan walked away mighty impressed -based on her comments - and it was easy to see why.... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Bingham gets personal with "American Love Song"...again A lot of the early reviews for "American Love Song," Ryan Bingham's latest set of raucous and reflective Americana brilliance, have characterized it as the singer/ songwriter's most personal album to date.... »»»
Wilson goes her own way After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
Carll tells it like it is A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Ride Me Back Home CD review - Ride Me Back Home
Time may be an enemy to most, but Willie Nelson seems a bit impervious to its ravages - a fact made evident on "Ride Me Back Home," a relaxed affair that showcases Nelson's still-strong voice and his sharp-as-ever songwriting and interpreting abilities. »»»
The Prequel EP CD review - The Prequel EP
The saying, 'Strike while the iron's hot,' applies to many situations, but especially to the music business. The scene moves so fast these days that this last year's star could be this year's 'Where are they now?' Luke Combs »»»
Between the Country CD review - Between the Country
Ian Noe sings like a man wise beyond his years. Like Bob Dylan, back when he also started out as a young man, Noe has a vocal tone that rings true like the voice of experience. Beginning with "Irene (Ravin' Bomb)," »»»
Live at the Grey Eagle CD review - Live at the Grey Eagle
Let's just say Amanda Anne Platt and her five-piece band The Honeycutters had home court advantage playing in their hometown of Asheville, N.C. in what is as warm a live album as you'll hear. »»»
American Highway CD review - American Highway
Buckle up for a rollicking, joyful, adventuresome ride as Marty Brown drives flat-out down the straightaways and hugs tight the curves of the "American Highway." It's great to have Brown, who's written hits for Trace Adkins »»»
Glymphonic CD review - Glymphonic
Daniel and Lauren Goans, the duo known as Lowland Hum, have always remained true to all their name implies, indulging in lowcast songs etched in a shoegaze motif. In that regard, their "Glyphonic" is really no differen »»»