Sign up for newsletter
 

Jackson, Church lead Capitol party

Thursday, August 11, 2011 – "Capitol Street Party 4," a free music event open to the public is scheduled to take place near Music Row, on Wednesday, Sept. 21 with low sets by Alan Jackson, Eric Church and newcomer Eric Paslay. EMI Records Nashville's newest singer/songwriter Jon Pardi will extend the street with a special post-party performance at a nearby club.

Capitol Records Nashville President & CEO, Mike Dungan said, "Where else can you experience a true American icon, the artist with the number one album in America and the best new artist to come out this year? All for the low, low price of ... Nothing. It's free. You'd be crazy not to be there."

Texas native Paslay (Pass-Lay) started playing guitar at 15 years old and had aspirations of being a songwriter. He moved to Nashville to attend a music program at Middle Tennessee State University. Seven years after his move to Nashville, Paslay signed with EMI Record Nashville. During those seven years he worked on his songwriting and gigged around town. Paslay has penned or co-penned every song on his debut album, due out next year. He also has a songwriting cut, Friday Night, on the upcoming Lady Antebellum album, as well as, the Jake Owen single Barefoot Blue Jean Night, which he co-wrote with Dylan Altman and Terry Sawchuk.

Pardi comes from a small town in Northern California. He performed karaoke for at his grandmother's home at three. By 8, he was playing the guitar and at 12, he was writing his own songs. Pardi had his first band at age 14, performing a mixture of classic rock and country. Pardi moved to Nashville at 22 years old, where his unique musical style gained the attention of Song Factory which led to a publishing contract.

Last year, more than 10,000 fans packed Demonbreun Street.

More news for Alan Jackson

CD reviews for Alan Jackson

Genuine: The Alan Jackson Story CD review - Genuine: The Alan Jackson Story
Tim O'Brien "Pompadour" Howdy Skies Records Reviewed by Donald Teplyske It is difficult to tally exactly how many albums of new material Tim O'Brien has released since first appearing as part of Hot Rize, the venerable bluegrass band experiencing a well-received resurgence. More than 20 by any count, 30-plus when one considers solo, duet and group offerings, including his most recent success as part of the Earls of Leicester. Aside from a brief flirtation with the »»»
Angels and Alcohol CD review - Angels and Alcohol
Alan Jackson, circa 2015, now might be, unfortunately, considered a retro artist. Jackson, thankfully, does not veer from his traditional country beat on his first new studio disc in three years. It's the traditional sound that makes him a throwback today. In an age of rock and rap meshing with country, Jackson will have none of that on this meat-and-potatoes rendering. Jackson's viewpoint has always been about the simple truths of life. He makes that clear in the leadoff track, »»»
The Bluegrass Album CD review - The Bluegrass Album
Alan Jackson makes his statement crystal clear with the title - "The Bluegrass Album." The traditional country singer has "gone bluegrass," although the idea of a bluegrass disc should not come off as all that far fetched. Yes, there's no pedal steel here, but the sounds, subject and voice are not very different from a typical AJ disc. And this is not the first time that Jackson has veered off the straight and narrow path as his gospel albums indicated. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home – For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt – Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre. So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»
Patriots & Poets CD review - Patriots & Poets
From time to time an album comes along with exactly the right message and meaning at exactly the right time - "Patriots & Poets" is one of those albums. Dailey and Vincent initially set out to create a project full of songs they had written independently, together and with close friends. While succeeding mightily in that regard, they also created a beautiful love letter to America and her people... »»»
WildHorse CD review - WildHorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»