Jackson, Church lead Capitol party
Thursday, August 11, 2011
– "Capitol Street Party 4," a free music event open to the public is scheduled to take place near Music Row, on Wednesday, Sept. 21 with low sets by Alan Jackson, Eric Church and newcomer Eric Paslay. EMI Records Nashville's newest singer/songwriter Jon Pardi will extend the street with a special post-party performance at a nearby club.
Capitol Records Nashville President & CEO, Mike Dungan said, "Where else can you experience a true American icon, the artist with the number one album in America and the best new artist to come out this year? All for the low, low price of ... Nothing. It's free. You'd be crazy not to be there."
Texas native Paslay (Pass-Lay) started playing guitar at 15 years old and had aspirations of being a songwriter. He moved to Nashville to attend a music program at Middle Tennessee State University. Seven years after his move to Nashville, Paslay signed with EMI Record Nashville. During those seven years he worked on his songwriting and gigged around town. Paslay has penned or co-penned every song on his debut album, due out next year. He also has a songwriting cut, Friday Night, on the upcoming Lady Antebellum album, as well as, the Jake Owen single Barefoot Blue Jean Night, which he co-wrote with Dylan Altman and Terry Sawchuk.
Pardi comes from a small town in Northern California. He performed karaoke for at his grandmother's home at three. By 8, he was playing the guitar and at 12, he was writing his own songs. Pardi had his first band at age 14, performing a mixture of classic rock and country. Pardi moved to Nashville at 22 years old, where his unique musical style gained the attention of Song Factory which led to a publishing contract.
Last year, more than 10,000 fans packed Demonbreun Street.
More news for Alan Jackson
CD reviews for Alan Jackson
Genuine: The Alan Jackson Story
Howdy Skies Records
Reviewed by Donald Teplyske
It is difficult to tally exactly how many albums of new material Tim O'Brien has released since first appearing as part of Hot Rize, the venerable bluegrass band experiencing a well-received resurgence. More than 20 by any count, 30-plus when one considers solo, duet and group offerings, including his most recent success as part of the Earls of Leicester.
Aside from a brief flirtation with the »»»
Angels and Alcohol
Alan Jackson, circa 2015, now might be, unfortunately, considered a retro artist. Jackson, thankfully, does not veer from his traditional country beat on his first new studio disc in three years. It's the traditional sound that makes him a throwback today.
In an age of rock and rap meshing with country, Jackson will have none of that on this meat-and-potatoes rendering. Jackson's viewpoint has always been about the simple truths of life. He makes that clear in the leadoff track, »»»
The Bluegrass Album
Alan Jackson makes his statement crystal clear with the title - "The Bluegrass Album." The traditional country singer has "gone bluegrass," although the idea of a bluegrass disc should not come off as all that far fetched. Yes, there's no pedal steel here, but the sounds, subject and voice are not very different from a typical AJ disc.
And this is not the first time that Jackson has veered off the straight and narrow path as his gospel albums indicated. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile brings thoughtfulness
Brandi Carlile returned to the GRAMMY Museum for the third time, and it's easy to see why she's always invited back. The evening began with GRAMMY Executive Scott Goldman interviewing Carlile on a pair of stuffed chairs, which was followed directly by a brief set of live songs. The interview portion was informative, while Carlile's... »»»
Concert Review: Twain thrives on eye candy visuals, music
TD Garden, Boston
July 11, 2018
Early on during her Now Tour stop, Shania Twain uttered the oft-said lines that so many artists tell the faithful - this is a night to forget about everything else and just have a night of fun.
In Twain's case, that might have been a most accurate sentiment because her show was designed with... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Circus of Life
"Circus of Life," the title of Kinky Friedman's album, is a little misleading. It conjures up images of carnival barkers and circus freaks and songs as odd as its cigar-manufacturing, politically-astute novelist author/songwriter. The album is far more sensitive than that title suggests, though. In fact, it's a welcome respite from modern day circus-like life. »»»
Outlaws 'Til The End: Vol. 1
Many mainstream country artists will point to their Southern roots as proof of their country music credentials. These roots seemingly give them liberty to stray just as far from typical country music instrumentation as they like. However, how does this rule apply to Santa Barbara, Cal.'s DevilDriver, which applies its hard-rocking groove metal chops to a set of outlaw country music? »»»
Kick Out the Twang
The cliché goes "They live and breathe music." Consider the case of Speedbuggy front man Timbo, who led the band back from a seven year hiatus after he survived and healed from a brain aneurysm only to endure a major house fire five week before the band departed on a European tour. »»»
Epilogue: A Tribute to John Duffey
Not many folks are twice members of the Bluegrass Hall of Fame: John Duffey is. A legend in mandolin musicianship and lead and harmony singing, a gregarious stage personality and master of repartee and fashion sense (okay, perhaps not the latter: many remain scarred from the early '90s animal print pants)... »»»
Sugarland is back with "Bigger," its first studio album in nearly a decade. And its arrival says more about branding, than anything else. Although his voice is heard often enough on this album to make his presence felt, it's still difficult to get away from seeing Kristian Bush in the Oates to Hall or Ridgeley to Michael role in this duo. »»»