Sign up for newsletter
 

Mark Newton forms new band

Thursday, July 21, 2011 – Mark Newton formed a new band formation, Mark Newton's Stillhouse Band, which he announced today. The new band will consist of bluegrasser Newton, banjoist, bassist and vocalist Andrew Blythe and Dobroist, guitarist and vocalist Leah Needham.

"I am excited to be working such great young talent like Leah and Andrew, moving forward with a refocused musical product, and continuing my efforts with the Graves Mountain Festival, Lyrics for Lyric, and being able to put my energy into being an artist and producer. I am excited about the future and look forward to seeing many of my fans and friends later this year as we kick off a new tour." said Newton.

Newton expects to release a new project soon with the new band configuration. There was no word on what label would release the music.

In 1978, Newton became a member of the Knoxville Grass out of Knoxville, Tenn., and by 1983, Newton, Rickie and Ronnie Simpkins, and Sammy Shelor founded the Virginia Squires. In 1998, Newton released his first solo album for the Rebel Records label,"Living A Dream." While cutting "Living A Dream," Newton came up with the concept for "Follow Me Back To The Fold" A Tribute To Women in Bluegrass. The disc won the IBMA Recorded Event of The Year Award in 2001. Newton also participated on "Knee Deep In Bluegrass The Acutab Sessions" and won The IBMA Instrumental Album Of The Year in 2001.

CD reviews for Mark Newton

Hillbilly Hemingway CD review - Hillbilly Hemingway
Excellent musicians and singers (like Mark Newton, Stuart Duncan, Randy Kohrs plus Carl Jackson on harmonies), good material, a renowned bluegrass producer (Jackson) make for a killer album. Newton follows different paths. The Jackson-penned numbers have a newgrass feel; the title cut, an ode to Hank Williams, is especially interesting and the comparison of Williams to Hemingway is apt. Then there are the ballads that reach out and touch you, like "Blessings" sung by bass player Beth »»»
No Boundaries
Mark Newton has put together a great bluegrass album with this release. The photos hint at a minimalist approach (no fiddle or resophonic guitar), but they overdubbed the fiddle onto the tracks. The songs range from the traditional ("Cindy") to those written by some of the best writers in the business. Combine good writers, great musicians and a strong sense of tradition and you have a recording that will grab the attention of bluegrass lovers everywhere. If you like hard driving tunes, check »»»
Follow Me Back to the Fold
Mark Newton has assembled an impressive cast of female bluegrassers in his new project. The Virginia singer brings in a mix of better-known and lesser-known distaff vocalists to add harmonies and swap verses on 12 bluegrass and gospel numbers, plus a grand finale written by Dixie Hall featuring husband Tom T. and 11 women singers. It's as much of a tribute to Newton's reputation that singers of the caliber of Rhonda Vincent, Claire Lynch, Lynn Morris and the Whites were willing to add their considerable talents. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Hurray for the Riff: more than just a great name – Hurray for the Riff Raff is one well-named group. Not that it signifies all that much musically, but at least it's catchy and makes you want to root for the underdog. With a lot to live up moniker wise, the band in concert - which, in reality, is lead singer Alynda Lee Segarra from New Orleans and her backing mates - more than lived up to the "pressure.... »»»
Concert Review: Carolina Chocolate Drops easily weather changes – The personnel in the Carolina Chocolate Drops may have changed drastically over the last few years - two of its three founding members are no longer - but that apparently has not had any impact whatsoever on the group both when it comes to the musical direction and the ability to come through in concert. Rhiannon Giddens, who plays fiddle... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gerry House comes out (from behind the mic) For 25 years, Gerry House spent every weekday morning in people's living rooms. As the host of the much-loved and much-acclaimed morning show, Gerry House and the House Foundation, House reigned on the airwaves on Nashville's WSIX-FM from 1983-2010, taking a brief hiatus to work for WSM-AM in Nashville and for KLAC in Los Angeles.... »»»
Once a Carter Girl, always a Carter Girl Expectations of being a "Carter Girl" - the way Carlene Carter refers to herself with her latest album title - must be extremely daunting at times. "It's as difficult as you want to make it," Carter explains. "I've always just embraced the fact that I was born into this family and very proud to be part of it." However, much like her mother, June Carter Cash, Carlene has always been a free spirit and fiercely individualistic. ... »»»
Loveless goes "Somewhere Else" To take a page from Judy Collins' notebook, Lydia Loveless has seen life from both sides now. After a childhood in tiny Coshocton, Ohio, a move to Columbus and a gig playing bass in her family's new wave/rock band as a teenager, Loveless set out on her own musical path at the age of 17. In 2010, the 20-year-old Loveless released her debut album, "The Only Man," which was critically acclaimed but just barely heard by the general public.... »»»
Carter Girl CD review - Carter Girl

It might have been easier, and certainly less emotionally taxing, had Carlene Carter just recorded a batch of Carter Family songs using vocal muscle memory alone. However, as soon as you hear Carter describing the losses of loved ones during "Lonesome Valley," you realize right away this is not just some sort of capitalization on a revered family name. It's a personal testimony. »»»

Turn It Up CD review - Turn It Up
Josh Thompson's sophomore release, "Turn It Up" is his first on Toby Keith's Show Dog label. It seems to be a good match because both artists are cut from the same cloth. Thompson is also known as a champion of the everyman. Turns out they both have the same tendency to go over the top. Thompson excessively showcases the blue collar lifestyle the way Keith champions patriotism. »»»
High Noon CD review - High Noon
Jerrod Niemann's new "High Noon" album is better than the annoying single, "Drink to That All Night," might lead you to believe. Fortunately, the album is not completely a Luke Bryan sound-alike. Even so, there are moments where Niemann sometimes sounds a little too much like his musical contemporaries. »»»