Twain announces Vegas residency
Monday, June 13, 2011
– Shania Twain will do a two-year residency at the Colosseum at Caesars Palace in Las Vegas.
"Shania: Still The One" starts Dec. 1, 2012. The announcements comes on the heels of the release Sunday of her first new song in six years, Today is Your Day. Her
docu‐series on OWN: Oprah Winfrey Network "Why Not? With Shania Twain" debuted on May 8th as the‐highest rated premier to date for the network. Her final episode in which she reveals her decision to return to the stage aired this past Sunday.
Tickets go on sale to the public Sunday, June 19, 2011 at 10 a.m. Pacific.
December 2012 dates are 1, 2, 5, 6, 8, 9, 11, 12, 14, 15. Prices range from $55 to $250.
"This is a dream for any performing artist," she said in an announcement. "What more could I ask for. It's an opportunity, but it's more than that. It's an exceptional gift."
"I'm enjoying getting close to the fans again," Twain said.
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CD reviews for Shania Twain
When listening to Shania Twain's first album in five years, the listener is faced with making the big decision - blue or green disc. Green supposedly contains 19 country songs. With red, you get the pop version of those same exact songs recorded (international fans get a blue album with Asian sounds).
Twain may be generous with the amount of material here, but the overall effect is one of too much music and not enough quality. Yes, there are some country touches and instrumentation, but if you »»»
Come On Over
Like a good many country artists in the HNC phase of country, success seems to breed a situation where artists turn their backs on the very genre which spawned them. After the massive success of "The Woman In Me," Shania Twain has strayed very far from country in what is essentially a pop album. Few of the 16 songs are country: the first single, the catchy, uptempo "Love Gets Me Every Time" with its killer three fiddle attack, "You're Still The One," "Honey, I'm Home," (a lousy job blues song, »»»
Editorial: Walking the talk
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Not all that long ago, contemporary country music concerts were evaluated on the amount (or lack thereof) of authentic country music elements in the performers' content. And make no mistake about it, this is still a relevant issue since so much of what passes as 'country' these days is hardly that at all. But perhaps a more pressing... »»»
Concert Review: Smiles galore, Chesney appears happiness
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