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Wayne Hancock cancels dates, plans to enter rehab

Tuesday, June 7, 2011 – Wayne Hancock canceled summer dates to go into rehabilitation for an unstated addiction.

The retro country singer has had previous issues with alcohol.

"With the support of his family, friends, club owners and label, Wayne Hancock has canceled his July and August tour dates to enter a comprehensive residential rehabilitation program," his label said in a press release Tuesday.

Hancock is currently in a short-term rehab program and following his two Texas shows next week and a performance at the Rockabilly Rave in the United Kingdom on June 16, he will then enter an extended-term recovery facility to address his longtime fight with addiction, according to the label.

"We would like to extend our appreciation for your understanding, especially to those who had tickets to the cancelled shows. Wayne will do his best to return to your area in the near future," the press release said.

Canceled dates are:

July 9 Houston, TX at Armadillo Palace

July 20 Salt Lake City, UT at The Garage

July 21 Ketchum, ID at Whiskey Jacques

July 22 Virginia City, MT at Wells Fargo Coffee House

July 23 Yellowstone, MT at West Yellowstone City Park

July 29 Minneapolis, MN at Lee's Liquor Lounge

July 30 Des Moines, IA at Gas Lamp

Aug. 2 Columbia, MO

Aug. 3 Kansas City, MO at Knucklehead's

More news for Wayne Hancock

CD reviews for Wayne Hancock

Slingin' Rhythm CD review - Slingin' Rhythm
Wayne "The Train" Hancock's affinity for hard core country, roots relevance and Texas swing has been a staple of his sound ever since he won his first music competition at 18 and subsequently released his first record in the mid '90s. Now, 10 albums on, he's firmly etched his place in the Americana firmament, and just as his music tends to lean towards what could be generally defined as an insurgent sound, he refuses to be compromised. "Slingin' Rhythm" »»»
Ride
Rockabilly comes in all different forms these days, regardless of whether it's of vintage ilk or simply reinvented and revived. Nevertheless, Wayne "The Train" Hancock is an original...at least as much as one can claim to be an original despite being born after that genre passed its prime. So, it's not surprising either that Hancock also tends to incorporate classic C&W and western swing into the mix, genres that were decidedly outdated by the time he came along. »»»
Viper of Melody CD review - Viper of Melody
Wayne Hancock channels the essence of Hank Williams Sr. more convincingly than any modern artist. On this 13-song outing, the Texas-based singer-songwriter embraces freewheeling doses of western swing, West Coast rockabilly and cowboy boogie. The result is an appealing, lighthearted set that showcases this artist at his affable best. Working with steel guitarist Arthur Locke, upright bassist Huckleberry Johnson and electric guitarist Izak Zaidman, Hancock and producer Lloyd Maines conjure a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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