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Bryan shakes up digital chart

Wednesday, April 27, 2011 – Luke Bryan's latest song Country Girl (Shake It For Me) debuts as the number 1 country digital single, achieving a career-high for Bryan with 105,498 in U.S. digital single sales. The song broke into the Top 20 in 4 weeks and has become his fastest rising single to date.

Country Girl (Shake It For Me), co-written with Dallas Davidson, is the first single off an album due out later this summer and the follow up to his recent three back-to-back number one singles Do I, Rain Is A Good Thing and Someone Else Calling You Baby, all from his Gold-certified album "Doin' My Thing."

More news for Luke Bryan

CD reviews for Luke Bryan

Kill the Lights CD review - Kill the Lights
When Luke Bryan announces, "I've got that music for your ear" during the single "Kick the Dust Up," listeners should know right off this is not a collection of sounds for every ear. It's targeted toward the young and reckless set instead, where consequences don't seem to matter. There's no better example of this loose approach than the revenge sex expressed through a duet with Little Big Town's Karen Fairchild on "Home Alone Tonight," where »»»
Spring Break...Checkin Out CD review - Spring Break...Checkin Out
The funky keyboard line that introduces the song "Checkin' Out," with its Ray Charles soulful feel, fills the listener with false promise that "Spring Break...Checkin' Out," the latest and last in Luke Bryan's spring break EP series, might mark a more innovative direction in the bro country star's music. The song even includes a wonderful acoustic guitar solo that gives it a loose, freewheeling feel. Unfortunately, this singer is far too aware of which side »»»
Spring Break 6 - Like We Ain't Ever CD review - Spring Break 6 - Like We Ain't Ever
Luke Bryan mock introduces "The Sand I Brought to the Beach" as a "real sad story y'all." It's a breakup song and one where the character in it is forced to admit, "I guess she didn't like the spring break side of me." The same can be said of country audiences that may well have outgrown chasing girls on the beach between college semesters. Bryan claims EPs like this one are meant to give his fans new music between full, official releases, but we know better. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Time makes a difference for Striking Matches – What a difference four months makes. When the duo Striking Matches debuted in Boston in late May, Sarah Zimmerman and Justin Davis capably showed off their skills, but somehow it felt like a lot of songs fell just a bit short. Davis and Zimmerman tended to cut a lot of songs abruptly, never letting them breath enough or fleshing them out.... »»»
Concert Review: Home Free sings out – Home Free, the Minnesota-based a capella quintet that first caught the nation's attention by winning the fourth season of NBC's reality competition The Sing-Off in 2013, is one of the most talented and unique acts in modern country music. The question has always been whether or not the group and their all-vocal style, which includes the... »»»
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Currently at the CST blogs

No matter what you say, it's The Deslondes In the spirit of hard-hitting journalism, it seemed logical to ask Deslondes vocalist/guitarist Riley Downing the Mike-Wallace-from-60-Minutes question that has to be on everyone's mind: How the hell do you say the New Orleans-based band's name? "It's pronounced 'dez lawn,'" says Downing. "I know there's different ways that people have pronounced it over the course of history...... »»»
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Lost Time CD review - Lost Time
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Southern Drawl CD review - Southern Drawl

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Turnpike Troubadours CD review - Turnpike Troubadours
Over the course of their career, Oklahoma sons Turnpike Troubadours have exhibited a commitment to melding country music traditions with a ragged edge which perfectly exemplifies the roots of Red Dirt Country. With less of a focus on rock sounds than those in the alt.-country movement, they have built a sound designed to invoke images of smoky barrooms and raucous crowds. After three years, it was worth the wait.  »»»