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Jason Michael Carroll goes by the "Numbers"

Sunday, March 27, 2011 – Jason Michael Carroll got his start singing in public while working as a server at the Cracker Barrel Old Country Store location in Henderson, N.C. Now, Carroll will release "Numbers," his first studio album since 2009, on July 25.

The title track will be the new single out today. "Numbers is a song that got my attention the first time I heard it," said Carroll. "It was written by Patrick Davis and Rodney Clausen, and it's about the way certain numbers, like dates and times, can represent some of life's most significant moments. Moments like your first date, meeting the love of your life and the day your child is born. Those dates and times have real meaning in our lives. I think everyone can identify with that concept."

Numbers will be available on iTunes as of April 5. The CD will be available exclusively at all Cracker Barrel locations July 25, with 12 songs on it, including Alyssa Lies from Carroll's 2007 album "Waitin' in the Country."

Songs are:
1. Meet me in the Barn
2. Numbers
3. Can I get an Amen
4. Hell or Hallelujah
5. Last Word
6. Stray
7. Don't know Why
8. Ray of Hope
9. Let Me
10. This is for the Lonely
11. My Favorite
12. Alyssa Lies (from the album Waitin' in the Country, Arista Records, 2007)

More news for Jason Michael Carroll

CD reviews for Jason Michael Carroll

Numbers CD review - Numbers
Much like his career, Jason Michael Carroll's latest offering, "Numbers," is a collection of hits and misses. The album, which is being offered exclusively through Cracker Barrel retail outlets, pairs the rich timbre that shot the long-haired Texan to the top of the country charts (his first album went to number 1, and his second charted in the Top 10) with material that is often less than top drawer. There's little of the soul and personal touch that made songs from previous »»»
Growing Up Is Getting Old CD review - Growing Up Is Getting Old
Dear Jason Michael Carroll, Congratulations on the success you enjoyed with your first album "Waitin' in the Country" as well as the first single Where I'm From off your new album. At this stage in your career, you should probably be thinking about ways to make yourself stand out from the ever-increasing crowd of the next king of country music wannabes. It's not enough to have three names (just ask Earl Thomas Conley or Jason Michael Montgomery. »»»
Waitin' in the Country CD review - Waitin' in the Country
It seems like now is the time for country vocalists with deep, rich voices to be heard, and Jason Michael Carroll will certainly be heard. Versatility and passion are the traits that best serve his sometimes rumbling vocals. Carroll took a step away from his North Carolina fundamentalist upbringing to make the secular music forbidden at home. That act of rebellion isn't lost in his music as it burns across songs with social implications, like the first single (and hit) off his album, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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