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Kip Moore debuts single

Thursday, March 17, 2011 – Kip Moore debuted this past week at country radio with his first single, Mary Was the Marrying Kind, becoming the fourth most-added song this week.

The song, released to radio on Monday, ranked behind Taylor Swift, Brad Paisley and Toby Keith in most adds at country radio with 22 stations, according to Country Aircheck. Stations in cities including Baltimore, Denver, Philadelphia, San Antonio, Minneapolis, Milwaukee, San Antonio, Tampa and Washington D.C, are now playing the song.

"This early reception is a complete shock, to be honest," Moore said. "There is nothing more flattering than when someone appreciates something you wrote and put your heart and soul into. There's not a greater compliment in the world than having people at radio who listen to music every day pay attention to your lyrics and enjoy what you do."

The song, written by Moore, Dan Couch and Scott Stepakoff, is the true story of one of Moore's friends, who returned to his hometown after about six years and saw the once tall, lanky girl who had since come into her own and become a model.

"She was a girl that nobody paid any attention to, including me," he said. "I remember her always being nice and sweet. I ran into her years later, and she was absolutely amazing. She was beautiful, sweet, funny and charming. I want to kick myself sometimes, but I don't have any regrets. I think it's all part of growing up. It's all a part of opening your eyes, and once you miss out on something special, you'll know to be looking the next time."

"It's the story of what every man in this world goes through at some point," he said. "It's the story of the one that got away that you should have paid attention to. Every town, every city, everybody knows one. Every girl believes they are Mary."

Moore hasn't discussed the song with the woman who inspired the song. "I want to keep that a private thing," he says. "Nobody will ever know."

On March 2, he performed the single on the stage of the historic Ryman Auditorium in Nashville during Universal Music Group Nashville's Country Radio Seminar show. "That was a once-in-a-lifetime kind of thing," he said. "Me and the guys looked down at the wood and saw how old it was.

"It's intimidating by the fact that I've been here for eight years and I'm playing this one song in front of radio people who can change your career," he said. "At the same time, we were overwhelmed with excitement. We were itching to play, and it was exciting, but I was also aware that this is what we've worked so hard for and so long."

Moore recently finished recording his debut album for MCA Nashville. He wrote or co-wrote every song on the album. "My music is an honest, raw grit emotion," said the Tifton, Ga. native. "When you listen to the record, I hope you feel something in the music. It's not just music and lyric, it's an emotion. The whole entire album is one emotion."

More news for Kip Moore

CD reviews for Kip Moore

Slowheart
If you're one of those people who read CD inserts before listening to the music, Kip Moore starts out with one at least one strike against him on his third album. In the two pages of acknowledgements and thank yous (two pages!) there's this mixed metaphor on thank you number one, which goes out to Jesus: "You continually pull me from the sinking sand. . . I'm out of the woods because of your love." Um, not a lot of sand in the woods, Kip. Thankfully, things get better as »»»
Underground CD review - Underground
Claiming to have too many songs to choose from, Kip Moore's solution to his surplus was to release "Underground," an EP. "Everywhere we go the fans keep asking for the recordings of these underground songs that they've been hearing for the last few years," he said. "They're a passionate fan base so I decided to ask my label if I could record these songs live and give them the raw recordings." Moore co-wrote all five tracks, which include two studio »»»
Wild Ones CD review - Wild Ones
Kip Moore's sophomore release has been a long time in coming - 3 1/2 years - a surprise considering how well he did with his debut, "Up All Night," and its big hits ("Somethin' 'Bout a Truck," "Beer Money"). Moore has said he spent time expanding his sound - and he surely has done that - although two failed singles doubtlessly didn't help. While "Up All Night" veered towards the rootsier side and would not have been confused with »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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