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Old 97's extend tour

Thursday, February 17, 2011 – Old 97's extend their tour in support of their new release "The Grand Theatre, Volume One. " The new dates continue through the spring and include stops in Chicago, Atlanta, Houston, Washington and New York.

Old 97's were also selected to perform at the Sasquatch Festival this May.

Tour dates are:
Feb. 17 Thu Fayetteville, AR George's Majestic Lounge
Feb. 18 Fri St. Louis, MO The Pageant
Feb. 19 Sat Chicago, IL Vic Theatre
Feb. 20 Sun Minneapolis, MN First Avenue
Feb. 22 Tue Louisville, KY Headliners Music Hall
Feb. 23 Wed Newport, KY Southgate House
Feb. 24 Thu Asheville, NC The Orange Peel
Feb. 25 Fri Atlanta, GA The Buckhead Theatre
Feb. 26 Charleston, SC Music Farm
Feb. 27 Sun Jacksonville Beach, FL Free Bird Live
March 1 Tue Orlando, FL The Plaza Theatre
March 2 Wed Tampa, FL Skipper's Smokehouse
March 3 Thu Tallahassee, FL The Moon
March 4 Fri New Orleans, LA Tipitina's Uptown
March 5 Sat Houston, TX House of Blues
March 31 Thu Omaha, NE Slowdown
April 1 Fri Madison, WI Barrymore
April 2 Sat Bloomington, IL Castle Theatre
April 3 Sun Indianapolis, IN The Vogue
April 5 Tue Columbus, OH Newport Music Hall
April 6 Wed Toronto, ON Horseshoe Tavern
April 7 Thu Rochester, NY Water Street Music Hall
April 8 Fri Boston, MA Royale
April 9 Sat New York City, NY Webster Hall
April 10 Sun Washington, D.C. 9:30 Club
April 12 Tue Charlottesville, VA Jefferson Theater
April 13 Wed Carrboro, NC Cat's Cradle
April 14 Thu Charlotte, NC Visulite Theatre
April 15 Fri Knoxville, TN Bijou Theatre
April 16 Sat Birmingham, AL WorkPlay Theatre
May 30 Mon George, WA Sasquatch Festival

Rhett Miller solo dates
May 3 San Diego, CA Anthology
May 4 Los Angeles, CA Gene Autry Museum
May 5 Santa Barbara, CA Club Soho
May 6 Big Sur, CA Henry Miller Library
May 7 San Francisco, CA Swedish American Hall

More news for Old 97's

CD reviews for Old 97's

Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser. "I'm just another black cat crossing your street," Miller warns, in »»»
Hitchhike to Rhome: 20th Anniversary Reissue CD review - Hitchhike to Rhome: 20th Anniversary Reissue
Are the Old 97's country? Zydeco? Irish pub rock? Blues? The bad news is that the 20th anniversary rerelease of the band's 1994 debut album "Hitchhike to Rhome" doesn't do anything to answer that question. The good news is that the rerelease is a fun listen nonetheless. The reissue comes with bonus demo recordings and cassette versions of the original release, just in case fans of the group didn't feel old enough realizing that its debut is two decades old (the »»»
The Grand Theatre Volume One CD review - The Grand Theatre Volume One
For their eighth album, The Old 97's went into the recording process with the intention of capturing all of the fire and fury of their live show in a studio setting. Anyone who has seen Rhett Miller and the band play live knows what a lofty goal that was. The Old 97's have been burning down stages for years with their signature mix of energetic pop, rock, and twang. From the opening salvo of the album starting title track, it's clear Miller, guitarist Ken Bethea, bassist Murry »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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