Sign up for newsletter
 

Old 97's extend tour

Thursday, February 17, 2011 – Old 97's extend their tour in support of their new release "The Grand Theatre, Volume One. " The new dates continue through the spring and include stops in Chicago, Atlanta, Houston, Washington and New York.

Old 97's were also selected to perform at the Sasquatch Festival this May.

Tour dates are:
Feb. 17 Thu Fayetteville, AR George's Majestic Lounge
Feb. 18 Fri St. Louis, MO The Pageant
Feb. 19 Sat Chicago, IL Vic Theatre
Feb. 20 Sun Minneapolis, MN First Avenue
Feb. 22 Tue Louisville, KY Headliners Music Hall
Feb. 23 Wed Newport, KY Southgate House
Feb. 24 Thu Asheville, NC The Orange Peel
Feb. 25 Fri Atlanta, GA The Buckhead Theatre
Feb. 26 Charleston, SC Music Farm
Feb. 27 Sun Jacksonville Beach, FL Free Bird Live
March 1 Tue Orlando, FL The Plaza Theatre
March 2 Wed Tampa, FL Skipper's Smokehouse
March 3 Thu Tallahassee, FL The Moon
March 4 Fri New Orleans, LA Tipitina's Uptown
March 5 Sat Houston, TX House of Blues
March 31 Thu Omaha, NE Slowdown
April 1 Fri Madison, WI Barrymore
April 2 Sat Bloomington, IL Castle Theatre
April 3 Sun Indianapolis, IN The Vogue
April 5 Tue Columbus, OH Newport Music Hall
April 6 Wed Toronto, ON Horseshoe Tavern
April 7 Thu Rochester, NY Water Street Music Hall
April 8 Fri Boston, MA Royale
April 9 Sat New York City, NY Webster Hall
April 10 Sun Washington, D.C. 9:30 Club
April 12 Tue Charlottesville, VA Jefferson Theater
April 13 Wed Carrboro, NC Cat's Cradle
April 14 Thu Charlotte, NC Visulite Theatre
April 15 Fri Knoxville, TN Bijou Theatre
April 16 Sat Birmingham, AL WorkPlay Theatre
May 30 Mon George, WA Sasquatch Festival

Rhett Miller solo dates
May 3 San Diego, CA Anthology
May 4 Los Angeles, CA Gene Autry Museum
May 5 Santa Barbara, CA Club Soho
May 6 Big Sur, CA Henry Miller Library
May 7 San Francisco, CA Swedish American Hall

More news for Old 97's

CD reviews for Old 97's

Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser. "I'm just another black cat crossing your street," Miller warns, in »»»
Hitchhike to Rhome: 20th Anniversary Reissue CD review - Hitchhike to Rhome: 20th Anniversary Reissue
Are the Old 97's country? Zydeco? Irish pub rock? Blues? The bad news is that the 20th anniversary rerelease of the band's 1994 debut album "Hitchhike to Rhome" doesn't do anything to answer that question. The good news is that the rerelease is a fun listen nonetheless. The reissue comes with bonus demo recordings and cassette versions of the original release, just in case fans of the group didn't feel old enough realizing that its debut is two decades old (the »»»
The Grand Theatre Volume One CD review - The Grand Theatre Volume One
For their eighth album, The Old 97's went into the recording process with the intention of capturing all of the fire and fury of their live show in a studio setting. Anyone who has seen Rhett Miller and the band play live knows what a lofty goal that was. The Old 97's have been burning down stages for years with their signature mix of energetic pop, rock, and twang. From the opening salvo of the album starting title track, it's clear Miller, guitarist Ken Bethea, bassist Murry »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Hurray for the Riff Raff changes - in some ways – Hurray for the Riff Raff's new release, "The Navigator," was a long time coming - slightly more than three years after "Small Town Heroes," a strong roots-disc that found them touring incessantly. A few things have changed in the interim for the New Orleans-based band, but one of them remains the presence of front woman Alynda Lee Segarra.... »»»
Concert Review: Nightflyer soars – Despite the stage being a touch small for a five-piece band, the highly entertaining and extremely talented Nightflyer delivered with that hard driving, high-energy country bluegrass sound fans have come to expect. Joking that their contract only allowed them to play songs about trains, prison, whiskey, mama and Jesus, Nightflyer's diversity... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Avett Brothers come home to MerleFest For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers CD review - The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»
West Coast Town CD review - West Coast Town
Chris Shiflett is best known as a guitarist in Foo Fighters, but he's also has some authentic traditional country in his bones. Inspired, in part, by much of the fine vintage country music created in California, "West Coast Town" lets Shiflett show off his country music skills. »»»
Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»
Patriots & Poets CD review - Patriots & Poets
From time to time an album comes along with exactly the right message and meaning at exactly the right time - "Patriots & Poets" is one of those albums. Dailey and Vincent initially set out to create a project full of songs they had written independently, together and with close friends. While succeeding mightily in that regard, they also created a beautiful love letter to America and her people... »»»
WildHorse CD review - WildHorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
Way Out West CD review - Way Out West
Marty Stuart's "Way Out West" is, in part, his tribute to the music of California. The title cut gets straight to the point with a psychedelic journey song, which is as much a warning against drug abuse as it is a physical trip to the golden state. "Time Don't Wait" alludes to much of the garage rock that came out of California '60s, and more specifically points back to The Byrds' heyday with its glorious jangling Rickenbacker guitar part.  »»»