Sign up for newsletter
 

Old 97's extend tour

Thursday, February 17, 2011 – Old 97's extend their tour in support of their new release "The Grand Theatre, Volume One. " The new dates continue through the spring and include stops in Chicago, Atlanta, Houston, Washington and New York.

Old 97's were also selected to perform at the Sasquatch Festival this May.

Tour dates are:
Feb. 17 Thu Fayetteville, AR George's Majestic Lounge
Feb. 18 Fri St. Louis, MO The Pageant
Feb. 19 Sat Chicago, IL Vic Theatre
Feb. 20 Sun Minneapolis, MN First Avenue
Feb. 22 Tue Louisville, KY Headliners Music Hall
Feb. 23 Wed Newport, KY Southgate House
Feb. 24 Thu Asheville, NC The Orange Peel
Feb. 25 Fri Atlanta, GA The Buckhead Theatre
Feb. 26 Charleston, SC Music Farm
Feb. 27 Sun Jacksonville Beach, FL Free Bird Live
March 1 Tue Orlando, FL The Plaza Theatre
March 2 Wed Tampa, FL Skipper's Smokehouse
March 3 Thu Tallahassee, FL The Moon
March 4 Fri New Orleans, LA Tipitina's Uptown
March 5 Sat Houston, TX House of Blues
March 31 Thu Omaha, NE Slowdown
April 1 Fri Madison, WI Barrymore
April 2 Sat Bloomington, IL Castle Theatre
April 3 Sun Indianapolis, IN The Vogue
April 5 Tue Columbus, OH Newport Music Hall
April 6 Wed Toronto, ON Horseshoe Tavern
April 7 Thu Rochester, NY Water Street Music Hall
April 8 Fri Boston, MA Royale
April 9 Sat New York City, NY Webster Hall
April 10 Sun Washington, D.C. 9:30 Club
April 12 Tue Charlottesville, VA Jefferson Theater
April 13 Wed Carrboro, NC Cat's Cradle
April 14 Thu Charlotte, NC Visulite Theatre
April 15 Fri Knoxville, TN Bijou Theatre
April 16 Sat Birmingham, AL WorkPlay Theatre
May 30 Mon George, WA Sasquatch Festival

Rhett Miller solo dates
May 3 San Diego, CA Anthology
May 4 Los Angeles, CA Gene Autry Museum
May 5 Santa Barbara, CA Club Soho
May 6 Big Sur, CA Henry Miller Library
May 7 San Francisco, CA Swedish American Hall

More news for Old 97's

CD reviews for Old 97's

Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser. "I'm just another black cat crossing your street," Miller warns, in »»»
Hitchhike to Rhome: 20th Anniversary Reissue CD review - Hitchhike to Rhome: 20th Anniversary Reissue
Are the Old 97's country? Zydeco? Irish pub rock? Blues? The bad news is that the 20th anniversary rerelease of the band's 1994 debut album "Hitchhike to Rhome" doesn't do anything to answer that question. The good news is that the rerelease is a fun listen nonetheless. The reissue comes with bonus demo recordings and cassette versions of the original release, just in case fans of the group didn't feel old enough realizing that its debut is two decades old (the »»»
The Grand Theatre Volume One CD review - The Grand Theatre Volume One
For their eighth album, The Old 97's went into the recording process with the intention of capturing all of the fire and fury of their live show in a studio setting. Anyone who has seen Rhett Miller and the band play live knows what a lofty goal that was. The Old 97's have been burning down stages for years with their signature mix of energetic pop, rock, and twang. From the opening salvo of the album starting title track, it's clear Miller, guitarist Ken Bethea, bassist Murry »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Surly Gentlemen prove anything but – For about the past six months, veteran bluegrassers Clay Hess, formerly of Kentucky Thunder, and Tim Shelton of NewFound Road, along with Clay's son Brennan, have collectively been The Surly Gentlemen. The trio's sound is probably best described as stripped down bluegrass meets singer/songwriter. These Surly Gents have been playing small... »»»
Concert Review: Isbell shines – Jason Isbell was in a jubilant mood shortly after taking the stage at the Anaheim House of Blues' recently relocated new location. Now situated in a shopping strip called the GardenWalk, yet still close to the Disney theme parks, Isbell later humorously noted how the area is so clean. He even referred to it as a "tiny Toronto.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
Noam Pikelny is the most ingratiating musical iconoclast you're likely to come across. He has deep roots in the Americana genre, and his playing, on banjo in most contexts, is precise and brilliant. Pikelny has produced a string of outstanding solo records, most recently "Universal Favorite."  »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»
Freedom Highay CD review - Freedom Highay
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." »»»
Notes of Blue CD review - Notes of Blue
Son Volt's "Notes of Blue" is said to be influenced by the blues (among other musical styles), and the blues is most at the fore during "Cherokee St.," a stomping, electric guitar-driven blues rocker. The song has the stripped-down sound of a Blind Willie Johnson sermon, although lead vocalist Jay Farrar is by no means the gravelly singer Johnson was. »»»