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Berg returns to recording after 14 years

Monday, February 14, 2011 – Matraca Berg returns to recorded music with her first disc in 14 years with the rootsy "The Dreaming Fields" on May 17 on Dualtone.

Berg's last disc was "Sunday Morning To Saturday Night."

"I knew when I was writing these songs, the ones that I was drawn to... that they deserved to be heard... They where a bit deeper and darker than a lot of what's happening, so I knew it was up to me," Berg said. "I'd done some shows with various girlfriends, and when you look at the women - and the men - in the audience, I realized these stories I'm writing are their stories too... So, making sure they get to them became important to me."

Berg, who scored her first number 1 at 18, has had songs recorded by Dixie Chicks, Patty Loveless, Trisha Yearwood, Gretchen Wilson, Linda Ronstadt and Dusty Springfield.

"I was raised on 'Harvest' (Neil Young) and 'Blue,' (Joni Mitchell) 'Pieces of the Sky' (Emmylou Harris)," she says, " That's the sound of my childhood. When I started writing these songs, I pulled them out - and it struck me how bare they were and driven by feel. The songs floated on the arrangements, and the vocals were all the emotions the songs had come from. It's so far from what we hear now, but everything I wanted this record to be."

More news for Matraca Berg

CD reviews for Matraca Berg

The Fields CD review - The Fields
Matraca Berg's new studio album is not so much a country project as it is a musically varying collection with a noticeably decided sense of place. The feeling of knowing where one belongs is expressed with the piano and strings ballad A Cold, Rainy Morning In London In June, where Berg truly feels like a homesick tourist, and also comes out during Oh Cumberland, a song about a famous Southern river that continually calls her home. These are highly personalized songs from the woman that won a »»»
Lying to the Moon And Other Stories
Though she hasn't logged a lot of air time on country radio as a singer, Matraca Berg is a familiar name to most of today's country singers. Berg is one of the most successful country songwriters of the 1990's, writing smashes like "The Wrong Side of Memphis," "Strawberry Wine" and "That Kind of Girl." Her latest CD is a re-issue of some of her best, but lesser-known, creations from previous albums, ranging from the tender title track and "Back When We Were Beautiful" to the more raucous and »»»
Sunday Morning to Saturday Night
Deana Carter built her career on two Matraca Berg-written singles, the CMA Single and Song of the Year "Strawberry Wine" and "We Danced Anyway," and now after two brilliant but unsuccessful albums on RCA, Berg has resurfaced on Rising Tide. With Emory Gordy Jr. producing, an all-star cast of musicians and singers performing, and Berg writing and singing every song, this album deserves to be a huge hit. "Good Ol' Girl" is a tribute to the truck-stop waitress who "serves up the biscuits and gravy »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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