Sign up for newsletter
 

Jake seeks closure with Taylor

Wednesday, January 26, 2011 – Seems that Jake went straight to Music City to find closure with Taylor.

At least that's the scoop between Jake Gyllenhaal and Taylor Swift in Us Weekly, which comes out Friday. The magazine quoted an unidentified person as its source . The couple split after a few months of whirlwind romance.

The closure came at the Bound'ry restaurant, which "was almost empty" when the ex-couple came in on Jan. 19 and secured a secluded table in the back.

"They sat by the fireplace," said an eyewitness of the exes, who had a whirlwind two-month romance. "They were both smiling."

"Taylor was nervous the whole time," said the source, described as "close" to Swift.

"He wanted to take her to dinner, but she said she had to rehearse," said the source. Gyllenhaal "said he didn't think they ended things right, and he owed it to her to talk face-to- face."

The actor wanted to say why he pulled back after wooing Swift with dates such as apple picking in New York, a resort stay in Big Sur, Cal. and a family Thanksgiving in Brooklyn with his sister, fellow actor Maggie. "He said he just wasn't feeling things anymore. He didn't like where things were headed."

Gyllenhaal reportedly asked Swift if she leaked to the media that he called it off in a phone call, and the source said Swift told him she had not. "He took her word for it, and Taylor told him she was fine letting it go," the source said.

Gyllenhaal reportedly told Swift she was a "sweet girl" and "really special to him."

"He cares for her deeply, but it's over now, the source said, adding that Swift "told him they were cool, but the whole thing was really weird to her."

Countrystandardtime.com is an independent music web site. Please help support us by clicking on banner ads on our web site after you are done reading this news item. Thanks!

More news for Taylor Swift

CD reviews for Taylor Swift

Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
Speak Now CD review - Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here. Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
Fearless CD review - Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set. Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Yes, Town Mountain is "really good" – Town Mountain exited the stage after concluding its regular set, and when the applause demanded the deserved encore, a fan yelled out "You guys are really good." That the mainly Asheville, N.C.-based bluegrass quintet demonstrated time and again. Town Mountain merged bluegrass and country sounds with enough alterations during the 81-minute... »»»
Concert Review: Philly Folk brings big tent approach – Each year, dozens of performers are booked to play the Philadelphia Folk Festival, but probably less than a quarter of them make it onto the main stage. Several smaller stages dot the grounds at which most performers (including the main stage headliners) can be found throughout the weekend doing workshops, "theme" sets with peers whose music... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
NASHVILLE OUTLAWS: A Tribute To Motley Crue CD review - NASHVILLE OUTLAWS: A Tribute To Motley Crue
If you're expecting down home, countrified versions of metal band Motley Crue songs from "Nashville Outlaws: A Tribute to Motley Crue," you probably don't listen to a whole lot of mainstream "country" music. Most likely, this album's original conception was a rather crass attempt to capitalize on the large contingent of classic rock fans that also listen to and enjoy older rock's continuing influence on contemporary country music. »»»
The No-Hit Wonder CD review - The No-Hit Wonder
After only four albums in a dozen years, there's a certain truthfulness that comes with a title like "The No-Hit Wonder." On the other hand, Cory Branan's apparent attempt at modesty belies a talent that deserves to garner notice, thanks to a wry yet infectious songwriting style that takes pains to share its strengths without ever requiring a second listen. If Branan is reticent to show he's worthy of chart placement, it's certainly not evident here. »»»
Provoked CD review - Provoked
When we last heard from Sunny Sweeney in 2011 with "Concrete," her major label debut on Big Machine showed a very different side of Sweeney, whose album 5 years earlier was appropriately titled "Heartbreakers Hall of Fame." Texas honky tonk and traditional country songs blanketed her debut, but the same could not be said for "Concrete," which was the kind of disc that those bemoaning slicked up country had reason to be right. »»»
Don't Wait Up (For George) CD review - Don't Wait Up (For George)
Let's get one thing straight right off the bat. This is not a tribute album. For one thing there are only five songs on it. But it's not a tribute EP either. Only three of the five were ever recorded by Jones. Whatever you call it, this is the first of two recordings celebrating two very different musical icons. The second, due in January, will fete another George - Giorgio Moroder, an influential producer who worked with Donna Summer and paved the way for electronic dance music.  »»»