Sign up for newsletter
 

Steve Earle preps new CD

Monday, January 24, 2011 – Steve Earle is set to release "I'll Never Get Out Of This World Alive," his 14th album, on April 26 via New West Records. The album is the anticipated follow up to the Grammy Award winning 2009 release "Townes."

The 11-track set was produced by T Bone Burnett and is Earle's first collection of original material since his 2007 Grammy Award winning, "Washington Square Serenade." The CD will be available as a single compact disc, deluxe CD/DVD set, digitally and 180 gram vinyl.

Writing for the new CD began three years ago, the longest span of any song cycle in Earle's career. The first two compositions were God Is God and I Am A Wanderer, 2 songs written by Earle for Joan Baez' 2008 album, "Day After Tomorrow," which Earle also produced.

The album also includes This City, written for the HBO Original Series, "Treme," which Earle also appeared in as an actor. This year, Earle will be reprising his role of Harley during many episodes of Treme's second season. This City features horn arrangements by Allen Toussaint and has garnered a Grammy Award Nomination in the Best Song Written for Motion Picture, Television or Other Visual Media Category. Additionally, the song also garnered Earle's first Emmy Award nomination in the Outstanding Original Music and Lyrics Category. "I'll Never Get Out Of This World Alive" also features Heaven or Hell, a duet with Earle's wife, Allison Moorer.

"They are all, as far as I can tell, about mortality in one way or the other; death as a mystery rather than a punctuation mark or at least, a comma rather than a period," Earle said on the liner notes. Earle's long anticipated debut novel of the same name will be published on May 12 by Houghton Mifflin Harcourt. The novel imagines the troubled life of Doc Ebersole as he is haunted by the ghost of his former patient and friend, Hank Williams. The title of both Earle's new album and debut novel is taken from the Williams song by the same name; the last single released during his lifetime in 1952.

After many years of touring solo and acoustically worldwide, Earle will tour in support of the album with his former backing band The Dukes.

Songs on the CD are:
1. Waitin' On The Sky
2. Little Emperor
3. The Gulf of Mexico
4. Molly - O
5. God is God
6. Meet Me In The Alleyway
7. Every Part of Me
8. Lonely Are The Free
9. Heaven or Hell (with Allison Moorer)
10. I Am A Wanderer
11. This City

More news for Steve Earle

CD reviews for Steve Earle

The Warner Bros Years CD review - The Warner Bros Years
On the surface, this five-disc box set appears to be another egregious exercise in major label money-grubbing, a study on how to squeeze every last penny out of those precious (and paid-for) catalogs. After all, what self-respecting fan of Steve Earle doesn't own "Train A' Comin'," "I Feel Alright" and "El Corazon" in at least four or five formats (including the hard-to-find mini-disc version)? That said, it's kind of cool to have all three »»»
The Low Highway CD review - The Low Highway
If you're a forever smitten fan of Steve Earle who's always looking forward to his next record, you'll likely be satisfied with "The Low Highway." It's a 12-song collection of strong songs, all stamped with his signature sound. The title cut is a beautiful, world-weary ballad that narrates a trip along the highways and byways of America. Over a gently rocking beat, Earle crosses paths with empty houses, hungry people and broken factories, a bleak picture that belies »»»
I'll Never Get Out Of This World Alive CD review - I'll Never Get Out Of This World Alive
After Steve Earle's 2007 album "Washington Square Serenade" left some quite cold, his subsequent tribute album to the late great Townes Van Zandt seemed to right his singer-songwriter ship, but then again it's hard to screw up a Townes Van Zandt song. Thankfully, Earle's new album seems to travel down a dusty, rickety old road in the vein of "I Feel Alright" when the Waitin' On The Sky opens up although Earle's vocals sound like he's somewhere »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Three Bells CD review - Three Bells
It must be frustrating to resophonic artists of the stature of these three that even they still have to on occasion answer the question "What is that thing you're playing?" The number of well-known Dobro players has always seemed to lag behind even the banjo, and even in the "Golden Years" of '50s and '60s country music, the only widely known names were Josh Graves and Pete "Brother Oswald" Kirby. »»»
The Earls of Leicester CD review - The Earls of Leicester
In 1946, Lester Flatt and Earl Scruggs were integral parts of Bill Monroe's Blue Grass Boys when they recorded a series of singles that most historians of the music consider the "birth of bluegrass" as we know it. Upon leaving to form their own band, The Foggy Mountain Boys (much to Monroe's consternation), they spent most of the 1950s recording one landmark single after another. »»»
The Cowboy Rides Away: Live From AT&T Stadium CD review - The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top. »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»
Angels Among Us Hymns & Gospel Favorites CD review - Angels Among Us Hymns & Gospel Favorites
The threads of faith and family are intrinsically woven throughout the fibers of country music, but the results of such albums are not always successful, with some records feeling dry and inspired while others take the bull by the horns and really engage the material. Alabama's latest offering, "Angels Among Us: Hymns & Gospel Favorites," falls into the latter category. »»»