Lucinda Williams records new CD, slates new shows
Tuesday, November 30, 2010
– Lucinda Williams is getting some new music out in 2011.
Williams, whose last release was "Little Honey" from 2008, announced via Facebook that "Blessed" would be out March 1, 2011 with a deluxe version containing a second disc, "The Kitchen Tapes." The second disc will be comprised of home recordings Williams made of each song on the day she wrote them.
Songs on the disc are:
1. Butter Cup
2. I Don't Know How You're Livin'
4. Born To Be Loved
5. Seeing Black
6. Soldier's Song
8. Sweet Love
9. Ugly Truth
10. Convince Me
12. Kiss Like Your Kiss
Williams also scheduled shows in Toronto, New York, New York, Austin and Houston starting in March.
March 4-5: Toronto, Massey Hall
March 11-12: New York, Webster Hall
May 5: New Orleans, New Orleans Jazz Festival
May 7: Austin, Stubb's
May 8: Houston, The Houston International Festival
More news for Lucinda Williams
CD reviews for Lucinda Williams
The Ghosts of Highway 20
As impressive as her last album "Down Where The Spirit Meets The Bone" was, this much is true about Lucinda Williams: the next album will be as stellar or even more. That's not to say any of her releases are subpar, but the quality (and now consistency) of her output makes her a precious gem. And this record, an album inspired and influenced by I-20, a winding piece of pavement that cuts throughout her home state of Louisiana, is the usual extraordinary affair you'd expect. »»»
Down Where The Spirit Meets The Bone
There's little left to be said when it comes the link between quality songs and Lucinda Williams. From her early days to her commercial breakthrough with 1998's "Car Wheels On A Gravel Road," Williams has always created her own heartfelt nuggets that can be equally haunting and rocking. And this newest release is perhaps her most ambitious effort to date, a 2-disc, 20-track album, starting with the barren "Compassion" that recalls some precious combination of Linda »»»
Lucinda Williams (25th Anniversary release)
Relistening to Lucinda Williams' 1988 self-titled release, it's initially startling to hear how pure her voice sounds. Williams' vocal cords have taken on so much character over the years, so it's a little like listening to Joni Mitchell then and now. This remastered reissue also includes a Netherlands concert, as well as some bonus cuts. It adds up to around two hours of Williams' music and is certainly worth the time spent listening to it.
Even though her voice was a »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Not playing the hit proves no problem for Bingham
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One would, therefore, think that "The Weary Kind" would be one of those... »»»
Concert Review: Abbott brings the joy - even with "Front Row Seat"
To say that the Josh Abbott Band's "Front Row Seat" is an easy listen, especially in concert, would be a tremendous understatement. The Texas country singer released a five-act recording about the development, joy and ultimate dissolution of his marriage last fall.
Not exactly easy subject matter, but Abbott managed to bring more than a... »»»
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As impressive as her last album "Down Where The Spirit Meets The Bone" was, this much is true about Lucinda Williams: the next album will be as stellar or even more. That's not to say any of her releases are subpar, but the quality (and now consistency) of her output makes her a precious gem. »»»
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