Sign up for newsletter
 

Loretta Lynn receives Nashville tribute

Wednesday, October 13, 2010 – Fifty years in country music earned Loretta Lynn the tribute treatment Tuesday at the Ryman in Nashville with Garth Brooks, Reba McEntire and Lee Ann Womack among those showing up to honor Lynn.

The National Academy of Recording Arts and Sciences, the group behind the Grammys, gave Lynn its Merit Award.

McEntire, who hosted the evening, performed Lynn's If You're Not Gone Too Long. "She still inspires me and every other female country singer out there," McEntire said.

"She was my hero when I was growing up in Oklahoma, and she is still my hero,"

Lynn grew up in Kentucky's coal mining region, but has released about 70 albums and garnered 16 number 1 hits. She also has not shied away from tackling controversial material like Don't Come Home A Drinkin' (With Lovin' On Your Mind) and The Pill.

During the evening, Kid Rock sang I Know How and teamed up with Gretchen Wilson on You're the Reason Our Kids Are Ugly, a song made famous by Lynn and Conway Twitty in the 1970s.

Womack tackled I'm a Honky Tonk Girl, while McBride offered You Ain't Woman Enough To Take My Man and Love is the Foundation.

Jack White , who produced Lynn's last disc, "Van Lear Rose," called her "the most important female singer-songwriter of the 20th century." He talked about her contributions, but did not sing.

Brooks was Lynn's escort and joined her onstage when she received the award. Brooks and Lynn sang after the Fire is Gone with Brooks playing guitar. Lynn and Twitty also recorded the song.

"When I got here tonight I noticed my picture up on the stage, and that was when I realized this night was for me," Lynn said.

"I really didn't know the night was going to be all about me, but I sure am proud," Lynn said. "I don't know what to say but thank you."

More news for Loretta Lynn

CD reviews for Loretta Lynn

White Christmas Blue CD review - White Christmas Blue
There are some "country" stars that can't seem to make true country music. Then there are artists like Loretta Lynn that can't not create pure country music. Lynn's "White Christmas Blue" album may feel like a Christmas miracle to many traditional country fans. Take Lynn's version of "Away in a Manger," for which Lynn is listed as arranger, for example. It features a lovely Paul Franklin steel guitar solo. "Blue Christmas" is best »»»
Full Circle CD review - Full Circle
Loretta Lynn shows no signs of slowing down at 83. "Full Circle" is her first album since her extremely well-received Jack White-produced "Van Lear Rose," a 2004 masterpiece. Some of the 14 songs on "Full Circle" are new recordings, while a few ("Fist City," "Secret Love" and "Everybody Wants to Go to Heaven") are new versions. Others are old songs ("Black Jack David, "Always On My Mind," "In the Pines") that Lynn »»»
Van Lear Rose
Johnny Cash had his Rick Rubin, and it seems that Loretta Lynn has hers in the form of Jack White of the White Stripes. And that means an album of lots of excellent music with all 13 songs penned by Lynn. Lynn looks to her family past and her own career for inspiration for several songs (the title track, "High on a Mountain Top" about working the coal mines and the "folks know what they've got" and "Story of My Life"). She also isn't afraid to tell off a woman who interfered with her family's »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»
The Long Awaited Album CD review - The Long Awaited Album
When last we visited a new album from Steve Martin & the Steep Canyon Rangers, 2011's "Rare Bird Alert," we found a cohesive, focused collection of bluegrass; it was an expansive, artistic creation that only benefited the bluegrass community. A subsequent live album (strikingly entitled "Live") presented a continued refinement of this pairing's chemistry.  »»»
Bidin' My Time CD review - Bidin' My Time
With all the memorable music Chris Hillman created with The Byrds, Flying Burrito Brothers and Desert Rose Band, he has nothing left to prove. He's a both a bona fide rock and country icon. Tom Petty, who owes an obvious debt to Hillman's...  »»»
Turmoil & Tinfoil CD review - Turmoil & Tinfoil
Billy Strings. It takes a lot of nerve to adopt such a nom de plume (in this case nom de guerre might be more appropriate) in the bluegrass world, but Billy Strings is up to the challenge, and more. Strings (real name William Apostol) grew up in Michigan, surrounded by musicians. »»»
Jon Langford's Four Lost Souls CD review - Jon Langford's Four Lost Souls
Jon Langford shifts musical gears as effortlessly as a European race car driver on a Grand Prix course. Looking at the totality of his career (The Mekons, Waco Brothers, Skull Orchard, the Three Johns, Wee Hairy Beasties, Pine Valley Cosmonauts, Bad Luck Jonathan, God knows what else), it hardly seems as though one peg could have fit into all those oddly shaped holes... »»»
Contraband Love CD review - Contraband Love
Larry Campbell and Teresa Campbell could have been content to retain their status as musicians on call, given the fact that they've loaned their services to any number of high profile employers -- Bob Dylan, Rosanne Cash, Mavis Staples, Levon Helm, Little... »»»