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Otto backs AIDS walk

Monday, October 4, 2010 – James Otto traveled to the West coast to show his support for the California's AIDS Walk. The singer performed at the fundraising festival held on Sunday, Sept. 26 at Los Angeles' Greek Theatre.

He played in a songwriter style round along with Deana Carter and Billy Dean. James chose to sing In Color,which he co-wrote with Jamey Johnson and Lee Thomas Miller. Before starting the final verse, he dedicated it to "anyone who has ever lost anyone that they loved."

Comedian Wanda Sykes hosted the event, which also included performances from Sheila E, Hanson, Shontelle and the Alan Parsons Project. The day long festivities benefited eight respected local Southern California AIDS related non-profit organizations: AIDS Healthcare Foundation, AIDS Service Center, Bienestar, Charles Drew Mobile Testing, Children Affected by AIDS Foundation, In The Meantime, Magic Johnson Foundation and Whittier Rio Hondo AIDS Project. All proceeds raised will go towards the expansion of HIV/AIDS testing, education and prevention initiatives in Southern California and throughout the state.

More news for James Otto

CD reviews for James Otto

Shake What God Gave Ya CD review - Shake What God Gave Ya
The press release for James Otto's new album ends with a telling quote from Otto: "As much as there's all these different fractures of country music these days..." Otto has proven himself popular with the current crop of country music fans, and this CD should prove to be a popular addition. Otto is trying to position himself as the new king of country soul, whatever that may be. The "country soul" sound isn't new - Conway Twitty, Ronnie Milsap (who sings with »»»
Sunset Man CD review - Sunset Man
James Otto is a member of Muzik Mafia, and his second album reflects the eclectic influences of his troupe. The Washington State native combines country, rock, blues and soul on the 11 songs. He does everything from rockin' tunes about partying, "Ain't Gonna Stop," to the first single, the mid-tempo love song, "Just Got Started Lovin' You." Otto is also in full-party mode with the catchy tongue-in-cheek "Drink and Dial" and the R&B influenced "The Man That I Am. »»»
Days of Our Lives
"Days of Our Lives" is not based on the long-running soap opera, but some of the lyrics herein are almost as trite as the long-lost-evil-twin-sibling plotline. There's the requisite nostalgia for the young and restless days of "Misspent Youth," the wrestling with passions on "Miss Temptation" and "Lowdown on the High Life." "She Knows" is a retread of Garth's "If Tomorrow Never Comes" that is neither bold nor beautiful, and "The Ball" channels another Brooks ballad ("Unanswered Prayers. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Washburn, Fleck give reasons to be happy  – "I sing because I'm happy," sang Abigail Washburn toward the end of her show with fellow banjo picker (not to mention, husband) Bela Fleck in the closing number of the night "His Eye is on the Sparrow." Washburn had a lot of reason to be on this night in a beautiful setting at Harvard University. The two held court over two... »»»
Concert Review: For The Jayhawks, no reissues needed – The Jayhawks have not released any new music since 2011's "Mockingbird Time," but, well actually, there are reasons for one of the key contributors to the alt.-country music. In July, "Sounds of Lies" (1997), "Smile" (2000) and "Rainy Day Music" (2003) saw the light of day again in expanded reissue versions.... »»»
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Rock & Roll Time CD review - Rock & Roll Time
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Anything Goes CD review - Anything Goes
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Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines," »»»