Sign up for newsletter
 

Lynne, Moorer tour together for first time

Tuesday, September 7, 2010 – Sisters Shelby Lynne and Allison Moorer will launch their first ever tour together this fall.

They'll kick off the Side by Side Tour with an appearance at the 10th Annual Hardly Strictly Bluegrass Festival, held in San Francisco's Golden Gate Park, and bring it to a close with a homecoming show at the Saenger Theatre in Mobile, Ala. on Dec. 4. The sisters grew up in nearby Frankville.

They will accompany one another as they perform songs from throughout their respective careers and toss in a few cover songs as well. Fans can get a peak at rehearsals at http://www.shelbylynne.com/news/

Lynne's latest album, "Tears, Lies, And Alibis," recently debuted at16 on Billboard's Top Independent Albums chart. A Top 10 hit at Americana radio, it was her first record on her own newly founded label, Everso Records. She will release "Merry Christmas," her first-ever holiday collection, on Oct. 12 and a vinyl edition of "Tears, Lies, And Alibis" on Oct. 19

This spring, Moorer released "Crows." She often tours with husband Steve Earle. Moorer's 1998 song, "A Soft Place To Fall," was included on the soundtrack to the feature film The Horse Whisperer, which led to an appearance in the film itself, as well as an Academy Award nomination for Best Original Song. The opportunity gained her worldwide attention and set the stage for her career. Since, Moorer has been featured on releases by Joan Baez, Kid Rock, The Chieftains, Los Straightjackets and most recently the David Byrne & Fatboy Slim collaboration album, Here Lies Love. She was recently seen in The People Speak, a beautiful and moving film inspired by the late Howard Zinn's A People's History of the United States. The film, presented by the History Channel, also featured Bob Dylan, Bruce Springsteen, Eddie Vedder, Morgan Freeman, Matt Damon, Josh Brolin, Danny Glover and more. Moorer was also nominated for her first GRAMMY Award in 2007 for the song "Days Aren't Long Enough," a composition she co-wrote with her husband, the singer songwriter Steve Earle. .

Side by Side tour dates are:

Oct. 3 San Francisco, CA Golden Gate Park - Speedway Meadows Hardly Strictly Bluegrass Festival

Nov. 27 Tarrytown, NY The Tarrytown Music Hall

Nov. 29-30 Alexandria, VA The Birchmere

Dec. 4 Mobile, AL Saenger Theatre

More news for Shelby Lynne

CD reviews for Shelby Lynne

I Can't Imagine CD review - I Can't Imagine
Shelby Lynne really needs to figure out who she is if she ever wants to be something more than the answer to the trivia question "What artist won a Grammy for best new artist after releasing 6 albums over 12 years?" Is she a country singer? Blues? Is she Dusty Springfield reincarnated? Why can't she find a style and stick with it?" That's what they say anyway, but maybe they're wrong. Maybe Shelby figured out a long time ago who she was and how she wanted to sing. »»»
I Am Shelby Lynne (Deluxe Version) CD review - I Am Shelby Lynne (Deluxe Version)
The ironies surrounding Shelby Lynne's sixth album, 1999's "I Am Shelby Lynne," were as thick as mutant kudzu at the time. After a quintet of albums that garnered Lynne a ton of peer respect and negligible sales, the singer/songwriter extricated herself from a Nashville star machine that seemed determined to sculpt her talent in its witless image. Lynne moved to California, reinvented herself as herself, enlisted the talents of producer Bill Bottrell »»»
Revelatiom Road Deluxe Edition
It's been 14 years since Shelby Lynne released her soulful, country-tinged album "I Am Shelby Lynne." And over the course of that time, Lynne has had her share of ups and a few creative downs. However on this latest (reissued here with bonus tracks, a live club recording and a second live disc from London plus a DVD about the making the disc), Lynne tends to go into another soulful but equally roots-y realm on the opening title track. It's not a surprise she taps into this »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well – The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better – Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Cry Pretty CD review - Cry Pretty
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
My Way CD review - My Way
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards.  »»»
Let It Pass CD review - Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
Pretty Bird CD review - Pretty Bird
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether.  »»»
The Keep CD review - The Keep
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Cactus CD review - Cactus
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus,"  »»»