Sign up for newsletter
 

Chesney plays Vegas show on internet

Sunday, July 4, 2010 – Kenny Chesney just finished recording sessions for a new CD out in late September just prior to hitting Las Vegas this weekend for several shows.

Chesney rolled into his second night of his two-night stand at the Hard Rock Hotel & Casino's The Joint in Las Vegas, playing old favorites, obscure requests while beaming the show out the first night on his Internet only No Shoes Radio (www.NoShoesRadio.com).

"There is a feeling you get when you know you've got it," Chesney said of the upcoming record, his first true studio project since 2008's "Just Who I Am: Poets & Pirates." "We knew after the first weekend at the Joint, we wanted to broadcast live again - especially for all the fans who might not be able to afford to get to Vegas, because we're not getting to their towns this summer - but I also wanted to find a way to sort of all the music that led me to the point of this record."

Chesney leaned into former set pieces like How Forever Feels and Don't Happen Twice, as well as pulling out the rarely played "Boston" and requests the second night for The Coast of Somewhere Beautiful and Key Lime Pie.

"Hemingway's Whiskey" will be out Sept. 28. "Wrapping up my record made me think about all the songs I've sung, the music that's been made...and you know, you get into that place where you know there are songs people want to hear you just don't get to play. What better place to do something like that than the Joint? After all, it's really a loose show...without having to hit all the light cues and the video that's been shot."

"I mean, we've done a lot of video for this year, an especially cool piece for 'Live Those Songs Again' with a lot of classic Summer of Love concert posters. Bu there's also room to just play...and not feel like you're losing the momentum. The people it seems come to hear the band, the songs and maybe see a more relaxed night of music...I tell more stories. We pull stuff out of the crowd. It's a different vibe, but it's a really good one."

Chesney also in the final stages of work on "The Boys of Fall," his 18-month in the making documentary about high school football and its impact on the people who play it.

More news for Kenny Chesney

CD reviews for Kenny Chesney

Songs for the Saints CD review - Songs for the Saints
Kenny Chesney's "Song for the Saints" is a step in the right direction for the popular country star. Inspired by the Hurricane Irma disaster, which hit Chesney personally as it destroyed a house he owned in the U.S. Virgin Islands, these songs are more serious and heartfelt than typical Chesney music. Best of all is "Love for Love City," a reggae duet with Ziggy Marley incorporating steel drums into an inviting island mix. It's followed by a cover of Lord »»»
Live in No Shoes Nation: 10 Years of Concerts CD review - Live in No Shoes Nation: 10 Years of Concerts
Kenny Chesney's "Live in No Shoes Nation" accurately recreates an experience of seeing the diminutive party animal live. Chesney has found an extremely lucrative niche as country music's Jimmy Buffett (although much of Buffett's island-y pop music appeals to many of today's non-discerning country music listeners). Also, with songs like "Pirate Flag," Chesney has even borrowed a few of Buffett's sea-related lyrical themes. This live CD could have been »»»
Cosmic Hallelujah CD review - Cosmic Hallelujah
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). Nearly every song includes lines about drinking alcohol - and not merely for the taste. This content will please many of his hard-partying fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: These Eagles keep songs alive and well – The newly reconfigured Eagles lineup, which now includes Vince Gill and Deacon Frey in place of the late Glenn Frey, hasn't changed its set much since this modified grouping's debut at Dodger Stadium in 2017. Don Henley announced from the outset, though, how the group continues to tour primarily so it can keep the Eagles' many great songs alive.... »»»
Concert Review: Lovett could not have scripted it any better – Cerritos is a fair distance from Hollywood, but Lyle Lovett, who has accumulated a long list of acting credits, sometimes seemed like he was giving a company town performance this night. Maybe it was because Paul Reiser, the "Mad About You" star, introduced Lovett with a funny bit about what some of the man's songs mean (or don't mean).... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
Cry Pretty CD review - Cry Pretty
Carrie Underwood's life was reading straight from the storybooks: one of the few American Idol Winners with ongoing success; a professional athlete for a husband; a beautiful baby boy. The string of great fortune turned sharply in 2017, »»»
My Way CD review - My Way
Not one to rest on his laurels, Willie Nelson's second studio release of the calendar year finds the artist dipping back into the Great American Songbook. Previous collections, including 1978's stellar Stardust, 2009's "American Classic" and 2016's "Summertime: Willie Nelson Sings Gershwin," established Nelson as one of the finest modern interpreters of American standards.  »»»
Let It Pass CD review - Let It Pass
This is the swan song for The Stray Birds unfortunately, but at least they are parting with another musical triumph. This record barely got made as founding members, fiddler/guitarist/banjoist/vocalist Maya de Vitry and fiddle/guitarist/ »»»
Pretty Bird CD review - Pretty Bird
"Pretty Bird" is Kathy Mattea's first studio album in six years, following 2012's "Follow Me Home." The major reason for this gap was Mattea's realization that her voice was changing so much, she felt as if she was losing it altogether.  »»»
The Keep CD review - The Keep
New Reveille, a talented quintet from North Carolina, can boast the finest harmonies that any kind of music can offer. On their debut, New Reveille mine the early American sounds and make them sound fresh. It's a unique sound that embraces »»»
Cactus CD review - Cactus
Elise Davis tells stories and brings relatable, realistic lyrics rather overly relying on imagery, metaphors and symbolism. That was the general take on her widely acclaimed 2016 "The Token." Some of that assessment holds true again here on "Cactus,"  »»»