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Malo goes Tex-Mex route

Friday, June 25, 2010 – Self-produced in his home studio, Raul Malo ventures into Tex-Mex music with "Sinners & Saints," out Sept. 28 on Fantasy/Concord.

The disc follows 2009's album "Lucky One," Malo's Fantasy debut.

The music is rooted in Malo's lifelong connection to Latin music but infused with his wide-ranging love of country, blues, jazz and vintage rock.

In a departure from his past albums, Malo took his tracks from his home studio in Nashville to Austin. He entered longtime friend Ray Benson's Bismeaux Studios and finished the album with the help of Sir Douglas Quintet and Texas Tornado veteran Augie Meyers on the Vox Continental organ and, on the song Superstar, guitarist Shawn Sahm, Sir Douglas' son. The Trishas (Savannah Welch, Kelley Mickwee, Liz Foster and Jamie Wilson) provided background vocals. Accordionist Michael Guerra, known for his work with the Tex-Mex Experience, lent further Tejas authenticity to the sound.

"This is the hardest I've ever worked on an album," he said. "This really is about me and my point of view. I realized that after I'd done it. It reflects really how I feel about a lot of things. That's why this is as much of me as I've ever put on a record."

The title track opens the record, setting the album's tone thematically and musically. From his boyhood and through his years of coming of age in Miami, Malo spent many nights in neighborhood music rooms listening to local artists perform their Flamenco zarzuelas. Malo wrote "Sinners & Saints" by conjuring up those nights in his head, and playing his electric guitar with a cross between Flamenco melodicism and retro surf-twang. "It has no chorus, no repeatable line," he said, "And it's long. Purposefully long." The second track, "Living for Today," ventures into socio-political territory against an upbeat sound that includes chiming guitars, Meyers' Vox organ and the Trishas' backing vocals. In a musical space that includes the biting observations of Rodney Crowell, James McMurtry or Todd Snider, this song is a welcome addition. Speaking of Crowell, Malo provides a heart-felt reading of his modern-day standard "Til I Gain Control Again."

Malo recorded an original song called Superstar with several pals from the Texas Tornados. That and several other tracks feature Guerra's Tex-Mex accordion, as in San Antonio Baby. He also covers Los Lobos' Saint Behind the Glass.

More news for Raul Malo

CD reviews for Raul Malo

Sinners & Saints CD review - Sinners & Saints
When The Mavericks made headway in country/rock circles a while back, the band's sweet hooks were only one-upped by the unique vocal delivery of Raul Malo. His part-Orbison prowess and feel made songs like O What A Thrill and What A Crying Shame simply shine. But with The Mavericks calling it a day in 2003, Malo has steadily carved out an interesting and eclectic solo career. And his latest release - despite being only nine songs - proves he has a lot more left to give. »»»
Lucky One CD review - Lucky One
We've all heard pop songs cliches about how love is a gamble, with both winners and losers. Raul Malo seems to have rolled the dice and won. The title track brags, "Now I'm the lucky one, I'll always bee the lucky one." Malo describes himself as the jackpot during You Always Win, however, when he announces, "Baby you, you always win." When it comes to purchasing new music, Malo is about the surest bet out there. Beginning with The Mavericks, Malo has »»»
Hello Again CD review - Hello Again
Raul Malo is a singer's singer, a rarity in our image-conscious music world. And while he's long since given up on being strictly a country singer (if he ever even was one in the first place), Malo has always been blessed with the sort of Roy Orbison-esque voice that all true country fans can appreciate. "Hello Again" is a five-song EP preview of Malo's upcoming full-length CD, but to paraphrase an old Smokey Robinson song, sometimes a taste of Malo is worse than none at »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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