Sign up for newsletter
 

Young, Lady A lead Billboard charts

Thursday, May 13, 2010 – Chris Young is atop the Billboard Country Songs chart for the week ending May 22 with The Man I Want to Be with Lady Antebellum number 1 on the album chart with "Need You Now."

The Court Yard Hounds, the duo featuring Dixie Chicks Emily Robison and Martie Maguire, debuted in the top 10 overall, but did not chart on the country album chart.

Young assumed the top spot from Joe Nichols' Gimmie That Girl. Kenny Chesney remained third with Ain't Back Yet, as did Lady Antebellum at four with American Honey. Miranda Lambert was up two to fifth with The House That Built Me."

Eric Church broke into the top 10 - at 10 - with Hell on the Heart. Jerrod Niemann made it into the top 20 - at 19 - with Lover, Lover.

Carrie Underwood had the biggest mover with Undo It jumping from 29 to 23. Gary Allan made it to 30, up 1 with Get Off on the Pain. There was very little chart movement otherwise with many songs up one spot.

On the album chart, Zac Brown Band debuted in second with "Pass the Jar: Live from the Fabulous Fox Theatre In Atlanta." ZBB also was third with "The Foundation." Lambert was fourth with "Revolution, while Underwood was fifth with "Play On." Lady A's self-titled debut was up four to seven. Alan Jackson moved up three places to ninth with "Freight Train."

Josh Turner was up 3 to 16 with Haywire." Reba McEntire jumped 7 to 17 with "Keep on Loving You." Tim McGraw's "Southern Voice" was up 6 to 22. Danny Gokey's "My Best Days" stood at 24, up 3. Rascal Flatts also was up 3, to 27, with "Unstoppable."

Chely Wright debuted at 32 with "Lifted Off the Ground." Toby Keith's "American Ride" was up 3 to 33. George Twang moved up 3 to 37 with "Twang."

On the Billboard 200 overall chart, Lady A was second, the Courtyard Hounds 7th, Zac Brown 17 and 21, Lambert 23 and Underwood 30.

More news for Chris Young

CD reviews for Chris Young

It Must Be Christmas CD review - It Must Be Christmas
Song selection can sometimes seem fairly inessential whenever chosen by a master singer. Such is the case with "It Must Be Christmas," Chris Young's new holiday collection. He sounds as perfectly comfortable with the jazzy "I'll Be Home for Christmas," where its supper club vibe takes a little of the edge off one seriously sad song, as he does with the Phil Spector rock nugget "Christmas (Baby Please Come Home)." Young is also helped out by a few special guests. »»»
I'm Comin' Over CD review - I'm Comin' Over
Chris Young has enjoyed steady success from his previous four releases, and there's no reason to suggest that "I'm Comin' Over" won't do the same. But that doesn't mean that Young is doing anything all that different from what's au courant. Young's go to has always been his full-sounding, big-bodied voice, and that remains intact here throughout these 11 songs, 9 of which he had a hand in writing. His voice is front and center (that's apparent »»»
A.M. CD review - A.M.
The refrain from the title track from Chris Young goes "We're wide awake in the A.M." Based on the sounds emanating from Young on his fourth CD, he'd be awake at any hour if they listened to this music. Young came up through the ranks as what could be described as on the traditional side. Drinkin' Me Lonely from 2006 was evidence of that. But since country music is a moving target, Young's brand has modern flourishes. Lots. Unfortunately, it seems that Young - fine »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lane oversees her queendom – When Nikki Lane rolled into town on her current Stagecoach Spotlight Tour, she and her touring mates were under the weather. Although illness didn't keep Lane performing (she was in fine voice throughout), Robert Ellis was a last-minute scratch. His replacement, Jenny O, was one high caliber fill-in, however, and kept the bill strong.... »»»
Concert Review: The Surly Gentlemen prove anything but – For about the past six months, veteran bluegrassers Clay Hess, formerly of Kentucky Thunder, and Tim Shelton of NewFound Road, along with Clay's son Brennan, have collectively been The Surly Gentlemen. The trio's sound is probably best described as stripped down bluegrass meets singer/songwriter. These Surly Gents have been playing small... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
Wildhorse CD review - Wildhorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
Noam Pikelny is the most ingratiating musical iconoclast you're likely to come across. He has deep roots in the Americana genre, and his playing, on banjo in most contexts, is precise and brilliant. Pikelny has produced a string of outstanding solo records, most recently "Universal Favorite."  »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»