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Young, Lady A lead Billboard charts

Thursday, May 13, 2010 – Chris Young is atop the Billboard Country Songs chart for the week ending May 22 with The Man I Want to Be with Lady Antebellum number 1 on the album chart with "Need You Now."

The Court Yard Hounds, the duo featuring Dixie Chicks Emily Robison and Martie Maguire, debuted in the top 10 overall, but did not chart on the country album chart.

Young assumed the top spot from Joe Nichols' Gimmie That Girl. Kenny Chesney remained third with Ain't Back Yet, as did Lady Antebellum at four with American Honey. Miranda Lambert was up two to fifth with The House That Built Me."

Eric Church broke into the top 10 - at 10 - with Hell on the Heart. Jerrod Niemann made it into the top 20 - at 19 - with Lover, Lover.

Carrie Underwood had the biggest mover with Undo It jumping from 29 to 23. Gary Allan made it to 30, up 1 with Get Off on the Pain. There was very little chart movement otherwise with many songs up one spot.

On the album chart, Zac Brown Band debuted in second with "Pass the Jar: Live from the Fabulous Fox Theatre In Atlanta." ZBB also was third with "The Foundation." Lambert was fourth with "Revolution, while Underwood was fifth with "Play On." Lady A's self-titled debut was up four to seven. Alan Jackson moved up three places to ninth with "Freight Train."

Josh Turner was up 3 to 16 with Haywire." Reba McEntire jumped 7 to 17 with "Keep on Loving You." Tim McGraw's "Southern Voice" was up 6 to 22. Danny Gokey's "My Best Days" stood at 24, up 3. Rascal Flatts also was up 3, to 27, with "Unstoppable."

Chely Wright debuted at 32 with "Lifted Off the Ground." Toby Keith's "American Ride" was up 3 to 33. George Twang moved up 3 to 37 with "Twang."

On the Billboard 200 overall chart, Lady A was second, the Courtyard Hounds 7th, Zac Brown 17 and 21, Lambert 23 and Underwood 30.

More news for Chris Young

CD reviews for Chris Young

A.M. CD review - A.M.
The refrain from the title track from Chris Young goes "We're wide awake in the A.M." Based on the sounds emanating from Young on his fourth CD, he'd be awake at any hour if they listened to this music. Young came up through the ranks as what could be described as on the traditional side. Drinkin' Me Lonely from 2006 was evidence of that. But since country music is a moving target, Young's brand has modern flourishes. Lots. Unfortunately, it seems that Young - fine »»»
Neon CD review - Neon
Chris Young has a fine voice, which is at its best whenever the vocalist dips down into his lower register. However, Young is a good, not great, singer, which means his new "Neon" album rises and falls with its song quality. The single Tomorrow sports an excellent lyric, which smartly expresses conflict over whether or not a relationship is truly over for good. Another fine song is Flashlight. The flashlight a father lets his son hold, while pop would work on a car at night, inspired its unusual title. »»»
The Man I Want to Be CD review - The Man I Want to Be
The now-defunct competition that was Nashville Star produced few significant artists, aside from Miranda Lambert, who finished third in the 2003 edition. Chris Young, the 2006 winner, may have something to say about that with a sophomore album that plays on his strengths - chiefly, a neo-traditional sound coupled with a warm baritone. The Tennessee native's act runs deeper than your average cowboy-hat wearing, mid-20's country act. He delves into difficult subjects like The Dashboard about a U.S. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: MerleFest Day 4: fest closes with everything from hymns to honky tonk – For the final day of MerleFest 2015, the programming ran from gospel music in the morning to the barroom honky-tonk of Dwight Yoakam's closing set. That wide range is what makes the festival such a success as it carries on the "traditional plus" design of the late Doc Watson. With the Avett Brothers in town for their Saturday night... »»»
Concert Review: MerleFest Day 3: it's homecoming day – A wet and overcast day did little to dampen the spirits of the artists or the audience at MerleFest on Saturday; typically the busiest day of the four-day long festival. With home-state heroes The Avett Brothers headlining the Watson Stage, it felt like a homecoming celebration all day long. Friday may have been the day for new talent to shine, but... »»»
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